With anti-immigrant sentiment rising around the country, and presidential elections on the horizon, it’s no surprise immigration reform is on every candidate’s agenda. While some candidates offer viable solutions, others perpetuate negative stereotypes and unpractical resolve. Ramos fearlessly questions political tactics, and has undoubtedly become the voice of the Latino vote in the US. It is now more important than ever to remember the role immigrants play in enriching our economy and culture, and to find a way to incorporate the millions of productive, law-abiding workers who have been drawn to the United States by the inexorable pull of freedom and economic opportunity.  In this timely book, award-winning journalist Jorge Ramos makes the case for a practical and politically achievable solution to this poignant issue. Ramos argues that we have a simple choice: to take a pragmatic approach that deals with the reality of immigration, or to continue a cruel and capricious system that doesn’t work, wastes billions of dollars, and which stands in direct opposition to our national principles.

    Never have East and West come as close as they are today, yet we are still baffled by one another. Is our mantra "To thine own self be true"? Or do we believe we belong to something larger than ourselves--a family, a religion, a troop--that claims our first allegiance? Gish Jen--drawing on a treasure trove of stories and personal anecdotes, as well as cutting-edge research in cultural psychology--reveals how this difference shapes what we perceive and remember, what we say and do and make--how it shapes everything from our ideas about copying and talking in class to the difference between Apple and Alibaba. As engaging as it is illuminating, this is a book that stands to profoundly enrich our understanding of ourselves and of our world.

    Her new preface considers the geisha today as a vestige of tradition as Japan heads into the 21st century.

    From radically different backgrounds yet with a common legacy, having grown up in post-handover Hong Kong, these young people have little attachment to the era of British colonial rule or today's China. Instead, they see themselves as Hong Kongers, an identity both reinforced and threatened by the rapid expansion of Beijing's influence. Amid great political and social uncertainty, Generation HK is trying to build a brighter future. Theirs is a truly captivating coming-of-age story that reflects the bitter struggles beneath the gleaming facade of modern Hong Kong.

     Makoto Saigo could have been a rock star. Instead he became a yakuza. Born in Japan, but the son of an American-born Japanese woman—who moved back to Japan to avoid internment camps—Saigo  was never a typical Japanese boy. As a child, other children referred to him as “a damn American,” or simply a “non-person.” He was always an outsider, but as a teenager in 1970s Tokyo he found his tribe in Japan’s notorious motorcycle gangs—the Bōsōzuko. His life was full of speed, whether synthetically through crystal meth, mechanically from the engine of his bike, or rhythmically as he played guitar for Japan pioneering punk-rock group Gedo. But a chance encounter—and perhaps a bit too much lust for life that kept leading him to Toyko’s notorious red light district—placed him on a different path of becoming a boss in the Inagawa-kai, the country’s third largest organized-crime group.   Full of swordfights, gun battles, finger amputation, rock ‘n’ roll, financial crimes, gang wars, tattoos, and personal vendettas, Saigo’s story is one of a kind. But it is not the only story told here. The Last Yakuza also tells the history of the yakuza since World War II, and explains how the yakuza became so entrenched in Japan. Saigo’s life is the axis around which tales of yakuza life and their role in Japanese society are told. It is the story of one yakuza boss—not a good man, but a man with a code of honor—and the history of the rise and fall of Japan’s underworld as it is almost literally tattooed on his body and charted by his missing finger.(With 8 pages of black-and-white illustrations.)From the Hardcover edition.

    With The Parent's Tao Te Ching, William Martin beautifully re-interpreted Lao Tzu's Tao Te Ching -- one of the world's oldest and most widely read books of wisdom -- expressly for parents. Now, he distills and freshly re-interprets the essence of each of the Tao's 81 chapters to speak directly and clearly to couples. William Martin's indelible, spirited, and sage advice, rendered in free verse, captures the ancient spirit of Lao Tzu's original text, yet speaks directly to modern lovers--and to the full sweep of their experiences and emotions. A deeply felt alternative to advice books that urge readers to manipulate their partners rather than to love them, The Couple's Tao Te Ching is for everyone who has embarked upon a loving relationship, which, as William Martin says, "can be the most rewarding and enlightening adventure possible."

