But as he says: "no description of me is truly complete without saying I'm a Canadian." He has often winked and nodded to Canada in his outrageously accomplished body of work, but now he turns the spotlight full-beam on his homeland.His hilarious and heartfelt new book is part memoir, part history and pure entertainment. It is Mike Myers' funny and thoughtful analysis of what makes Canada Canada, Canadians Canadians and what being Canadian has always meant to him. His relationship with his home and native land continues to deepen and grow, he says. In fact, American friends have actually accused him of "enjoying" being Canadian and he's happy to plead guilty as charged.A true patriot who happens to be an expatriate, Myers is in a unique position to explore Canada from within and without. With this, his first book, Mike brings his love for Canada to the fore at a time when the country is once again looking ahead with hope and national pride. "Canada" is a wholly subjective account of Mike's Canadian experience. Mike writes, "Some might say, 'Why didn't you include this or that?' I say there are 35 million stories waiting to be told in this country, and my book is only one of them."This beautifully designed book is illustrated in colour (and "not" color) throughout, and its visual treasures include personal photographs and Canadiana from the author's own collection. Published in the lead-up to the 2017 sesquicentennial, this is Mike Myers' birthday gift to his fellow Canadians. Or as he puts it: "In 1967, Canada turned one hundred.Canadians all across the country made Centennial projects.This book is my Centennial Project. I'm handing it in a little late.... Sorry."

    His name is Jakob Beer. He is only seven years old. And although by all rights he should have shared the fate of the other Jews in his village, he has not only survived but been rescued by a Greek geologist, who does not recognize the boy as human until he begins to cry. With this electrifying image, Anne Michaels ushers us into her rapturously acclaimed novel of loss, memory, history, and redemption.   As Michaels follows Jakob across two continents, she lets us witness his transformation from a half-wild casualty of the Holocaust to an artist who extracts meaning from its abyss. Filled with mysterious symmetries and rendered in heart-stopping prose, Fugitive Pieces is a triumphant work, a book that should not so much be read as it should be surrendered to.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    He makes a deal with a crusty old Scot, Angus McLintock — an engineering professor who will do anything, anything, to avoid teaching English to engineers — to let his name stand in the election. No need to campaign, certain to lose - or is he?

    For readers of The Imposter Bride, The Cellist of Sarajevo, Sarah's Key by Tatiana de Rosnay, and The Red Violin.Helene Giroux arrives alone in St. Homais on a winter day. She wears good city clothes and drives an elegant car, and everything she owns is in a small trunk in the back seat. In the local church she finds a fine old piano, a Molnar, and she knows just how fine it is, for her family had manufactured these pianos before the Great War. Then her mother's death and war forces her to abandon her former life. The story moves back and forth in time as Helene, settling into a simple life, playing the piano for church choir, recalls the extraordinary events that brought her to this place. They include the early loss of her soldier husband and the reappearance of an old suitor who rescues her and her daughter, when she is most desperate; the journeys that very few women of her time could even imagine, into the forests of Indochina in search of ancient treasures and finally, and fatefully, to the Canadian north. When the town policeman confronts her, past and present suddenly converge and she must face an episode that she had thought had been left behind forever.

    When their father dies and the children set out to bury him, they encounter the inhabitants of the neighboring village, and the pair's cloak of romance and superstition falls away to reveal the appalling truth of their existence. A brilliant, masterful story in which nothing is as it first seems, "The Little Girl Who Was Too Fond of Matches" is a triumph of suspense, linguistic invention, and playfulness that peers into the heart of guilt, cruelty, and violence.

    Illustrated throughout with photos and snatches of dialogue from Rick’s encounters and exploits across Canada. “[Mercer’s] trademark one-camera rants against the Canadian parliamentary machine are more concise, and more believable, than any campaign ads.” —The Globe and Mail “The comedian of choice for viewers who read.” —Toronto Life “Canada’s hottest TV comic.” —Maclean’s "Week after week, Mercer continues to delight with his alternately giddy and cutting political humour.” —The Canadian Press “Canada’s leading political satirist.” —The New York Times  “A good rant is cathartic. Ranting is what keeps me sane.They always come from a different place. Take the prime minister, for example. Sometimes when I rant about him, I am angry; other times, I am just severely annoyed—it’s an important distinction.”—Rick Mercer, from his introduction Within these pages you’ll find every rant that Rick has so brilliantly and blisteringly delivered since the publication of his previous bestseller, Rick Mercer Report: The Book. Together these rants form a chronicle of human folly, mostly featuring politicians, of course, but with honorable mentions going to people who don’t know how to use escalators and Canadian drivers who don’t think they need snow tires.   Is Mercer getting better or are the fools among us getting worse? Whatever the inspiration—Rick Mercer’s ranting has never been stronger or more on target.   There is a loud, cathartic laugh to be found on almost every page here—with the exception of Rick’s impassioned rant on bullying in schools, words that touched thousands of Canadians, went viral and helped widen the debate on a major problem. Also reprinted here is the rant encouraging students to vote, which resulted directly in a campus ballot and outrage in Ottawa.  (People still are still standing on the left on escalators, and the prime minister is still very much the man he was, but you can’t win them all.) In addition, Rick has authored three new essays specially for this book: the hilarious behind-the-scenes story of his meeting with Rick Hansen, a hero who absolutely was not a disappointment in real life; a heartfelt reflection on public reaction to his bullying rant; and an account of his response—mystified, followed by delighted—to the news that he’d inspired a “vote mob.” Illustrated throughout with photographs and dialogue from Rick’s travels across Canada, A Nation Worth Ranting About will make you proud, will make you think, will make you almost as angry as Rick, and over and over again will make you laugh out loud.

