He first came to international prominence in 1979, when he was recruited from the cult metal band Quiet Riot to play with Ozzy Osbourne, who had been fired from Black Sabbath for his drink and drug addictions and was in urgent need of a co-writer to kickstart a solo career. How and why Ozzy and Randy went on to find enormous success is one of the key themes of Crazy Train, named after the first and most famous Osbourne/Rhoads co-composition. It was Randy's pioneering combination of neo-classical soloing, catchy riffage and unforgettable songwriting which propelled Ozzy. The two albums that Randy recorded with Quiet Riot and the two with Ozzy showcase the young guitarist's immense ability, although the full extent of his talent may never have been revealed. In 1982 he died in an air crash. The parallels between Crazy Train and the author's best-selling To Live Is To Die: The Life And Death Of Metallica's Cliff Burton (Jawbone 2009) are intentional and obvious. Both books deal with a musical prodigy who died tragically in his mid-20s; both men have a vast following and a profile which has risen in the years since their deaths; and both men have a large coterie of friends, family and associates prepared to tell their stories for the very first time.

    Instead, he finds someone he never expected: the woman whose steamy kiss he remembers like it was yesterday.Vivienne Forrester finally has her life in order... until Matt moves back to town. She doesn't want to think about the time she threw caution to the wind with him, but running into him everywhere, it's impossible not to...

    Michael Sweet, in this – his first autobiography – chronicles his life as the founding member, songwriter, singer, and guitarist of the pioneering Christian rock band Stryper. The first Christian rock band to see chart-topping success on MTV, Stryper went on to see over 10 million albums and has sold out arenas all over the world. Sweet gives and honest an moving account of the unexpected highs and lows throughout his tumultuous path to success. It’s especially fitting to find the intensely personal nature of these musical expressions supplementing the vastly thorough and revealing subject matter of the book Honestly, titled ever so poignantly after the chart-topping Stryper song of the same name. Not only does Sweet delve further into his rarely discussed youth, but offers a full array of rock n’ roll antidotes, plus several surprises from his family and faith journeys.

    Lloyd recounts the founding of Television, the band's rise alongside other bands and personalities in the 1970’s New York Music scene, and the legend-making of the unparalleled music venue CBGB. As the rock ‘n’ roll tales unfold, he accompanies them with insights into his approach to music and the electric guitar.Lloyd’s mid-career vignettes detail his solo years, including the backstory of critically praised records such as Alchemy and Field of Fire, his drug addiction and recovery, his 90s-era work, and touring adventures with artists such as Matthew Sweet, John Doe, and Robert Quine. Throughout the book is an undercurrent—Lloyd’s continually evolving spiritual-philosophical approach to life, emerging from the conscious digestion of the highs and the lows—both ends of the same stick.In Everything is Combustible, Richard Lloyd relates his life, both inner and outer, in the narrative style, digging beneath the events and revealing their meanings.Considered a foundational band of alternative rock, Television’s debut record, Marquee Moon, is widely viewed by critics and musicians as one of the greatest albums ever recorded. As one half of Television’s unique guitar sound, and a legendary solo artist in his own right, Richard Lloyd’s music has influenced a range of bands and artists from U2, Johnny Marr and Joy Division to R.E.M., Sonic Youth, Wilco and John Frusciante.

    I may not get the private jet, but I always fly first class. Gone are the days when I have to pursue a woman. They toss their panties at me and shove their numbers in the front of my jeans. I am living a charmed life.So, how did I end up stuck as a standby passenger, hoping to get a flight? Not only did I get stuck in coach, I ended up seated next to the girl next door. Bentley seems sweet and genuine, a far cry from the women I normally date. At least, that’s what I believed before finding out Bentley is a deceitful gold-digger.BentleyThere is no room in my life for romance. That’s what I’ve been telling myself since I lost the number of the sweet guy I met on my flight. He somehow managed to turn my bad day around, and for a short time, I considered going out with him. He’d been funny and sweet, or so I’d believed. Boy was I wrong.Gage Addison isn’t just some guy from my flight. He’s lead guitarist of Reckless Release—a freaking rock star! No matter how sweet they seem, I don’t date musicians, especially one who calls me a gold-digging whore the second time he sees me. Getting involved with Gage is not an option, no matter how hot he makes me.

    Behind the world's greatest band, there are three.The Groupie: Coco LaBiba has the beauty, she has the money, but she just needs sex, music and fame to get high. She won't give up her wild ways for anyone - except the one guy she can never have.The Wife: Marny Rammer- pretty, quiet, devoted wife of the band's lead singer. But there's a price to pay when superstardom comes knocking on your husband's door, and for Marny it comes in a dangerous pile of fine white powder...The Manager: Lori Wyatt is the girl from the sticks who is now the most kick-ass band manager in the business. She can play any man at their own game and will do anything she can to sky-rocket her boys to the top. Anything.Warning: Explicit

    When he lands a record deal with a major label, Travis is convinced all his dreams are about to come true. His dream turns into a nightmare when he is sent on tour with a pop princess who is more auto-tuned than talent. Kristen Holt may have a beautiful face, but the electronically garbled music and nonexistent clothing are more show than substance. While her body is sexy as sin, Travis is convinced she’s nothing more than another dead-end on his road to obscurity. When Kristen sheds the the “Pop Princess” persona designed by the label and goes indie, she captures the attention of the audience, and the sexy rocker who never bothered to give her the time of day. Singing a stripped down acoustic song with him in front an eager crowd, their musical and sexual chemistry explodes, skyrocketing them on a fiery two week publicity tour…and into an intense love affair that takes them both by surprise. With the label breathing down Travis’s neck, Kristen’s mysterious connections, and an overeager group of paparazzi, their two week tour comes with a lot of strings and a lot of passion—and it will change everything.

