They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers close up shop, and fast. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it.Lois is no baker, but she could use a roommate, even if it is a needy colony of microorganisms. Soon, not only is she eating her own homemade bread, she’s providing loaves daily to the General Dexterity cafeteria. The company chef urges her to take her product to the farmer’s market, and a whole new world opens up.When Lois comes before the jury that decides who sells what at Bay Area markets, she encounters a close-knit club with no appetite for new members. But then, an alternative emerges: a secret market that aims to fuse food and technology. But who are these people, exactly?

    Author David Helvarg takes the reader on both a geographic and literary journey along the 1,100-mile Pacific coastline, from the Oregon border to the San Diego/Tijuana international border fence and out into its whale-, seal-, and shark-rich offshore seamounts, rock isles, and kelp forests.Part history, part travelogue, part love letter, The Golden Shore tells the story of California’s majestic coastline and ocean. Helvarg captures the spirit of the Californian coast, its mythic place in American culture, and its role in a state whose ongoing natural disasters and unremitting sense of renewal are intimately linked to its deep connection with an ever-changing sea.

    For fourteen years, Letty Espinosa has worked three jobs around San Francisco to make ends meet while her mother raised her children—Alex, now fifteen, and Luna, six—in their tiny apartment on a forgotten spit of wetlands near the bay. But now Letty’s parents are returning to Mexico, and Letty must step up and become a mother for the first time in her life. Navigating this new terrain is challenging for Letty, especially as Luna desperately misses her grandparents and Alex, who is falling in love with a classmate, is unwilling to give his mother a chance. Letty comes up with a plan to help the family escape the dangerous neighborhood and heartbreaking injustice that have marked their lives, but one wrong move could jeopardize everything she’s worked for and her family’s fragile hopes for the future. Vanessa Diffenbaugh blends gorgeous prose with compelling themes of motherhood, undocumented immigration, and the American Dream in a powerful and prescient story about family.

    . .As captain of a San Francisco Bay tour boat, Pru can handle rough seas—the hard part is life on dry land. Pru loves her new apartment and her neighbors; problem is, she’s in danger of stumbling into love with Mr. Right for Anybody But Her.Fall for him—hard . . .Pub owner Finn O’Riley is six-foot-plus of hard-working hottie who always makes time for his friends. When Pru becomes one of them, she discovers how amazing it feels to be on the receiving end of that deep green gaze. But when a freak accident involving darts (don’t ask) leads to shirtless first aid, things rush way past the friend zone. Fast.And then tell him the truth.Pru only wants Finn to be happy; it’s what she wishes for at the historic fountain that’s supposed to grant her heart’s desire. But wanting him for herself is a different story—because Pru’s been keeping a secret that could change everything. . . .

    Bucking under the weight of being a single parent―her Turkish husband is unable to return to the United States because of a “processing error”―Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world.Keenly observed, bristling with humor, and set against the beauty of a little-known part of California, The Golden State is about class and cultural breakdowns, and desperate attempts to bridge old and new worlds. But more than anything, it is about motherhood: its voracious worry, frequent tedium, and enthralling, wondrous love.

    Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith’s life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith’s lost generation. This spellbinding novel introduced Egan’s remarkable ability to tie suspense with deeply insightful characters and the nuances of emotion.

    Outside is the world from which she has been severed: the San Francisco of her youth and her young son, Jackson. Inside is a new reality: thousands of women hustling for the bare essentials needed to survive; the bluffing and pageantry and casual acts of violence by guards and prisoners alike; and the deadpan absurdities of institutional living, which Kushner evokes with great humor and precision.

    Included are Stanyan Street, Kearney Street, The Yellow Unicorn, and a selection of lyrics from songs and poems written as early as 1954.

    She restores historic carousels -- her dream career -- working from her own studio in a former roller skating rink. Though black herself, she spent her first years in a Basque immigrant community in Nevada, the adopted child of a single mother. And after the mother's death, she was raised by her Aunt Joy in a Catholic Worker house.  Mirai has a lot going for her -- but then, why is everything suddenly falling apart? Her current, year-long carousel project is veering crazily out of control, in both schedule and budget. The guy who dumped her only months before has shown up married and -- as far as Mirai is concerned -- to the worst possible person. Her mother's death long ago is looking less and less like an accident. And Joy, the one person who has had her complete trust, may know more about that death than she has let Mirai believe.  Mirai knows how to restore a carousel, but can she restore relationships with those she loves? Can she strip the old paint of past wrongs to prepare her life for new, more vibrant colors? And will her eyes be clear enough to spot the brass ring when it finally comes within reach? ///////////////////////////////////////////////// Anne L. Watson, a retired historic preservation architecture consultant, is the author of several novels, plus books on such diverse subjects as soapmaking and baking with cookie molds. She currently lives in Friday Harbor, Washington, in the San Juan Islands, with her husband and fellow author, Aaron Shepard. ///////////////////////////////////////////////// SAMPLE Next morning, I picked out Will's car parked on the street in front of the coffee shop. No room for doubt -- Will had a real screamer of a car, an old red Mustang convertible. Not that he described it that way. His version started off with "1964-1/2" for the model year and "poppy red" for the color, then veered into details about the color of certain key engine parts -- at which point I had always zoned out so far, I didn't hear the rest of the speech. There it sat, parked at the curb in Peregrine Falls, Idaho, already collecting a few admirers. Not even counting the vanity plate -- ORGAN4U -- the car had so much of Will's personality attached to it, I felt mildly nauseated. As an alternative to kicking a fender, I slammed into the coffee shop. "Whoa, Mirai! Remember us?" The crew had gathered at the only big table in the Clearwater Cafe. I'd been so wrapped up in my own problems, I hadn't even seen them. They were all there -- Evangeline, Harvey, Mr. Papadakis. And Will. Neither fight nor flight was practical. I sat down at the table. The waitress hurried to me with a coffeepot and mug. I ordered the special and sipped my coffee. "Clearwater" was certainly the word for that coffee -- they must have named the restaurant after it. I glanced around the table, skipping over Will. Mr. Papadakis caught my eye. "What's the agenda?" he asked. "We'll go to the park as soon as we're done here. Check out the carousel, then have lunch with the committee. We have to give the owners a preliminary report tomorrow morning." Evangeline smiled. "How long are you staying?" she asked me. "All week. You?" "I'll stay awhile. I may want to work on things in place." In Evangeline's case, "awhile" could mean several months. She had an answering service, but no permanent address. At the moment, I envied her. Harvey shook his head. "I'm leaving tomorrow night. I'll come back later, when the work on the building starts. For now, a couple of days will do it." It was Will's turn, so I had to look toward him then. He sat quietly, holding a coffee cup. Will had never worn jewelry, but now a ring glinted on his finger. A plain gold ring on the fourth finger of his left hand. A wedding ring.

