I can honestly say it’s one of the best books I’ve ever read - it is without shadow of a doubt, EASILY up there with Girl On a Train and Eleanor Oliphant.' - Ruth JonesSamuel, the day we met I knew I’d finally found what I’ve been waiting for.You.Happiness, at last.Then you left me.And now I am alone.Everyone I love leaves in the end.But not this time.I’m not giving up on us.I’m not giving up on you.When you love someone, you never let them go.That’s why for me, this is just beginning.

    Hubert airfield, he does so without looking back. For Sime, the 850-mile journey ahead represents an opportunity to escape the bitter blend of loneliness and regret that has come to characterise his life in the city.Travelling as part of an eight-officer investigation team, Sime's destination lies in the Gulf of St. Lawrence. Only two kilometres wide and three long, Entry Island is home to a population of around 130 inhabitants - the wealthiest of which has just been discovered murdered in his home.The investigation itself appears little more than a formality. The evidence points to a crime of passion: the victim's wife the vengeful culprit. But for Sime the investigation is turned on its head when he comes face to face with the prime suspect, and is convinced that he knows her - even though they have never met.Haunted by this certainty his insomnia becomes punctuated by dreams of a distant past on a Scottish island 3,000 miles away. Dreams in which the widow plays a leading role. Sime's conviction becomes an obsession. And in spite of mounting evidence of her guilt he finds himself convinced of her innocence, leading to a conflict between the professonal duty he must fulfil, and the personal destiny that awaits him.

    And yet he stands accused of a terrible crime. Sophie is convinced he is innocent and desperate to protect her precious family from the lies that threaten to rip them apart.Kate is the lawyer hired to prosecute the case: an experienced professional who knows that the law is all about winning the argument. And yet Kate seeks the truth at all times. She is certain James is guilty and is determined he will pay for his crimes.Who is right about James? Sophie or Kate? And is either of them informed by anything more than instinct and personal experience? Despite her privileged upbringing, Sophie is well aware that her beautiful life is not inviolable. She has known it since she and James were first lovers, at Oxford, and she witnessed how easily pleasure could tip into tragedy.Most people would prefer not to try to understand what passes between a man and a woman when they are alone: alone in bed, alone in an embrace, alone in an elevator… Or alone in the moonlit courtyard of an Oxford college, where a girl once stood before a boy, heart pounding with excitement, then fear. Sophie never understood why her tutorial partner Holly left Oxford so abruptly. What would she think, if she knew the truth?

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    His business card describes him as the “Vinyl Detective” and some people take this more literally than others. Like the beautiful, mysterious woman who wants to pay him a large sum of money to find a priceless lost recording — on behalf of an extremely wealthy (and rather sinister) shadowy client.  Given that he’s just about to run out of cat biscuits, this gets our hero’s full attention. So begins a painful and dangerous odyssey in search of the rarest jazz record of them all…

    She’s been trying to put the crime out of her mind; what could she have done, really? It’s a dangerous road to be on in the middle of a storm. Her husband would be furious if he knew she’d broken her promise not to take that shortcut home. And she probably would only have been hurt herself if she’d stopped.But since then, she’s been forgetting every little thing: where she left the car, if she took her pills, the alarm code, why she ordered a pram when she doesn’t have a baby.The only thing she can’t forget is that woman, the woman she might have saved, and the terrible nagging guilt.Or the silent calls she’s receiving, or the feeling that someone’s watching her…

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    She accepted her old friend's invitation with some trepidation - her relationship with Madison has never been plain sailing. But as she approaches Madison's cottage, she sees that the windows are dark. The place has been stripped bare. No one knows where Madison has gone.As Fiona tries to find out where Madison has vanished to, she begins to unravel a web of lies. Madison didn't live the life she claimed to, and now Fiona's own life is in danger . . . Praise for Helen Callaghan: 'Riveting' Sunday Times 'Thrilling' Sun 'A tense plot, imaginative twists, and smart writing' Julia Heaberlin, bestselling author of Black-Eyed Susans

    Lucian prison, and reaches out to filmmaker Sidney Ryan in a last, desperate attempt to prove her innocence.As Sidney begins researching, she uncovers startling evidence overlooked during the original investigation. Before the series even finishes filming, public outcry leads officials to reopen the case. Delving into Grace’s past, Sidney peels away layer after layer of deception. But as she edges closer to the real heart of the story, Sidney must decide if finding the truth is worth risking her newfound fame, her career … even her life.

    The author of The Other Lover, Dawson explores what happens when female friendship takes a turn for the worse, in this masterwork of edgy suspense in the popular vein of Sophie Hannah, Elizabeth Brundage, and Pam Lewis.

    The window's so small I can't see what happens next. But what I do know is that Kim is dead. And I know this, too that I helped to kill her. Kim, my lovely, only, best friend.'Five years ago Maura fled life in Dowerby and took on a new identity, desperately trying to piece her life back together and escape the dark clouds that plagued her past. But then a reporter tracks her down, and persuades her to tell her story, putting her own life in danger once again.Layer upon layer of violence and deceit make up the full picture for Maura to see and the reporter to reveal. Hidden secrets are uncovered that have been left to settle, for far too long. But in life some things can't be left unsaid, and eventually the truth will out. Whatever the consequences.

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    Now, returning to their small Leeds cottage after her mum's death, Opal feels like she's gone back in time. Nosey Mrs. Pickess is still polishing her windows to a sparkle. Fishbo, Opal's ancient music teacher, still plays trumpet with his band. And much to Opal's delight, her favorite neighbor, Margaret Reid, still keeps an eye on things from the walk in front of her house.But a tragedy has struck Mote Street. Margaret's grandson, Craig, disappeared some ten years ago, and every day he's not found, shame and sorrow settle deeper into the neighborhood's forgotten corners. As the door she closed on her own dark past begins to open, Opal uncovers more secrets than she can bear about the people who were once her friends.Praise:Winner of the 2014 Anthony Award for Best Paperback OriginalWinner of the 2013 Gold ForeWord IndieFab Award for MysteryNamed one of KIRKUS REVIEWS' "Best Books of 2013""The creator of Dandy Gilver . . . has produced a stand-alone that is worlds apart, a fascinating, mysterious ramble you can't put down."--KIRKUS REVIEWS (STARRED REVIEW)..".dark, absorbing, contemporary stand-alone..."--PUBLISHERS WEEKLY"[A] captivating stand-alone from the author of the Dandy Gilver mystery series." --BOOKLIST"McPherson has crafted a tale that is both suspenseful and poignant. I wanted to cheer for Opal one second and hug her the next."--EILEEN RENDAHL, AUTHOR OF THE MESSENGER NOVELS

    They had sold their home and business in London, and said "farewell to England" with a cheerful party where all their friends had gathered to wish them well on their great adventure: setting off to begin life anew on a remote, bucolic farm in rural Sweden.But with that phone call, everything changes. Your mother's not well, his father tells him. She's been imagining things--terrible, terrible things. She's had a psychotic breakdown, and has been committed to a mental hospital.Daniel prepares to rush to Sweden, on the first available flight the next day. Before he can board the plane, his father contacts him again with even more frightening news: his mother has been released from the hospital, and he doesn't know where she is.Then, he hears from his mother:I'm sure your father has spoken to you. Everything that man has told you is a lie. I'm not mad. I don't need a doctor. I need the police. I'm about to board a flight to London. Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a horrible crime and a conspiracy that implicates his own father.