. . . Her head inclined forward without moving, for she was looking fixedly at a young man who lay at her feet. The man was disfigured with wounds, but seemed to rouse himself a little as from a deep sleep, almost of death itself. Pain had clenched his eyes, but the sight of the maiden drew them toward her. He collected his breath, heaved a deep sigh, and murmured faintly. "My sweet," said he, "are you truly safe, or are you too a casualty of the war?"The Romance novel didn't begin with Kathleen Woodiwiss or even with the Bronte sisters. By the time Heliodorus wrote his "Aethiopica"--or "Ethiopian Romance"--in the third century, the genre was already impressively developed. Heliodorus launches his tale of love and the quirks of fate with a bizarre scene of blood, bodies, and booty on an Egyptian beach viewed through the eyes of a band of mystified pirates. The central love-struck characters are Charicles, the beautiful daughter of the Ethiopian queen, and Theagenes, a Thessalian aristocrat. The story unfolds with all the twists and devices any writer would employ today, with the added attractions of dreams, oracles, and exotic locales in the ancient Mediterranean and Africa.Hadas's was the first modern English-language translation of this story, which was first translated into English in 1587 and was a favorite among the Elizabethans. His version of this earliest extant Greek novel remains accessible and appealing." -- back cover.The novel is thought to have originally been written in the 2nd or 3rd century A.D. Nothing is known about the author, Heliodorus.

    Africans have just as many frustrations relating to the Westerners in their midst. Each uses and manages money and other resources in very different ways, and these differences create many misunderstandings and frictions. The author deals with everyday life in Africa. He first introduces the very different goals of African and Western economic systems and then presents ninety observations of African behaviors related to money matters. Explanatory comments are given that show how each one works out in real life. He illustrates his and others' experiences with anecdotes from across the continent. Drawings by two African artists add further clarity to the text as they capture Africans and Westerners in authentic situations. The result is that the reader is able to make sense of customs that at first seem incomprehensible. This book will be of interest to Westerners living, working, or traveling in sub-Saharan Africa: business, government, diplomatic, and NGO personnel, religious workers, journalists, development sociologists, and tourists. The audience also includes professors and students in African studies. Africans will also be interested for what it reveals about Western culture and many of the significant ways Westerners react to Africa. David Maranz, Ph.D., has lived and worked with SIL International in Cameroon, Senegal, and several other countries in Africa since 1975. He has worked in community development, anthropology, administration, and as an international anthropology consultant. He has a Ph.D. in International Development. His earlier book, Peace is everything, examines the worldview and religious context of the people in the Senegambia region of West Africa.

    "In the Irish, Bengali and Ethopian famines, ideology, mindsets of governments, racial preconceptions and administrative incompetence were more lethal than the initiating blight, the loss of potatoes or rice or the grain named teff."--Dust cover.

    As Grant shows, Garvey was a man of contradictions: a self-educated, poetry-writing aesthete and unabashed propagandist, an admirer of Lenin, and a dandy given to elaborate public displays. Above all, he was a shrewd promoter whose use of pageantry evoked a lost African civilization and fired the imagination of his followers. Negro With a Hat restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century. "A searching, vivid, and (as the title suggests) complex account of Garvey's short but consequential life." --Steve Hahn, The New Republic "The story of Marcus Garvey, the charismatic and tireless black leader who had a meteoric rise and fall in the late 1910s and early '20s, makes for enthralling reading, and Garvey has found an engaging and objective biographer in Colin Grant.... Grant's book is not all politics, ideology, money and lawsuits. It is also an engrossing social history.... Negro With a Hat is an achievement on a scale Garvey might have appreciated." --New York Times Book Review "Dazzling, definitive biography of the controversial activist who led the 1920s 'Back to Africa' movement.... Grant's learned passion for his subject shimmers on every page. A riveting and well-wrought volume that places Garvey solidly in the pantheon of important 20th-century black leaders." --Kirkus Reviews (Starred Review) "This splendid book is certain to become the definitive biography. Garvey was a dreamer and a doer; Grant captures the fascination of both." --Publishers Weekly (Starred Review) "Grant's strength lies in his ability to re-create political moods and offer compelling sketches of colorful individuals and their organizations.... An engaging and readable introduction to a complicated and contentious historical actor who, in his time, possessed a unique capacity to inspiredevotion and hatred, adulation and fear." --Chicago Tribune "A monumental, nuanced and broadly sympathetic portrait." --Financial Times

    President Adini, dictator and eunuch, clings to power whilst his soldiers switch sides so often they don't know which uniform to wear. All in all, Zambawi is not the ideal location for student teacher Jim Tulloh to indulge in a spot of character building. Yet with the help of Musa, the local witchdoctor, some flatulent weed and headmaster, PK, Jim's days look set to be mellow in the extreme; until that is Jim is kidnapped from his bush school by the rebel Black Boot Gang. But it is when the Gangers invoke the spirit of Zambawi's Great Chief Tuloko that Jim's fate takes a really unexpected turn . . .

    Despite all the tortures and cruelties, this is a moving testimony of a woman who started from the very bottom of society but who is aiming for the very top.

    This collection of photographs captures these accoutrements.