    What started as five young men with a common dream of becoming rock stars eventually disintegrated into in-fighting, ego clashes, and financial disputes, until in 1995, following the release of Definitely Maybe, things came to a head and Tony left the band. Here, Tony reveals the truth about the early years before the band was formed. He discusses the drug consumption, the sexual activities, his much-publicized rift with Noel Gallagher, and how he was duped into signing a less-than-favorable record contract. His recollections include stories involving David Beckham, Prince, Eric Cantona, and John McEnroe. Witty, revealing, and fascinating, this book is a must-read for Oasis fans.

    And I’ve chosen not to spend it constantly stressing about cancer. I’ve chosen to enjoy the little things. I’ve chosen to laugh. And I’ve chosen to look back on my life and thank God for it.' In March 2017, Linda Nolan was diagnosed with secondary breast cancer and was given the terrible news that, while it was treatable, it was not curable. Her first thought was to worry about her family, who were still grieving the loss of their sister Bernie. Her second was, ‘But I’m alive and I’m going to fight it.’In From My Heart, Linda writes honestly about growing up in her big Irish family and finding fame with her sisters in The Nolans and reveals the shocking family secrets and feuds that threatened to tear them apart. She also describes her original battle with breast cancer and how the death of her husband left her deeply depressed, to the point of feeling suicidal. Just as she’d learned to embrace life again, and even to start dating, the cancer came back . . . In this warm, brave and funny memoir, Linda shows that it’s never too late to learn what really matters.

    When her stalker doesn’t let up, she finally gives in and accepts his help. Soon, she wants more than just his protection. She wants him, and she’s sure he wants her too. Can she bring him around to her way of thinking, or will his discipline keep them apart?

    Each One Dirtier And Rougher Than The Next… SMITH I want her. Plain and simple truth. I want her. I want to push inside her. I want to grip her hair and tug her scalp and lick her bared throat. I want to tie her wrists and ankles to my bed, make her helpless, weak, begging for me. I want to leave my marks on her, bruise that delicate flesh, have her sore and aching after I ravage her. But my cravings are most definitely too dark for her. I’m not the white-picket-fence kind of guy, and I can’t let myself start thinking otherwise. I should stick to the kind of women I’m used to, the kind who are fine with one night. Aubrey deserves love, real love, the kind of love I’m incapable of. The problem is she’s all I want. I know I can only destroy her. But I can’t stay away. AUBREY I try to pretend that I’m not aware of the tattoos covering him. That I’m not aware of the muscles of his arms and legs. I try to pretend my core doesn’t tighten in response to his raw masculinity, pretend I don’t want him to push me up against the wall and have his way with me. I’m so attracted to him I can barely focus. He thinks I’m naive, and maybe he’s right. Am I really so naïve as to think that maybe what Smith and I are doing is different? Or is this just me being blind? Sometimes I can see every emotion on his face. Other times, I can’t tell a thing he’s thinking. I’m plagued by doubts, yet also trying to convince myself that I know what I know. I’m not just a random woman to Smith. There’s more between us than that. What that “more” is, I don’t know. But it’s there. Either that, or he’s the world’s greatest actor. Because the emotion in our last kiss was so strong it almost blew me over. If I’m wrong about him, it will shatter my heart, break me into a million pieces. The only thing worse would be walking away… Aubrey’s standing there, lips swollen, breath panting, eyes heavily lidded. She’s so innocent but so primed for me. I could probably take her upstairs to my apartment, spread her wide and plunge deep inside her. But I can’t do that. Because she deserves better than me. I can’t ruin her. The Becket Boys: The Complete Series, contains: SMITH (The Beckett Boys, Book One) by Olivia Chase JAX (The Beckett Boys, Book 2) by Olivia Chase ASHER (The Beckett Boys, Book Three) By Olivia Chase JAMISON (The Beckett Boys, Book Four) by Olivia Chase ZACK (The Beckett Boys, Book Five) by Olivia Chase HUDSON (The Beckett Boys, Book Six) by Olivia Chase HALE (The Beckett Boys, Book Seven) by Olivia Chase AXEL (The Beckett Boys, Book Eight) by Olivia Chase

    In the summer of 1964, aged twenty, Ray Davies led The Kinks to fame with their number one hit ‘You Really Got Me’. Within months, they were challenging The Beatles and The Rolling Stones in the charts, swamped by fans and renowned for the rioting at their gigs. Over the next three decades, Davies wrote a string of enduring classics – ‘All Day and All of the Night’, ‘Sunny Afternoon’, ‘Waterloo Sunset’, ‘Lola’ – that secured his status as one of the handful of people to have redefined pop culture over the last fifty years.But Ray’s journey from working-class Muswell Hill to the Rock ’n’ Roll Hall of Fame was tumultuous in the extreme, featuring breakdowns, bitter lawsuits, spectacular punch-ups and a ban from entering the USA for almost four years. His relationship with his brother Dave, The Kinks’ lead guitarist, is surely the most ferocious and abusive in music history. Based on countless interviews conducted over several decades, this richly detailed and revelatory biography presents the most frank and intimate portrait yet of Ray Davies, and promises to be the definitive biography of this most fascinating and complicated life.