    Yet in 1979, the Amon Carter Museum of Fort Worth, Texas, daringly commissioned him to do just that.The resulting 1985 exhibition and book, In the American West, was a milestone in American photography and Avedon's most important body of work. His unflinching portraits of oilfield and slaughterhouse workers, miners, waitresses, drifters, mental patients, teenagers, and others captured the unknown and often-ignored people who work at hard, uncelebrated jobs. Making no apologies for shattering stereotypes of the West and Westerners, Avedon said, "I'm looking for a new definition of a photographic portrait. I'm looking for people who are surprising—heartbreaking—or beautiful in a terrifying way. Beauty that might scare you to death until you acknowledge it as part of yourself."Photographer Laura Wilson worked with Avedon during the six years he was making In the American West. In Avedon at Work, she presents a unique photographic record of his creation of this masterwork—the first time a major photographer has been documented in great depth over an extended period of time. She combines images she made during the photographic sessions with entries from her journal to show Avedon's working methods, his choice of subjects, his creative process, and even his experiments and failures. Also included are a number of Avedon's finished portraits, as well as his own comments and letters from some of the subjects.Avedon at Work adds a new dimension to our understanding of one of the twentieth century's most significant series of portraits. For everyone interested in the creative process it confirms that, in Laura Wilson's words, "much as all these photographs may appear to be moments that just occurred, they are finally, in varying degrees, works of the imagination."

    They include introductions for books of avant-garde poets; collaborations with visual artists, and articles for publications such as The New York Review of Books, The London Review of Books, and October.One section focuses on writers and literary works: strange tales from classical and modern China; the Psalms in translation: a skeptical look at E. B. White’s New York. Another section is a continuation of Weinberger’s celebrated political articles collected in What Happened Here: Bush Chronicles (a finalist for the National Books Critics Circle Award), including a sequel to “What I Heard About Iraq,” which the Guardian called the only antiwar “classic” of the Iraq War. A new installment of his magnificent linked “serial essay,” An Elemental Thing, takes us on a journey down the Yangtze River during the Sung Dynasty.The reader will also find the unlikely convergences between Samuel Beckett and Octavio Paz, photography and anthropology, and, of course, oranges and peanuts, as well as an encomium for Obama, a manifesto on translation, a brief appearance by Shiva, and reflections on the color blue, death, exoticism, Susan Sontag, and the arts and war.

    All she knew about her was that the baby had been born in Wuhu, a city in southern China, and left near a police station in her first three days of life. Her birth mother had left a note with Lulu's western and lunar birth dates. In 1999 Emily and her daughter–now a happy, fearless four-year-old--returned to China to find out more. That journey and its discoveries unfold in this lovely, touching and sensitively observed book.In Wuhu Diary, we follow Emily and LuLu through a country where children are doted on yet often summarily abandoned and where immense human friendliness can coexist with outbursts of state-orchestrated hostility–particularly after the U. S. accidentally bombs the Chinese embassy in Belgrade. We see Emily unearthing precious details of her child’s past and LuLu coming to terms with who she is. The result is a book that will delight anyone interested in China, and that will move and instruct anyone who has ever adopted--or considered adopting--a child.

    . . These Singaporean roots of hers, this side of her—and possibly of me too—were unacceptable. I was determined not to belong, not to fit in, because I was Australian, and Mum ought to be Australian too. The tug of her roots, the blurring of her role from wife and mother to sister and aunt, angered me.On the eve of her mother's wake, Grace Tay flies to Singapore to join her father and brother and her mother's family. Here she explores her family history, looking for the answers to her mother's death. This beautiful and moving novel steps between Singapore, Malaysia, and Australia, evoking the life, traditions, and tastes of a forceful Chinese family as well as the hardship, cruelty, and pain. Written in a fresh, contemporary voice tinged with biting humor, this is a story about resilience and a story about migration, but in many ways it is a story about parents' expectations for their children.