    The young man is Max Braithwaite, now one of this country's most successful authors and freelance writers. The story he has to tell is riotous, grim, candid and infinitely entertaining. This is a Braithwaite at his vintage best and the humor that earned him the 1972 Leacock Memorial Metal is here in rich abundance. Here, too, is the de-humanizing desolation of the "Dirty Thirties" on the Saskatchewan Praries, the ordeal of youth among a populace bereft of pity and charity, and the human compassion that adds warmth and poignancy to Braithwaite's recollections.

    Keeping a watchful eye is Bernard Valcourt, a jaded foreign journalist, but his closest attention is devoted to Gentille, a hotel waitress with the slender, elegant build of a Tutsi. As they slip into an intense, improbable affair, the delicately balanced world around them–already devastated by AIDS–erupts in a Hutu-led genocide against the Tutsi people. Valcourt’s efforts to spirit Gentille to safety end in their separation. It will be months before he learns of his lover’s shocking fate.

    By turns darkly comic and heartbreakingly sad, Sweetland is a deeply suspenseful story about one man's struggles against the forces of nature and the ruins of memory. For twelve generations, when the fish were plentiful and when they all-but disappeared, the inhabitants of this remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement, and each has been offered a generous compensation package to leave. But the money is offered with a proviso: everyone has to go; the government won't be responsible for one crazy coot who chooses to stay alone on an island.  That coot is Moses Sweetland. Motivated in part by a sense of history and belonging, haunted by memories of the short and lonely time he spent away from his home as a younger man, and concerned that his somewhat eccentric great-nephew will wilt on the mainland, Moses refuses to leave. But in the face of determined, sometimes violent, opposition from his family and his friends, Sweetland is eventually swayed to sign on to the government's plan. Then a tragic accident prompts him to fake his own death and stay on the deserted island. As he manages a desperately diminishing food supply, and battles against the ravages of weather, Sweetland finds himself in the company of the vibrant ghosts of the former islanders, whose porch lights still seem to turn on at night.

    There's Fay, a folklorist whose passion for mermaids has kept her from focusing on any one man. And right across the street there's Tom, a popular radio talk-show host who has focused a little too intently, having married and divorced three times.Can Fay believe in lasting love with such a man? Will romantic love conquer all rational expectations? Only Carol Shields could describe so adroitly this couple who fall in love as thoroughly and satisfyingly as any Victorian couple and the modern complications that beset them in this touching and ironic book.

    Some critics immediately condemned this hypnotic story of the loss of innocence on the Manitoba frontier, calling it “obscene” and “indecent.” Churches issued warnings to their congregations to avoid its scandalous contents. Only several decades later was Settlers of the Marsh recognized for what it is – a landmark in the development of the Canadian novel, and a work of realism in the tradition of Thomas Hardy.A psychological portrait of life in the Canadian West, Settlers of the Marsh presents with chilling accuracy the hopes, passions, and anxieties of young pioneers.

    Tom even married a superhero, the Perfectionist. But at their wedding, the Perfectionist was hypnotized (by ex-boyfriend Hypno, of course) to believe that Tom is invisible. Nothing he does can make her see him. Six months later, she's sure that Tom has abandoned her.So she's moving to Vancouver. She'll use her superpower to make Vancouver perfect and leave all the heartbreak in Toronto. With no idea Tom's beside her, she boards an airplane in Toronto. Tom has until the wheels touch the ground in Vancouver to convince her he's visible, or he loses her forever.

    The geographical journey — through Detroit, into Chicago, on to St. Louis, along the Oregon Trail and into California — becomes a metaphor for the exploration of the history of the French in North America.