His professor, the renowned E. C. Mabie, remarked as he got up and dismissed the seminar, "Well, we all have to paint our nudes!" Tom's earlier comment in his journal that the play "is well-constructed, no social propaganda, and is suitable for the commercial stage" seems accurate enough in 1999, but woefully naive deep in the Depression when the play's sexual explicitness—particularly its matter-of-fact acceptance of a woman's right to her own sexuality—would have been seen as not only shocking but also politically radical. Spring Storm would later be disavowed by the author as "simply a study of Sex—a blind animal urge or force (like the regenerative force of April) gripping four lives and leading them into a tangle of cruel and ugly relations."But the solid and deft characterizations of the four young people whose lives intertwine—the sexually alive Heavenly Critchfield, her earthy lover Dick Miles, Heavenly's wealthy but tongue-tied admirer Arthur Shannon, and the repressed librarian Hertha Nielson who loves Arthur—are archetypes of characters we will meet again and again in the Williams canon. Epic in scope, a bit melodramatic in execution, tragic in outcome, Spring Storm created a wave of excitement among theatre insiders when it was given a staged reading at The Ensemble Studio Theatre's Octoberfest '96. This edition has been prepared, with an illuminating introduction, by Dan Isaac, who initiated the Octoberfest production.

    This adaptation offers readers the exquisite wordplay, beguiling comedy and fierce intelligence found in all of Kushner's work.The Illusion follows a contrite father, Pridamant, seeking news of his prodigal son from the sorcerer Alcandre. The magician conjures three episodes from the young man's life. Inexplicably, each scene finds the boy in a slightly different world: names change, allegiances shift and fairy-tale simplicity evolves into elegant tragedy. Pridamant watches, enthralled by the boy's struggles, but only as the strange tale reaches its conclusion does the father confront the ultimate-and unexpected-truth about his son. An enchanting argument for the power of theatrical imagination over reality, "The Illusion" weaves obsession and caprice, romance and murder, fact and fiction, into an enticing exploration of the greatest illusion of all-love.

    A fictional town full of very real people who survive the attack of Hurricane Hugo and then find their bearings in the aftermath—often in wild and hilarious ways. The days leading up to the impending disaster are not at all unusual—no portents of disaster, no signs of impending calamity. Bryce works his night shift at the hot dog factory, Isaac drives the bus to school, Evelyn attends a funeral. But when the electricity fails in the middle of the night on September 21, 1989, it marks the moment when everything will change: Hugo has arrived.The storm builds, the wind whips by faster and faster, and interpersonal dramas, grudges, and rivalries are dredged up along with the flotsam and debris. Meanwhile, flood markers, painted red, track the height of the water from past rainstorms, and as the creek level rises higher than ever before, so do the emotions of the townspeople.Alternating between weather forecasts and short stories, Floodmarkers is an exquisitely crafted day-in-the-life of a town. And as Nic Brown has us look bravely at the eye of the storm, he cleverly shows us that human nature can stir up a spectacular tempest all its own.

