Each season American Idol delivers on a promise whose epic scope is unparalleled in the annals of competition: to take an unknown dreamer from the middle of America and turn him or her into a genuine star. It has become not only the biggest show on television, but the biggest force in all of entertainment; its alumni dominate the recording charts and Broadway, win Academy Awards, and sweep up Grammys. In fact, American Idol has reshaped the very idea of celebrity. But it didn't start out that way. When the little singing contest debuted as a summer replacement on the U.S. airwaves, it was packed between reruns and low-cost filler. The promise that it would find America's next pop star produced a hearty round of guffaws from the country's media critics. Now, some ten years and millions of records later, no one is laughing.American Idol: The Untold Story chronicles the triumphs and travails, the harrowing backstage drama and the nail-biting onstage battles that built this revolutionary show. In this revealing book, veteran journalist Richard Rushfield goes deeper inside the circus than any reporter ever has. Candid interviews with Idol alumni, including Simon Fuller and Simon Cowell, shed new light on the show that changed the entertainment industry. And because Rushfield had full access to the people who created the show, starred in it, and kept it atop the pop culture pyramid, this book is the first to take Americans behind the curtain and tell what has really been happening on the world's most watched and speculated-about stage.

    Join Tara Ariano and Sarah D. Bunting as they journey through the top 100 episodes of the series, covering everything from episode rankings to season overviews, character spotlights, and listicles. You’ll rediscover what you’ve forgotten and perhaps learn what you never knew. A Very Special 90210 Book is the perfect keepsake for every former teen fan (we know you’re out there) who wants to relive the good ol’ days at West Beverly.

    Whether it is the three headed guard dog Fluffy in J.K. Rowling’s Harry Potter series, or even the story of Smaug in J.R.R. Tolkien’s Middle Earth in The Hobbit; all these pop culture mythical creatures have a deep connection to the mythologies and folktales of ancient cultures.Where did they come from? What relevance do they serve in mythology? Why are some so obscure, while others become pop-culture enigmas? Get the answer to these questions, and learn about beasts from different world cultures.Folklorist Zayden Stone dives deep into the stories of these magical beasts and providesa fictional anecdote,a retelling of the original myths,an analysis of the symbolism and relevance of the creatures,and then pairs it with some beautiful black and white illustrations reimagined by artist Herdhian.In the Mythical Creatures and Mythological Beasts book, the illustrated guide takes you through six themes that have been specifically chosen since they are consistent across cultures. The categories include:arthropods for insects, crustaceans, and arachnids;avian for birds;canines for wolves and dogs;serpents for snakes and dragons;ungulates for hooved animals like horses and cows; andaquatic for water dwelling beasts.Presenting the creatures in categories makes it easier to see what the beasts have in common. You will find some overlapping themes across ancient cultures that point to universal ideas in how humans perceive the world.If you wonder where your favorite creature is, you will probably find them within these pages, even if they do not have their own chapter. For example, the ever-popular Pegasus can be found in the tale of the Gorgon sisters. He also had a half-brother, Arion, who features in the ungulates section. There is also a brilliant white-winged horse from Islamic tradition which may sound very familiar to Pegasus as well.If you have a love for the myths and want to learn about the unique beasts that dwell within them, this book is a great way to do it. Not only will you learn about ones you may have never heard of, but you will also be able to draw parallels between cultures and see how they interpreted their surroundings through stories of mythical creatures and magical beasts.

    Ghost stories as we know them did not develop until the late nineteenth century, but the restless dead haunted the premodern imagination in many forms, as recorded in historical narratives, theological texts, and personal letters. The Penguin Book of the Undead teems with roving hordes of dead warriors, corpses trailed by packs of barking dogs, moaning phantoms haunting deserted ruins, evil spirits emerging from burning carcasses in the form of crows, and zombies with pestilential breath.Spanning from the Hebrew scriptures to the Roman Empire, the Scandinavian sagas to medieval Europe, the Protestant Reformation to the Renaissance, this beguiling array of accounts charts our relationship with spirits and apparitions, wraiths and demons over fifteen hundred years, showing the evolution in our thinking about the ability of dead souls to return to the realm of the living--and to warn us about what awaits us in the afterlife.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    Hume's King Arthur trilogy.King Artor lies slain and Ector, a mere boy, is acknowledged as the legitimate heir to the kingdom. But the land of the Celts has been weakened, and Ector grows up torn by conflicting senses of doom and duty. It is only his marriage to Gwyllan that gives him a sense of fulfilment.Meanwhile, Arthur, the Bastard Prince, grows up aware that he is the son of Artor and Lady Elayne but knowing he can never challenge the position of his ruler and childhood friend.Living in the shadow of King Artor, neither man can escape the his legacy...

