It's a black comedy set in San Francisco in 1942. The central character, C. Card, is no Sam Spade, but actually does do detective work of a sort, when he's not off dreaming of Babylon.

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    All they really knew about her was that she possessed a terrifying beauty-and that each time she appeared, a man died horribly...

    Not a good sign for Andrew Kindler, who just came from back east to get away from his past–as an arsonist. In fact, almost from the moment he sets foot in his cousin’s Santa Monica beach house, the heat starts swirling around him. First there’s the cop who thinks Andrew might know something about a murder suspect. Then there’s the suspect’s beautiful sister, who is willing to pay Andrew $5,000 for the same information.But Andrew really uninformed. And with a sensational murder case burning a hole in the gut of the LAPD–as well as the star-studded L.A. fitness industry–ignorance is dangerous. Now Andrew must solve a murder he knows nothing about, find a killer he’s never met, and unravel a family’s explosive secret. His reward for success? To live another day: one step ahead of his burning past... “An exceptionally well-crafted and well-told tale of arson, police work, misplaced zeal, bad relationships, good relationships, family bonds and, oh yes, exercise videos. Quirky, compelling, intelligent, and funny ... If you like Elmore Leonard, do yourself a favor and pick up BURN.”–Lincoln Journal Star “A cult writer for the masses–hip, smart and so mordantly funny that the casual reader might be laughing too hard to realize just how thoughtful Doolittle’s work is. Get on the bandwagon now.”–Laura Lippman, author of By a Spider’s Thread “Sean Doolittle combines wit, good humor, and a generosity of spirit rare in mystery fiction to create novels that are both engrossing and strangely uplifting. He deserves to take his place among the best in the genre.”–John Connolly, author of The White Road“An estimable addition not only to the publisher’s list but also to crime fiction ... Doolittle delivers a briskly plotted, hard-boiled mystery that has its roots in the Elmore Leonard school of dark comedy.”–South Florida Sun-Sentinel·Gold medal winner for mystery in ForeWord Magazine’s Book of the Year Award·A Best Crime Fiction of 2003 pick from January Magazine

    The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures."Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation

    It's the chief of police calling—Felicity Dill worked for him; she was a homicide detective. Dill is there that night, the beginning of his dogged search for her killer. What he finds is no surprise to him, because Benjamin Dill is never surprised at what awful things people will do—but it's a real surprise to the reader. As Newsday said when the novel was first published, "One sure thing about Ross Thomas's novels: A reader won't get bored waiting for the action to start."

    Now a modern classic, as gripping in its tautly plotted action as it is penetrating in its exploration of a criminal mind, it tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, sex appeal, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder. Compellingly, step by determined step, the novel follows this young man in his execution of one plan he had neither dreamed nor foreseen. Nor does he foresee how inexorably he will be enmeshed in the consequences of his own extreme deed.

    Now, with a pack of cigarettes, a stolen Caddy, and no plan, the two must think fast-and move faster, in this novel with "a lyric voice that sings itself raw."(New York Times Book Review) "My kind of book." (James Ellroy) "Cook's plot tumbles from scene to scene with jarring brilliance, the pathos of his characters lending his otherwise brutal world a certain beauty." (Publishers Weekly) "Elmore Leonard's laconic flair with the dumb and dangerous [and] James Lee Burke's lyric feel for the dark hearts in a New South-Robbers ranges wild and wide, deep through the heart of Texas." (Michael Malone, author of Time's Witness) "Cook clearly has the suspense-building gene...The nerve-jangling plot tick-tick-ticks toward its explosive end." (Texas Monthly) "High-octane...Cook takes the noir chase novel on some remarkable detours." (Booklist, starred review) "This is a terrific book. I haven't enjoyed a novel this much in years." (James Crumley, author of The Last Good Kiss)

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    Martin's in 1958, Robert Traver's Anatomy of a Murder immediately became the number-one bestseller in America, and was subsequently turned into the successful and now classic Otto Preminger film. It is not only the most popular courtroom drama in American fiction, but one of the most popular novels of our time.A gripping tale of deceit, murder, and a sensational trial, Anatomy of a Murder is unmatched in the authenticity of its settings, events, and characters. This new edition should delight both loyal fans of the past and an entire new generation of readers.

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    For Harry Angel, a routine missing-persons case soon turns into a fiendish nightmare of voodoo and black magic, of dizzying peril and violent death. Many people feel that Falling Angel is the greatest American supernatural horror novel of the 20th century.With a new foreword by Ridley Scott, an introduction by the late James Crumley, and a new afterword by the author and a bonus short story, plus a letter from Stephen King, the first time that the letter has ever been published in its complete form.The hardcover edition is limited to just 300 copies and is signed by William Hjortsberg. Bound in cloth with a dustjacket with the original Stanislaw Zagorski wraparound dustjacket printed against a black background with spot varnish.

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Rush has achieved the kind of critical and commercial success most authors only dream about: He has a top agent and publisher in New York, and his twenty-eight mystery novels have sold millions of copies. Only Stephen King, one of the few mystery writers whose fame exceeds his own, is capable of inspiring a twinge of envy in Rush. But Rush is hiding a dark secret. Under the pseudonym "Jack of Spades," he pens another string of novels—noir thrillers that are violent, lurid, masochistic. These are novels that the upstanding Rush wouldn't be caught reading, let alone writing. When his daughter comes across a Jack of Spades novel he has carelessly left out, she picks it up and begins to ask questions. Meanwhile, Rush receives a court summons in the mail explaining that a local woman has accused him of plagiarizing her own self-published fiction. Before long, Rush's reputation, career, and family life all come under threat—and in his mind he begins to hear the taunting voice of the Jack of Spades.