    In scenes of a mixture of pride, madness, and comedy, Carlos plays out his role as deity among the naked islanders, living a fantasy that most readers will find believable, if horrific. Along with the horror, the book does offer some beautiful moments of discovery, as when, as Winkler narrates, the ship takes the Mona Passage to Jamaica...we hear of an Edenic island, green and aromatic, opened like a wildflower. For all of its scenes of braggadocio and brutality, the book often works on you like that vision."--Alan Cheuse, NPR, All Things Considered"Readers are transported to Jamaica, into Winkler's richly invented 16th century, where his flawless prose paints their slice of time, in turn both brutally graphic and lyrically gorgeous. Comic, tragic, bawdy, sad, and provocative, this is a thoroughly engaging adventure story from a renowned Jamaican author, sure to enchant readers who treasure a fabulous tale exquisitely rendered."-- Library Journal "A tale of the frequently tragic--and also comic--clash of races and religions brought on by colonization...Anthony Winkler spins an enlightened parable, rich in historical detail and irony."-- Shelf Awareness "Darkly irreverent...With a sharp tongue, Winkler, a native of Jamaica, deftly imbues this blackly funny satire with an exposé of colonialism's avarice and futility."-- Publishers Weekly "With perceptive storytelling and bracing honesty, Mr. Winkler, author of a half-dozen well-reviewed books, has a lovely way of telling a good story and educating concurrently...God Carlos teaches history in a subtle but meaningful way. Too literary to be lumped in with typical historical fiction, and too historical to be lumped in with typical literary fiction, God Carlos defies categorization."-- New York Journal of Books "God Carlos provides a welcome opportunity to glimpse...the lives of ordinary people, both European and Caribbean, as they experience the calamitous effects of the encounter of two worlds."-- Sargasso: A Journal of Caribbean Literature, Language, & Culture "The author's piercing narrative drives home...Here, Winkler's brilliance as a storyteller is unmistakable...God Carlos is a literary tour de force--atmospheric and incisive. It effuses raw emotion--perplexing, bewildering, and dark...On multiple levels, Winkler proves his salt as a genuine raconteur...the architect of an invaluable literary work."-- The Jamaica Gleaner "Well-written...Winkler's descriptions of sea and sky as seen from a sailing ship, and of the physical beauty of Jamaica, are spot-on and breathtaking."-- Historical Novel Review "In God Carlos and The Family Mansion, Anthony Winkler, the master storyteller, has provided us with texts of both narrative quality and historical substance that should find place in the annals of Caribbean literature."--SX SalonGod Carlos transports us to a voyage aboard the Santa Inez, a Spanish sailing vessel bound for the newly discovered West Indies with a fortune-seeking band of ragtag sailors. She is an unusual explorer for her day, carrying no provisions for the settlers, no seed for planting crops, manned by vain, arrogant men looking for gold in Jamaica.Expecting to make landfall in paradise after over a month at sea, the crew of the Santa Inez instead find themselves in the middle of a timid, innocent people--the Arawaks--who walk around stark naked without embarrassment and who venerate their own customs and worship their own Gods and creeds. The European newcomers do not find gold, only the merciless climate that nourishes diseases that slaughter them. That the Arawaks believed that the arrivals were from heaven makes even more complicated this impossible entanglement of culture, custom, and beliefs, ultimately leading to mutual doom.

    Includes: Accident Waiting to Happen * Bride's Lament * Cold Feets * I Am Aldolpho * I Remember Love * Show Off * Toledo Surprise * and more.

    She leaves behind an extraordinary and acclaimed body of work - but she also leaves a legacy of secrets and emotional damage that will take months to unravel.

    Instructions for a Heatwave finds her at the top of her game, with a novel about a family crisis set during the legendary British heatwave of 1976. Gretta Riordan wakes on a stultifying July morning to find that her husband of forty years has gone to get the paper and vanished, cleaning out his bank account along the way. Gretta's three grown children converge on their parents' home for the first time in years: Michael Francis, a history teacher whose marriage is failing; Monica, with two stepdaughters who despise her and a blighted past that has driven away the younger sister she once adored; and Aoife, the youngest, now living in Manhattan, a smart, immensely resourceful young woman who has arranged her entire life to conceal a devastating secret. Maggie O'Farrell writes with exceptional grace and sensitivity about marriage, about the mysteries that inhere within families, and the fault lines over which we build our lives—the secrets we hide from the people who know and love us best. In a novel that stretches from the heart of London to New York City's Upper West Side to a remote village on the coast of Ireland, O'Farrell paints a bracing portrait of a family falling apart and coming together with hard-won, life-changing truths about who they really are.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    The year is 1976, and the family, Frank McKotch, an eminent scientist; his pedigreed wife, Paulette; and their three beautiful children has embarked on its annual vacation at the Captain's House, the grand old family retreat on Cape Cod. One day on the beach, Frank is struck by an image he cannot forget: his thirteen-year-old daughter, Gwen, strangely infantile in her child-sized bikini, standing a full head shorter than her younger cousin Charlotte. At that moment he knows a truth that he can never again unknown something is terribly wrong with his only daughter. The McKotch family will never be the same.Twenty years after Gwen's diagnosis with Turner's syndrome, a genetic condition that has prevented her from maturing, trapping her forever in the body of a child, all five family members are still dealing with the fallout. Each believes himself crippled by some secret pathology; each feels responsible for the family's demise. Frank and Paulette are acrimoniously divorced. Billy, the eldest son, is dutiful but distant, a handsome Manhattan cardiologist with a life built on compromise. His brother, Scott, awakens from a pot-addled adolescence to a soul-killing job, a regrettable marriage, and a vinyl-sided tract house in the suburbs. And Gwen is silent and emotionally aloof, a bright, accomplished woman who spurns any interaction with those around her. She makes peace with the hermetic life she's constructed until, well into her thirties, she falls in love for the first time. And suddenly, once again, the family's world is tilted on its axis.Compassionate yet unflinchingly honest, witty and almost painfully astute, The Condition explores the power of family mythologies, the self-delusions, denials, and inescapable truths that forever bind fathers and mothers and siblings.