    Desperate to secure her future, Mei Ling’s parents arrange a marriage to a widower in California. To enter the country, she must pretend to be her husband’s first wife—a paper wife.On the perilous voyage, Mei Ling takes an orphan girl named Siew under her wing. Dreams of a better life in America give Mei Ling the strength to endure the treacherous journey and detainment on Angel Island. But when she finally reaches San Francisco, she’s met with a surprise. Her husband, Chinn Kai Li, is a houseboy, not the successful merchant he led her to believe.Mei Ling is penniless, pregnant, and bound to a man she doesn’t know. Her fragile marriage is tested further when she discovers that Siew will likely be forced into prostitution. Desperate to rescue Siew, she must convince her husband that an orphan’s life is worth fighting for. Can Mei Ling find a way to make a real family—even if it’s built on a paper foundation?

    Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It’s 1977, and life in this Pacific Northwest logging town isn’t what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It’s a dangerous job that requires him to scale trees hundreds of feet tall—a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son—and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient Redwoods. Colleen, desperate to have a second baby, challenges the logging company’s use of herbicides that she believes are responsible for the many miscarriages in the community—including her own. Colleen and Rich find themselves on opposite sides of a budding conflict that threatens the very thing they are trying to protect: their family. Told in prose as clear as a spring-fed creek, Damnation Spring is an intimate, compassionate portrait of a family whose bonds are tested and a community clinging to a vanishing way of life. An extraordinary story of the transcendent, enduring power of love—between husband and wife, mother and child, and longtime neighbors. An essential novel for our times.

    A sexual sadist who taunted police with anonymous notes. A madman who was never apprehended. This is the first, complete account of Zodiac's reign of terror. Is he still out there?

    Getting on the air (legitimately) in San Francisco was a multimillion-dollar ambition. But in 1995, with the help of a few subversive techies and pirate-radio gurus, Sue built her first transmitter in her hilltop San Francisco apartment and launched KPBJ, enlisting friends as DJs. A few months later, Sue landed a magazine job in Los Angeles, took her transmitter with her, and established KBLT.From these humble beginnings KBLT emerged as one of L.A.'s best-loved radio stations, staffed with more than a hundred DJs and supported by major music labels eager to reach a different kind of audience. The station expanded its playlist from indie rock to an eclectic mix of jazz, hip-hop, electronica, and countless other styles. In the three and a half years before the FCC finally caught up with Sue, KBLT went from interviewing unknowns to hosting live performances by the Red Hot Chili Peppers -- without ever leaving Sue's apartment."40 Watts from Nowhere" is Sue's frank and hilarious account of her bizarre double life during the height of California's pirate-radio boom: journalist by day, counterculture icon by night. It's an amazing true story, one that will instantly appeal to music fans -- and free spirits -- everywhere.

    For anyone asking “Now what?” the answer is out there. You just have to know where to look.  In his 2005 book, The Long Emergency, James Howard Kunstler described the global predicaments that would pitch the USA into political and economic turmoil in the 21st century—the end of affordable oil, climate irregularities, and flagging economic growth, to name a few. Now, he returns with a book that takes an up-close-and-personal approach to how real people are living now—surviving The Long Emergency as it happens. Through his popular blog, Clusterf**ck Nation, Kunstler has had the opportunity to connect with people from across the country. They’ve shared their stories with him—sometimes over years of correspondence—and in Living in the Long Emergency: Global Crisis, the Failure of the Futurists, and the Early Adapters Who Are Showing Us the Way Forward, he shares them with us, offering an eye-opening and unprecedented look at what’s really going on “out there” in the US—and beyond.Coming from all walks of life, the individuals you’ll meet in these pages have one thing in common: their stories acutely illustrate the changing realities real people are facing—and coping with—every day. In profiles of their fascinating lives, Kunstler paints vivid, human portraits that offer a “slice of life” from people whose struggles and triumphs all too often go ignored. With personal accounts from a Vermont baker, homesteaders, a building contractor in the Baltimore ghetto, a white nationalist, and many more, Living in the Long Emergency is a unique and timely exploration of how the lives of everyday Americans are being transformed, for better and for worse, and what these stories tell us both about the future and about human perseverance.