    You may know him as the lead guitarist in Def Leppard, whose signature song “Pour Some Sugar on Me” is still as widely enjoyed as when it debuted in 1988. Maybe you’ve heard of him as the rock star who gave up alcohol and meat more than twenty-five years ago. Most likely you’ve seen him shirtless—in photos or in real life—flaunting his impeccably toned body to appreciative female fans.But it wasn’t always like this. Collen worked his way up from nothing, teaching himself guitar from scratch as a teenager by imitating his heroes. He slogged it out in London-based pub bands for years, long before Def Leppard formed and transformed from unknowns to icons (all thanks to a little album called Pyromania), from playing openers in near-empty arenas to headlining in those same stadiums and selling them out every night. But as Collen discovered, true overnight success is a myth. Like the other band members, he had to struggle and fight his way to the top; in the end, he says, “our work ethic saved us.” Just as it still does.This is Collen’s story, starting with his first real taste of success and wild rock and roll excess as a member of the seminal glam rock outfit Girl. But once he joins Def Leppard, it’s also an amazing underdog tale featuring a bunch of ordinary working-class lads who rose to mega-stardom, overcoming incredible obstacles—such as drummer Rick Allen losing an arm in a car crash and the tragic death of guitarist Steve Clark, Phil’s musical soul mate, who lost his fight with alcoholism. Featuring personal, never-before-seen photos of Collen and his band mates on stage and off, Adrenalized is a fascinating account of the failures, triumphs, challenges, and rock-hard dedication it takes to make dreams come true.

    More than that, this is a story about the enduring friendship among the book's three central voices: Theo Kogan, Sydney Silver, and Gina Volpe. They formed the Lunachicks at LaGuardia High School (of "Fame" fame) in the late '80s and had a record deal with Blast First Records as teenagers, whisked into the studio by Kim Gordon and Thurston Moore.Over the course of thirteen-ish years, the Lunachicks brought their brand of outrageous hard-rockin' rebelliousness around the world countless times, simultaneously scaring conservative onlookers and rescuing the souls of wayward freaks, queers, and outcasts.Their unforgettable costume-critiques of pop culture were as loud as their "Marsha[ll]" amps, their ferocious tenacity as lasting as their pre-internet mythology. They toured with bands like the Go-Go's, Marilyn Manson, No Doubt, Rancid, and The Offspring; played the Reading Festival with Nirvana; and rocked the main stage at the Warped tour twice.Yet beneath all the makeup, wigs, and hilarious outfits were three women struggling to grow into adulthood under the most unorthodox of conditions. Together onstage they were invincible B-movie superheroes who kicked heaps of ass—but apart, not so much. Depression, addiction, and identity crises loomed overhead, not to mention the barrage of sexist nonsense they faced from the music industry.Filled with never-before-seen photos, illustrations, and ephemera from the band's private archive, and featuring contributions from Lunachicks drummer Chip English, founding member Sindi B., and former bandmate Becky Wreck, Fallopian Rhapsody is a bawdy, gripping, warts-and-all account of how these city kids relied on their cosmic creative connection to overcome internal strife and external killjoys, all the while empowering legions of fans to shoot for the moon.For readers of Carrie Brownstein's Hunger Makes Me a Modern Girl, Kim Gordon's Girl in a Band, and Chrissie Hynde's Reckless, Fallopian Rhapsody is the literary equivalent of diving headfirst into a moshpit and slowly but surely venturing up to the front of the stage.

    She was the first female A&R executive at Atlantic Records, and one of the few in the room at RCA and Columbia. But before that, she was secretary to Ahmet Ertegun, Atlantic’s infamous president, who signed acts like Aretha Franklin and Led Zeppelin, negotiated distribution deals with Mick Jagger, and added Neil Young to Crosby, Stills & Nash. The stories she tells about the kingmakers of the music industry are outrageous, but it is her sinuous friendship with Ahmet that frames her narrative. He was notoriously abusive, sexually harassing Dorothy on a daily basis. Still, when he neared his end, sad and alone, Dorothy had no hatred toward him—only a strange kind of loyalty. Carvello reveals here how she flipped the script and showed Ertegun and every other man who tried to control her that a woman can be just as willing to do what it takes to get a hit. Featuring never-before-heard stories about artists like Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, Phil Collins, and many more, this book is a must-read for anyone who has ever wondered what it's really like to be a woman in a male-dominated industry.