    

    Brian and Louise meet during their college days at Cal Poly State University in San Luis Obispo and embark on a pursuit of a calling to the nations that propels them from the Navajo Nation's painted desert in Arizona to the wild steppes of Central Asia. Along their way five children join the cross-cultural roller coaster. Disarmingly honest and charmingly humorous, their tale will thrill you and bring tears to your eyes. An intensely personal memoir, this book still manages to pack a powerful dose of missionary insight and Biblical principles for seeing the Church explode into life among peoples that have never even heard of Jesus. Get comfortable. You will not be able to put it down.From the very first page this book jerks you irretrievably into the outrageous, the uproarious and the impossible to imagine. It has got to be one of the most absolutely fascinating tales to ever prove that the truth is stranger than fiction. Nevertheless, it throbs with a sobering and relentless sense of calling and purpose that is truly inspiring. --- the late Dr. Ralph D. Winter, Founder, U.S. Center for World MissionI wept, laughed and was stirred by this book. I love a good story, and this is a really good one! You won't be able to put it down! --- Floyd McClung., author of Living on the Devil's DoorstepBrian Hogan's apostolic passion shines through with an incredible combination of raw honesty and witty humor. A gripping real-life parable unfolds that will have you laughing, weeping and rejoicing at the amazing testimony of God's grace and power revealed through ordinary people facing extra-ordinary obstacles. I wholeheartedly recommend this book as it not only tells an amazing story, but also becomes a discipleship tool that reveals to us a whole new paradigm of church and missions. --- David Broodryk, Kingdom People Network, South AfricaIf you want a radically cross-cultural journey without leaving your favorite easy chair - this book is your ticket. If you desire to plant churches that reproduce among the least reached - this is your training manual wrapped up in a most delightful, brawny and instructive story-box! I laughed - I cried - and wrestled through the realities of what it means to leave the easy chair and watch God prove Himself faithful - accomplishing His dreams for a people through one ordinary and obedient family. Brian Hogan is courageous, practical and real. Focused in the same direction for many years, he is a pioneer, church planter, mentor and model. His journey is a challenge to all those who want to be used by God. Brian's thinking will stretch and grow you; his passion and lifestyle will confront every comfortable corner of your life. There's a Sheep in my Bathtub will be top on the reading list for those I train. --- Carol Davis, director of LeafLine InitiativesBrian Hogan's Erdenet-story had been told to me a number of times as a real and astonishing exception and a true, powerful secret. I am thrilled to see it in print. Brian experienced church history in the making in 1993-1996. May his insights multiply like an epidemic and grip an entire new generation of an apostolic people, so that this planet will never remain the same. --- Wolfgang Simson, author of Houses that Change the World & The Starfish Manifesto

    Perelman's companion is cartoonist Al Hirschfield, whose drawings capture the very essence of Perelmania.

    In Bingo Night at the Fire Hall, Holland recounts her adventures and misadventures adjusting to life in a rural community, as her small town adjusts to the inevitable encroachment of suburbia. Whether writing obituaries for the local paper or learning how to handle a chainsaw, Holland shares the triumphs and travails of being a newcomer to an old land with a rich history, a beautiful place sadly losing ground to subdivisions and four-lane highways. Filled with wonderful anecdotes, humor, and insight, Bingo Night at the Fire Hall is a fascinating portrait of a paradisical yet disappearing world.

    Driven from their home countries by famine and persecution, they arrived at Ellis Island full of fear and hope, determined to claim their share of the American Dream.Among the first to pass through Ellis Island was young Israel Baline, a Russian Jew who at the age of just five had seen his homeland overrun by anti-Semitic violence. Forced to flee their village deep within the Russian Empire, the Baline family used their meagre life savings to cross Europe and buy a one-way steerage-class ticket to America. They landed at Ellis Island in 1893, only to find that the streets of New York were not quite paved with gold; the riches they had risked everything for would not be easily won.Israel Baline may have traded a rural slum for an urban one, but he was an American now. He would not stay impoverished for long. Blessed with talent, spurred by the will to succeed, Israel Baline would grow up to become—under another name—his adopted country’s most famous songwriter.