England. Jean, a young and somewhat ignorant woman, is engaged to the politician Stonor, who is up for election for Cabinet Minister. At her aunt Lady John's house, she meets the beautiful and mysterious Miss Levering, an independent lady who has lived through a great deal in her past and is now fighting for women's rights. When Jean hears Miss Levering talk about the horrible situation of young, poor and homeless women in England, she is shocked. Slowly she gets interested in the suffragette's movement, something her fiancé did not expect to be so strong. But then Jean learns that Stonor's annoyance about her involvment in the matter and her interest in Miss Levering has other reasons that dive into his past.

    But, awaiting his arrival, slowly Beatie realizes he will never come and her famous final speech exults that Ronnie has taught her independence and how to free herself from him.4 women, 5 men

    But Marty is trapped in an unhappy marriage and nothing can come of it. Meanwhile, Peggy is desperate to marry her long-term boyfriend Pete. But Peggy’s staunchly Catholic parents would never accept a Protestant son-in-law, and she decides the only way to resolve her issues is to escape to a place where nobody can find her.With no job, no family to stay for and no hope of a future with Marty, an unexpected job offer from America offers Irene a lifeline. But it would mean never seeing Marty again. Will Irene and Peggy solve their problems by running away – or should they follow their hearts back home to Liverpool? An inspirational tale of love and friendship, perfect for fans of Kitty Neale and Lyn Andrews.

    The Globe and Mail describes THE MEMORY OF WATER as "both gloriously funny and deeply felt Indeed, THE MEMORY OF WATER is so funny that it appears at first to be pure black comedy, with the newly bereaved sisters indulging wildly in witty bickering and dope-induced dress-ups Their quarrels over the fu-neral arrangements, their well-worn family roles, their unsatisfactory men and their mixed memories of a highly feminine working-class mother are hilarious In THE MEMORY OF WATER, [Shelagh Stephenson] skillfully charts the joyous and painful territory of family relationships with insight and compassion."

    By turns sad and funny, satiric and moving, Alan Ayckbourn's intelligent British comedy Woman in Mind charts, without sentimentality or heartless irony, a frowsy middle-aged Englishwoman's hopeless descent into psychosis.

    The Glanville clan includes Edwin, a retired bishop who has lost his faith; his wife Marta, a controversial anthropologist and child of the Warsaw Ghetto; their son, Clement, a celebrated gay painter traumatized by the death of his twin; and their daughter, Susannah, a music publicist recovering from an affair with a convicted murderer. Each of them must face down a personal demon--Clement's work and reputation are violently attacked and his privacy is shattered, Susannah's exploration of the kabbalah transports her into the closed world of Chassidic Jews and a seemingly impossible love, and Edwin's illness forces Marta to confront the horrors of her past. These memorable figures are portrayed with wit, wisdom, and shattering emotional power.

    It was first staged in 1976 at the Royal Court Theatre Upstairs and revived at the National Theatre in 1996.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    The play was an original commission by Radio 2 to mark the 40th anniversary of Pink Floyd s album, and broadcast on 26 August 2013. Produced in collaboration with Sir Tom Stoppard s publishers Faber and Faber, the luxury package resembles a hard-backed book, including a CD carrying the 54-minute play, which includes the majority of The Dark Side of the Moon album, plus a 56-page bound insert of the play s script. "Darkside" is an abstract and compelling drama which follows Emily, a philosophy student, through a series of thought experiments, which are vividly brought to life. The play also ranges over a series of grand themes, which are both thought provoking and laced with Stoppard s characteristic wit and humour. The cast is impressive, with Bill Nighy as Dr Antrobus/the Witch Finder, Rufus Sewell is Mr Baggott/Ethics Man, Adrian Scarborough is Fat Man and Emily is Amaka Okafor.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    But when Andrea Kelly’s house burns down, taking all her earthly possessions with it, it’s the distant and aloof Doctor David Adams – the person she would least expect – who opens his door not just to her, but to her three kids and slightly dotty elderly mother as well. Andrea needs all the help she can get, dealing with aftermath of the fire and in the suspicious absence of her husband, Jonathan. But, as she gets to know David and his troubled son, Jake, she begins to realise that maybe they need her help as much as she needs theirs … Previously published by the author. Revised and updated by Choc Lit May 2016.

    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Young, beautiful and successful, they have the world at their feet. Then a cigarette box and an ill-considered remark spark off a relentless series of revelations and other more dangerous secrets are painfully exposed. Priestley wrote this play to prove that a novelist could write an effective play using the strict economy of the stage. It was first produced at the Lyric Theatre in May 1932, with Flora Robson in the role of Olwen Peel, Richard Bird as Robert Caplan and Marie Ney as Freda Caplan. In his biography of Priestley, Vincent Brome wrote of Dangerous Corner: "Directed by Tyrone Guthrie, it ran for just five performances, then the backers withdrew their support. Priestley took a cold hard look at the situation, made some swift calculations with his agent A.D. Peters, and plunged in daringly to rescue it. He was by now a relatively rich man and he drew on the accumulatuion of royalties to keep the play running at a loss. In the end his audacity paid off. The destructive notices in the daily press were followed by favourable reviews by Ivor Brown in the Observer and James Agate in the Sunday Times. It became one of the most popular plays Priestley ever wrote."

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.