    Eustace is the bastard son of an earl, Giselle the sheltered daughter of a dotting gentry father, and Robert the son of an impoverished village carpenter. In ordinary times, their lives would not intersect. But when Robert breaks his uncle out of Earl Roger FitzWalter’s gaol, he sets in motion a series of events that sends their lives colliding in a maelstrom of murder and revenge that drives them all outside the laws and customs of England. Step into the tumultuous years of the Twelfth Century, and stand alongside Eustace as he schemes to inherit his father’s title, lands, and power, using every means within his grasp; Giselle as she fights to free herself from a forced marriage and to save her inheritance; and Robert as he struggles to rise above the limitations of his birth in the face of Eustace’s quest for vengeance. A saga to rival Ken Follett’s Pillars of the Earth, The Outlaws sweeps from serene English villages and quiet forest glens, to French battlefields, remote Welsh fortresses, and even the court of King Henry II, where nobles and clergy vie for power and wealth, and disputes are often decided with steel and blood. The Outlaws is sure to please fans of the Stephen Attebrook mysteries, for it reveals the truth about the founding of the powerful Attebrook family — a secret that family would sooner forget.

    The final six weeks of the series had guests like Julia Roberts, George Clooney, Oprah Winfrey, and the Obamas. All names you have heard many times. But it was the people behind the scenes who pulled off these twenty-eight unforgettable episodes of late-night television.Author Scott Ryan conducted over twenty interviews with the staffers of David Letterman. Most of the participants had never given interviews before. The writers, directors, producers, and stage managers offer a behind-the-scenes look at what it was like to work on these shows. Find out what it takes to write a Top Ten list, book a president for a guest spot, and what it was like working at the Ed Sullivan Theater.Long time Letterman writer Bill Scheft penned the foreword for the book. Included are over 100 color photos from staffers' personal collections, as well as publicity photos from the show. Get the first truly inside look at creating an episode of Late Show.Pre-order the book at lastdaysofletterman.com Interviews with:Barbara Gaines - Executive Producer; Sheila Rogers - Supervising Producer/ Talent Executive; Randi Grossack - Associate Director; Kathy Mavrikakis, Supervising Producer; Rick Sheckman, Associate Producer; Brian Teta - Supervising Producer/Segment Producer; Sheryl Zelikson - Music Producer; Jay Johnson - Creative Director, Digital Media; Jerry Foley - Director; Michael Barrie - Writer; Lee Ellenberg - Writer; Jim Mulholland - Writer; Joe Grossman - Writer; Jeremy Weiner - Writer; Steve Young - Writer; Vincent Favale - Executive of Late Night Programing; Eddie Valk - Stage Manager; Bill Scheft - Writer; Janice Penino - Vice President, Human Resources; Jill Goodwin - Writer; and Mike Buczkiewicz - Senior Producer/Segment Producer; Rupert Jee - Hello Deli Owner.Author Scott Ryan (thirtysomething at thirty: an oral history, The Blue Rose, Scott Luck Stories) weaves together memories from the staff with moments from the show in this new book recounting the final six weeks of Letterman's historic thirty-three-year reign as late-night talk show host.Pre-order the book at lastdaysofletterman.com

    ENGLAND 1321 AD After viciously assaulting a corrupt but powerful clergyman Robin Hood flees the only home he has ever known in Wakefield, Yorkshire. Becoming a member of a notorious band of outlaws, Hood and his new companions – including John Little and Will Scaflock – hide out in the great forests of Barnsdale, fighting for their very existence as the law hunts them down like animals. When they are betrayed, and their harsh lives become even more unbearable, the band of friends seeks bloody vengeance. Meanwhile, the country is in turmoil, as many of the powerful lords strive to undermine King Edward II’s rule until, inevitably, rebellion becomes a reality and the increasingly deadly yeoman outlaw from Wakefield finds his fate bound up with that of a Hospitaller Knight… "Wolf’s Head" brings the brutality, injustice and intensity of life in medieval England vividly to life, and marks the beginning of a thrilling new historical fiction series in the style of Bernard Cornwell and Simon Scarrow.

