Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    In the Dam Square in Amsterdam, long-haired young people wearing vibrant clothes and burning incense could be found meditating, playing music and discussing sexual liberation, the expansion of consciousness and the search for an inner truth. They were a generation refusing to live the robotic and unquestioning life that their parents had known.At this time, Paulo is a young, skinny Brazilian with a goatee and long, flowing hair who wants to become a writer. He sets off on a journey in search of freedom and a deeper meaning for his life: first, with a girlfriend, on the famous “Death Train to Bolivia,” then on to Peru and later hitchhiking through Chile and Argentina.His travels take him further, to the famous square in Amsterdam, where Paulo meets Karla, a Dutch woman also in her 20s. She convinces Paulo to join her on a trip to Nepal, aboard the Magic Bus that travels across Europe and Central Asia to Kathmandu. They embark on a journey in the company of fascinating fellow travelers, each of whom has a story to tell, and each of whom will undergo a transformation, changing their priorities and values, along the way. As they travel together, Paulo and Karla explore their own relationship, an awakening on every level that brings each of them to a choice and a decision that sets the course for their lives thereafter.

    His adventures take him through the London Frost Fair, the strange court of King Charles I, the wars of the Spanish succession, Versailles, the golden age of Amsterdam and to nineteenth-century Venice. As he journeys through Europe, he befriends both animals and humans, falls in love (only once), marvels at the human ability to make music, despairs at their capacity for war and gains insight into both the strength and frailties of the human spirit.With the rich historical vision of Jonathan Strange & Mr Norrell and the captivating canine perspective of A Dog’s Purpose, Tomorrow draws us into a unique century-spanning tale of the unbreakable connection between dog and human.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    The aircraft is reported to have crashed into the English Channel. There are no survivors and no bodies are recovered. Records of the incident mysteriously go missing. The Susan Rae and its crew vanish, committed to the dustbin of history.On the day the Susan Rae disappears, the English village of Lower Friththingden is the scene of several remarkable events. Two Rolls-Royces are seen parked near the village church. The entourage has paused to listen to the sound of the village children’s choir. Overhead a German parachute mine floats down, heading directly toward the church. Inside are most of the village inhabitants, including a young girl rumored to be the illegitimate child of Winston Churchill.More than a half-century later two men, an embittered American and a reclusive Englishman, have their lives altered as a consequence of the disappearance of the Susan Rae. Vince Collesano, ill, depressed, and alone, travels to England to satisfy his wife’s final request. Seconds before her death she had pointed to a painting of an English churchyard and asked to have her ashes buried there – in the country where she had been born and raised.Unfortunately, Vince has no idea as to just where in England that particular churchyard is located. The promise cannot be kept without the help of his late wife’s cousin, Albert “Bertie” Ambrose, a sad little man who hasn’t ventured outside of London for more than thirty years.Despite Vince’s intense dislike of Bertie, and all things English, the pair team up for what Vince believes to be a search for his wife’s final resting place. Given an ample supply of Marmite, they just may succeed.

    Called The Nocturne, it is a book full of fairy stories and the heroic adventures of their people who generations before chose to live by starlight.And with every story that Levon’s grandmother tells them in their new home, the desire to live as their ancestors did grows. And that is when the magic begins…Nobody can explain why nocturnal water dogs start appearing at the heels of every citizen of Paris-by-Starlight like the loyal retainers they once were. There are suddenly night finches in the skies and the city is transforming: the Eiffel Tower lit up by strange ethereal flowers that drink in the light of the moon.But not everyone in Paris is won over by the spectacle of Paris-by-Starlight. There are always those that fear the other, the unexplained, the strangers in our midst. How long can the magic of night rub up against the ordinariness of day? How long can two worlds occupy the same streets and squares before there is an outright war?

    A major hit in Germany that went on to become one of Europe’s biggest literary blockbusters in the last five years, Night Train to Lisbon is an astonishing novel, a compelling exploration of consciousness, the possibility of truly understanding another person, and the ability of language to define our very selves. Raimund Gregorius is a Latin teacher at a Swiss college who one day—after a chance encounter with a mysterious Portuguese woman—abandons his old life to start a new one. He takes the night train to Lisbon and carries with him a book by Amadeu de Prado, a (fictional) Portuguese doctor and essayist whose writings explore the ideas of loneliness, mortality, death, friendship, love, and loyalty. Gregorius becomes obsessed by what he reads and restlessly struggles to comprehend the life of the author. His investigations lead him all over the city of Lisbon, as he speaks to those who were entangled in Prado’s life. Gradually, the picture of an extraordinary man emerges—a doctor and poet who rebelled against Salazar’s dictatorship.