    . . Assigned toAdventure said the motto on our buttons. The last thing we knewBefore we left with our satchels concerned how love withdrawsMoving backward taking with it everything, our names, this way.Dara Wier directs the MFA program at University of Massachusetts, Amherst. This is her ninth book, and first new collection of poetry since 2006.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    When Ingrid has written her final letter she disappears from a Dorset beach, leaving behind her beautiful but dilapidated house by the sea, her husband, and her two daughters, Flora and Nan.Twelve years later, Gil thinks he sees Ingrid from a bookshop window, but he’s getting older and this unlikely sighting is chalked up to senility. Flora, who has never believed her mother drowned, returns home to care for her father and to try to finally discover what happened to Ingrid. But what Flora doesn’t realize is that the answers to her questions are hidden in the books that surround her. Scandalous and whip-smart, Swimming Lessons holds the Coleman family up to the light, exposing the mysterious truths of a passionate and troubled marriage.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    For different reasons, the Brinkleys’ two previous daughters-in-law hadn’t been able to resist Rachel’s maternal control and Anthony’s gentle charm and had settled into their husbands’ family without rocking the boat. But Charlotte—very young, very beautiful, and spoiled—has no intention of falling into step with the Brinkleys and wants to establish her own household. Soon Rachel’s sons begin to think of their own houses as home and of their mother’s house as simply the place where their parents live—a necessary and inevitable shift of loyalties that threatens Rachel’s sense of herself, breaks Anthony’s heart, and causes unexpected consequences in all the marriages. Then a crisis brings these changes to the surface, and everyone has to learn what family love means all over again.

    Karen Rizzo wraps a timeless drama about the love between mothers and daughters in a fresh, snappy package for the social media age.” —CHRISTINA SCHWARZ, author of The Edge of the Earth and Drowning Ruth, an Oprah’s Book Club SelectionBefore there were Real Housewives and Tiger Moms, the was Ruth Sternberg, the hugely popular First Mother of Mommy Blogging—or, as Ruth’s daughter, Abbie prefers to call her, the First Lady of Cyber Exploitation.Eighteen year-old Abbie has finally found her way out of the limelight, by moving a solid five hundred miles away from Ruth and her “maternal instincts.” But when she hears that her ailing, beloved grandmother is moving in with Ruth, she suspects that her mother has found a new blog subject to exploit. Abbie kidnaps Grandma to save her from the same fate, and thus begins an uproarious battle of wills. Famous Baby wisely and hilariously explores mother love, identity, and the hazards of parental over-sharing in the social media age.Karen Rizzo, who lives with her actor husband and two children in Los Angeles, California, is the author of Things to Bring, S#!T to Do… and Other Inventories of Anxiety, a memoir centered around her penchant for lists. Her writing has appeared in the Los Angeles Times, Salon, Fit Pregnancy, and women’s humor anthologies, and her plays have been staged at several theatres. Famous Baby is her first novel.