    Some contain nuggets of truth, others are wholly fabricated, but all of them can tell us something about the past.From films like Braveheart and Excalibur to literature such as Ivanhoe and Morte d'Arthur, the years between 500 and 1500 have generated amazing stories of knights and damsels, superstitions and magic; some of these stories even made it into our grade school history curriculum. But what were those years really like? Known, somewhat inaccurately, as the "Middle Ages," this period was not merely a transition from Roman antiquity to the Renaissance, but a vibrant time full of people just as curious, innovative, malicious, joyful, confused, ambitious, complex - in other words, just as human - as in any other period of history.The 10 enlightening (and often humorous) lectures of Medieval Myths and Mysteries will show you how far from the "dark" times of legend these centuries were. Uncover the facts about the Knights Templar. Reveal the truth behind the tales of legendary creatures like the Questing Beast and the unicorn. Trace the events of the Black Death and the ways it altered the world in its wake, and much more. With Professor Armstrong, you will dig deep into the ways that later generations reshaped the narrative of the medieval years and perpetuated the myths of a simpler and less civilized age, which was, in fact, much richer and more complex than many of us have been led to believe.

    He had imprisoned them in the caverns of Mt. Hemil. They who ravaged the city of Kushlam...The golden capital... The Gods spoke of a Prophecy then... And now it has come to pass. The dark enemy of yore rises. Only an incarnation of Lord Vishnu has the power to defeat and destroy the enemy of Kushlam. A farmer from Bamiyan, unaware of what destiny has in store for him, is pushed into circumstances beyond his control. Will he accept that he is the prophesised Avatar? Will he save Kushlam from its enemies and free the world from the fear of the trapped monsters who have found a way out of their infallible trap?

    His beloved brother lay dying and the only cure was tucked away on a forested mountainside far, far to the north. Big-hearted Hanuman could not bear to see their pain. He swelled into a giant; he flew; he battled deadly crocodiles and murderous ogres; he pitted his wits against powerful gods – all to deliver the precious medicinal plant Sanjeevani before it was too late. He brought the entire mountain to rest at Rama’s feet!

    

    It has been translated into every major language on Earth and dozens of minor ones; it has spawned entire genres of animation, and had more books written about it than all but a handful of American Presidents. Even its minor characters have become iconic, and the titular family is recognizable in almost every corner of the planet. It is a definitive and truly global cultural phenomenon, perhaps the biggest of the television age. As of this writing, if you flip on FOX at 8pm on Sundays, you will see a program that bills itself as "The Simpsons". It is not "The Simpsons". That show, the landmark piece of American culture that debuted on 17 December 1989, went off the air more than a decade ago. The replacement is a hopelessly mediocre imitation that bears only a superficial resemblance to the original. It is the unwanted sequel, the stale spinoff, the creative dry hole that is kept pumping in the endless search for more money. It is Zombie Simpsons.

    Nothing like it has been made before and—to its millions of fans—nothing as good will ever be made again. It is a show that prompts endless debate, and the debates continue here. Is Omar Little the coolest criminal since Robin Hood? Which series has the best theme tune? Will Bubbles survive Baltimore? Avon or Stringer? How does McNulty have so much success with women? With the show now over, these and hundreds of other questions are discussed in this brilliant collection of features and comments from the Guardian's Wire Re-up blog. Together with interviews with the show's creators and stars, running totals per episode (murders, Bunk drunk, Herc screw-ups, and much more), and a quiz created by the stars themselves, this book will guarantee fans that one last fix they've been craving.