    Adolf Hitler wakes up from a 66-year sleep in his subterranean Berlin bunker to find the Germany he knew entirely changed: Internet-driven media spreads ideas in minutes and fumes celebrity obsession; immigration has produced multicultural neighborhoods bringing together people of varying race, ethnicity, and religion; and the most powerful person in government is a woman. Hitler is immediately recognized . . . as an impersonator of uncommon skill. The public assumes the fulminating leader of the Nazi party is a performer who is always in character, and soon his inevitable viral appeal begets YouTube stardom, begets television celebrity on a Turkish-born comedian's show. His bigoted rants are mistaken for a theatrical satire--exposing prejudice and misrepresentation--and his media success emboldens Hitler to start his own political party and set the country he finds a shambles back to rights. With daring and dark humor, Look Who's Back skewers the absurdity and depravity of the cult of personality in modern media culture.

    But his estate on Ireland’s rugged south-west coast is left to his three daughters. The two eldest, Ottie and Pip, inherit in line with expectations, but to everyone’s surprise – and dismay – it is the errant baby of the family, Willow, who gets the castle.Why her? Something unknown – something terrible - made her turn her back on her family three years earlier, escaping to Dublin and vowing never to return. So when Willow quickly announces she is selling up, her revenge seems sweet and the once-close sisters are pushed to breaking point: in desperation, Pip risks everything to secure her own future, and Ottie makes a decision that will ruin lives. It’s each woman for herself.Before moving in, Connor Shaye, the prospective new owner, negotiates throwing a lavish party at the castle just days before Christmas – his hello, their goodbye. But as their secrets begin to catch up with them, Ottie, Willow and Pip are forced to ask themselves which is harder: stepping into the future, or letting go of the past?

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    Zoli Novotna, a young woman raised in the traveling Gypsy tradition, is a poet by accident as much as desire. As 1930s fascism spreads over Czechoslovakia, Zoli and her grandfather flee to join a clan of fellow Romani harpists. Sharpened by the world of books, which is often frowned upon in the Romani tradition, Zoli becomes the poster girl for a brave new world. As she shapes the ancient songs to her times, she finds her gift embraced by the Gypsy people and savored by a young English expatriate, Stephen Swann. But Zoli soon finds that when she falls she cannot fall halfway–neither in love nor in politics. While Zoli’s fame and poetic skills deepen, the ruling Communists begin to use her for their own favor. Cast out from her family, Zoli abandons her past to journey to the West, in a novel that spans the 20th century and travels the breadth of Europe.Colum McCann, acclaimed author of Dancer and This Side of Brightness, has created a sensuous novel about exile, belonging and survival, based loosely on the true story of the Romani poet Papsuza. It spans the twentieth century and travels the breadth of Europe. In the tradition of Steinbeck, Coetzee, and Ondaatje, McCann finds the art inherent in social and political history, while vividly depicting how far one gifted woman must journey to find where she belongs.

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.

    Stanley Oxenford, director of a pharmaceutical research company, has everything riding on a drug he is developing to fight a lethal virus.A Brewing StormSeveral others are interested in his success too: his children, at home for Christmas with their offspring, have their eyes on the money he will make; Toni Gallo, forced to resign from the police department in disgrace, is betting her career on keeping the drug safe; and a local television reporter, determined to move up, has sniffed the story, even if he has to bend the facts to tell it.A House Under SiegeA sinister gang spots an opportunity to use one of Stanley’s children against him and steal the virus. As everyone takes shelter, it becomes apparent that being inside the house may be more dangerous than the storm outside, especially when a lethal virus might be on the loose . . .

    Into their midst comes Jean-Baptiste Baratte, a young, provincial engineer charged by the king with demolishing it.At first Baratte sees this as a chance to clear the burden of history, a fitting task for a modern man of reason. But before long, he begins to suspect that the destruction of the cemetery might be a prelude to his own.

    One waiter, one customer. The overnight fry cook rambles up to the pie case to take his nightly hit of dessert-topping propellant. It’s not a complete surprise when he falls to the floor; the stuff gives him the spins. That’s the point. It’s a bad moment for the boss to arrive, though. It’s worse when the cook turns out to be dead - from a bullet no one heard. For the waiter, it’s the start of the the worst few months of his life, and before it’s done he’ll be neck-deep in drug deals, romances with a faithless minx and an unintelligible Russian teacher - and a plot by campus radicals to blow something big. It’s 1980, after all. No shortage of things to deplore. They’re not too concerned with disco, though; that seems to be on the way out. “Graveyard Special” is another humorous mystery by the author of “Falling Up the Stairs,” and the first in a series of interconnected mysteries that span six decades.