Zapparoni, a brilliant businessman, has turned his advanced understanding of technology and his strategic command of the information and entertainment industries into a discrete form of global domination. But Zapparoni is worried that the scientists he depends on might sell his secrets. He needs a chief of security, and Richard, a veteran and war hero, is ready for the job. However, when he arrives at the beautiful country compound that is Zapparoni's headquarters, he finds himself subjected to an unexpected ordeal. Soon he is led to question his past, his character, and even his senses....

    But I am reasonably certain that a sensitive reader who journeys through How It Is will leave the book convinced that Beckett says more that is relevant to experience in our time than Shakespeare does in Macbeth. It should come as no surprise if a decade or so hence How It Is is appraised as a masterpiece of modern literature. This poetic novel is Beckett at his height.” — Webster Schott“A wonderful book, written in the sparest prose. . . . Beckett is one of the rare creative minds in our times.” — Alan Pryce-Jones“What is novel is the absolute sureness of design. . . built phrase by phrase into a beautifully and tightly wrought structure — a few dozen expressions permuted with deliberate redundancy accumulate meaning even as they are emptied of it, and offer themselves as points of radiation in a strange web of utter illusion.” — Hugh Kenner

    The Tolm family, for example, abandons the most difficult problem to the enormously bloated police apparatus, depending on whether the individuals are more likely to belong to the suspects or the vulnerable or even to both categories. This increases compulsively, as the signs pile up, threatening a new stop. But Fritz Tolm achieves a new clarity.

    The story is recounted in the present tense, first person plural. The "we" that comprises the six blind men often seems to consist of one entity; however, most of the men have separate names and identities and will sometimes say or do things that distinguish them from the group.

    Astradeni leaves behind a close-knit community, a natural setting that stimulates her imagination, and a rich store of traditional values in which both religion and magic lore have their place. The author lets her tell her own story with winning charm and candour in a style that allows her sensitivity and the sparkle of her intelligence to shine through.A born storyteller, Astradeni supplies vivid details of the life and human relations on a remote Aegean island, as well as her efforts to adapt to the hard and alienating conditions of city life. For beneath the surface charm of a young girl's narrative the reader is in fact witnessing a painful process of social change, the violence done to the sense of values of individuals experiencing an abrupt transition from a traditional agrarian culture to a competitive, industrialised society of consumers.

    But in this city redolent of timeworn customs, where pilgrims bathe in the sacred Ganges and breathe in smoke from burning ghats along the shore, Samar is offered entirely different perspectives on his country. Miss West and her circle, indifferent to the reality around them, represent those drawn to India as a respite from the material world. And Rajesh, a sometimes violent, sometimes mystical leader of student malcontents, presents a more jaundiced view. More than merely illustrating the clash of cultures, Mishra presents the universal truth that our desire for the other is our most painful joy.

    It is wintertime, late December: a species of "now." A narrator—Tsypkinis on a train going to Leningrad. And it is also mid-April 1867. The newly married Dostoyevskys, Fyodor, and his wife, Anna Grigor'yevna, are on their way to Germany, for a four-year trip. This is not, like J. M. Coetzee's The Master of St. Petersburg, a Dostoyevsky fantasy. Neither is it a docu-novel, although its author was obsessed with getting everything "right." Nothing is invented, everything is invented. Dostoyevsky's reckless passions for gambling, for his literary vocation, for his wife, are matched by her all-forgiving love, which in turn resonates with the love of literature's disciple, Leonid Tsypkin, for Dostoyevsky. In a remarkable introductory essay (which appeared in The New Yorker), Susan Sontag explains why it is something of a miracle that Summer in Baden-Baden has survived, and celebrates the happy event of its publication in America with an account of Tsypkin's beleaguered life and the important pleasures of his marvelous novel.

    Like Strindberg at that age, he is a prophet without honor, his achievements having won him distinction only in foreign countries. On the island he has to combat pig-headedness and ignorance, and he is settling down with much self-pity to a long grind, when that creature whom he classifies as only a short remove from the child comes to cause further disturbance - a woman. For a time the uninitiated will suspect that a pretty love story is in the make, but others will observe the scientific analysis which Borg applies to even his happiest moments.

    The work develops a theme that persistently inspired Bernanos: the existence of evil as a spiritual force and its dramatic role in human destiny. This haunting novel follows the fortunes of a young, gauche, and fervent Catholic priest who is a misfit in the world and in his church, creating scandal and disharmony wherever he turns. His insight into the inner lives of others and his perception of the workings of Satan in the everyday are gifts that fatefully come into play in the priest's chance encounter with a young murderess, whose life and emotions he can see with a dreadful clarity, and whose destiny inexorably becomes entangled with his own.

    The central figure of the novel is Calman Jacoby, who stands between the old and the new, unable to embrace either whole-heartedly.

    When twenty-year-old Jane finds in the attic a packet of love letters written years ago by Guy, her mother’s one-time fiance who died in World War I, the discovery has explosive repercussions. It is not clear to whom the letters are addressed, and their appearance begins to lay bare the strange and unspoken connections between the adults now living in the house. Soon, a girl on the brink of womanhood, a mother haunted by love lost, and a ruined matchmaker with her own claim on the dead wage a battle that makes the ghostly Guy as real a presence in Montefort as any of the living.

    Inspired by Shakespeare's magic play The Tempest, prizewinning writer Marina Warner refashions the drama to explore the restless conflicts between the inhabitants of a Caribbean island and the English family who settled it. From that violent moment in the seventeenth century when the English buccaneer Kit Everard arrives at Enfant-Beate, the islanders' fate is intertwined, often tragically, with that of the Everards. The voices that map the fortunes of those born, raised, or landed on the island pass from the wise woman Sycorax in the past, a healer and a dyer of indigo, to the native nanny Serafine Killebree, who transforms them to fairy tales for the two little Everard girls in London in the 1950s. At the center of the modern-day story is the relationship between these two young women: Xanthe, the golden girl, brash and confident, and Miranda, self-conscious and uneasy, who struggles with her Creole inheritance. When Xanthe decides they should return to Enfant-Beate to restore their fortunes, she binds the family closer to its past and awakens a history marked with passions and portents that takes the two women on very different paths of discovery. Sensuous and earthy, humorous and magical, Indigo is a novel of powerful originality and imagination.

    A rich, unrivalled picture of the lives of Peru's Indian population.

    Beautifully rendered, this is a world and a time never before dealt with in fiction-a period when powerful colonizers took over the lands of Hottentot tribes, exposing aborigines for the first time to Western eyes and Western ways. Through the life stories of seven men-all involved with and defined in one way or another by Pieternella, the beautiful daughter of the first mixed marriage of the new colony-we gain an understanding of the vast historical forces at work.Teeming with characters, rich with lived experience, gripping in its unexpected turns, Islands is a story of greed, power, war, courage, and international intrigue, at once a meticulously researched portrait of the age, and a great adventure story.

    In On the Edge of Reason, his protagonist is a middle-aged lawyer whose life and career have been eminently respectable and respected. One evening, at a party attended by the local elite, he inadvertently blurts out an honest thought. From this moment, all hell breaks loose.... On the Edge of Reason reveals the fundamental chasm between conformity and individuality. As folly piles on folly, hypocrisy on hypocrisy, reason itself begins to give way, and the edge between reality and unreality disappears.--back cover