    This is the story of how things fell apart.’The years between 1983 and 1993 were momentous for Nigeria. Military rule was a time of increased violence, rampant corruption, coups, coup plotting and coup baiting. It moulded the conditions and character of Nigeria today, forcing seismic changes on the political, economic and religious landscape that nearly tore the country apart on several occasions.Soldiers of Fortune is a fast-paced and thrilling narrative of the major events of the Buhari and Babangida era. The book draws on previously uncovered observations from interviews conducted with insiders (including a former member of the Brigade of Guards and Nigerian Airways personnel who witnessed the attempted kidnap of Umaru Dikko), to compile step-by-step dramatic reconstructions of disputed events and intrigues. Siollun’s fresh perspective challenges preconceived views to reveal the true story behind controversies of the period: the annulment of the June 12 election, the dubious execution of Mamman Vatsa, the foiled kidnapping of Umaru Dikko, the Orkar coup and the inconclusive case of the assassination of Dele Giwa.Historian Max Siollun gives an intimate, fly-on-the-wall portrait of the major events and dramatis personae of the period. He paints a vivid picture of leaders such as Ibrahim Babangida, whose ‘amiable personality, effusive charm and warm bonhomie’ distracted from his determined grip on power, political cunning and retention of detested laws. Siollun also relates anecdotes from how ‘pillow talk’ had a role in the 1983 coup, to the troubled final hours of the condemned Mamman Vatsa, childhood friend of Babangida. We are reminded of the important role played by civilians in supporting and sponsoring successive coups, and as such, we are forced to reassess apparent heroes such as the business tycoon, M.K.O Abiola.Alongside its close-up, dramatised narrative, Soldiers of Fortune also provides clear and detailed analysis of the period, revealing Nigerians’ complicity in the corruption of everyday life. It makes use of charts, lists and neatly delineated sections to pick apart the complex and often murky details of military rule, effectively demonstrating how the key events and protagonists of the period had a long-lasting impact which still resonates throughout Nigeria today.Both gripping and informative, Soldiers of Fortune is a must-read for all Nigerians and Nigeria-watchers. Its dramatic narrative style and clear attention to detail will engage casual, journalistic and academic readers alike.

    In The Blue Nile, Alan Moorehead continues the classic, thrilling narration of adventure he began in The White Nile, depicting this exotic place through the lives of four explorers so daring they can be considered among the world's original adventurers -- each acting and reacting in separate expeditions against a bewildering background of slavery and massacre, political upheaval and all-out war.

    1 Ladies' Detective Agency series

    Discover how to source and use the tantalizing seasonings and savory ingredients that are the foundation of these unique dishes. Kittee introduces the holy trinity of Ethiopian cooking: a berbere spice blend, injera (the fermented sourdough staple), and ye qimem zeyet, a veganized clarified butter. Armed with these basics, you'll be ready to dazzle your family and friends with many of the popular dishes found on veggie combo platters in restaurants all over North America. From saucy wots, spicy stews, and succulent stir-fries to traditional injera-based dishes and fusion foods that blend these unique seasonings into a range of family favorites, fans of this cuisine will be thrilled. Recipes are almost entirely gluten- and soy-free, or can be made so with easy adaptions. You'll also find tips on tools and equipment to time-saving techniques and menu suggestions. Just pull up a mesob (a traditional woven stand or basket), perch your platter on top, and get ready to party Ethiopian style!

    When he arrives in Ethiopia on an archeological trip, his only interest is to raid as much of the country's lost treasures as possible so that he can make big bucks on his return to the States. The last thing he expects is to be held captive in the six-thousand-year-old buried city of Telassar, ruled by the beautiful Queen Candace. In Queen Candace's glittering palace, surrounded by diamonds, rubies, sapphires — wealth beyond his wildest dreams — Reuel discovers his true Blackness and the painful truth about blood, race and the "other half" of his history which has never been told.Relevant, thought-provoking, and entertaining, Hopkins’s novel is intended, in her own words, to “raise the stigma of degradation from [the Black] race” and its title, Of One Blood, refers to the biological kinship of all human beings.

    Follow the notorious insurrectionist, Barabbas, coming of age in the days when Romans ruled the ancient land of Cana surrounding the Sea of Galilee. The Lost Gospel of Barabbas invites the reader to join the young Barabbas as he faces his own demons and begins the journey down the road that will lead him to his ultimate destiny. A road of love, anguish and revenge.

    Sometimes dark, sometimes funny, and often magical, his childhood memories are vividly portrayed and give the reader a snapshot of a time and lifestyle that has all but disappeared.

    In the early 1980s, thousands of Ethiopian Jews fled the civil unrest, famine and religious persecution of their native land in the hopes of being reunited in Yerusalem, their spiritual homeland, with its promises of a better life. Wuditu and her family risk their lives to make this journey, which leads them to a refugee camp in Sudan, where they are separated. Terrified, 15-year-old Wuditu makes her way back to Ethiopia alone. "Don't give up, Wuditu! Be strong!" The words of her little sister come to Wuditu in a dream and give her the courage to keep going. Wuditu must find someone to give her food and shelter or she will surely die. Finally Wuditu is offered a solution: working as a servant. However, she quickly realizes that she has become a slave. With nowhere else to go, she stays -- until the villagers discover that she is a falasha, a hated Jew. Only her dream of one day being reunited with her family gives her strength -- until the arrival of a stranger heralds hope and a new life in Israel. With her graceful long neck, Wuditu is affectionately called "the giraffe." And like the giraffe who has no voice, she must suffer in silence. Based on real events, Wuditu's story mirrors the experiences of thousands of Ethiopian Jews.