In a series of sketches and animations, the Pythons recount scenes from the Grail legend in which the knights forsake their chorus line can-can dancing in Camelot for a higher aim. Typically, the Pythons set-up a 'historical' tale which is really a take on the modern world. Memorable scenes, like Graham Chapman's King Arthur battling with John Cleese's Black Knight until the latter is reduced limb by limb down to a speaking stump of a torso, capture both the hilarity and grotesque nature of brutality. In scene after scene King Arthur's men are led a merry chase through the countryside, encountering life on many different social levels. This screenplay edition contains just the script and is supplemented by stills from the film.

    Starring WillFerrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah,and Emma Thompson, Stranger Than Fiction is a heartfelt film,perhaps a comedy, perhaps a tragedy, about love and literatureand death and taxes.

    Jake Gittes is a successful 'bedroom dick': a private eye specialising in cases of marital infidelity. Paradoxically he might also be the last truly ethical man in a corrupt town. Lured into an investigation of the death-by-drowning of City Water Commissioner Hollis Mulwray, Gittes gets more than usually entwined with his new client, Mulwray's enigmatic widow Evelyn. He then finds himself crossing swords with Evelyn's redoubtable father, the aging business magnate Noah Cross, who has professional and personal reasons of his own for wanting both Hollis and Evelyn silenced.Academy Award-winner for Best Original Screenplay of 1974, Robert Towne's Chinatown is widely regarded as the finest American movie script of the post-war years. Complex in narrative design, infused with the sordid real-life history of Los Angeles' economic growth and unmistakably adult in its updating of the trademark violence and sexual intrigue of film noir, on the page Chinatown still shines - and cuts - like a blade.

    They are immediately attracted. Despite knowing this may be the only time they will see each other, in the next few hours in the city of Vienna, they share everything and promise to meet again.    Nearly a decade later, Jesse, now a novelist on a publicity tour, sees Celine in a bookstore in Paris. Again their time is short, and they spend it reestablishing the connection they experienced on their first meeting. Romantic, poignant, understated, and often profound, these two screenplays are sure to become classics in their own right.

    Weber, an 8-page color section, production notes, and the complete cast and crew credits.

    Clerks was the independent film success story of 1994, winning the Prix de la Jeunesse and the International Critics Week Award at Cannes, and the Filmmakers' Trophy at Sundance. Set in the everyday world of a New Jersey QuickStop and its adjacent video store, the film revolves around the obsessions, love lives, and friendships of the clerks. Janet Maslin of the New York Time called it "a buoyant comedy...and exuberant display of ingenuity," and Kenneth Turan of the Los Angeles Times raves, "Clerks is boisterous and irreverently funny...an example of what is best and most hopeful about the American independent film scene."

    Set in 1973 and starring Frances McDormand, Billy Crudup, and Noah Taylor, Crowe's new film tells the story of a fifteen-year-old boy whose dream of becoming a rock journalist comes true when Rolling Stone sends him on tour with the up-and-coming rock band Stillwater—loosely based on Led Zeppelin—over the objections of his protective mother. Crowe brings the same wry humor he brought to Jerry Maguire as well as the brilliant evocations of teen life that animated his earlier cult film Fast Times at Ridgemont High to chronicle and celebrate a pivotal moment in rock history—and one teenage boy's place in it.

     But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. EX MACHINA is an intense psychological thriller, played out in a love triangle. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.

    Young Henry dreams that one day he too might be a professional 'wiseguy' - a 'goodfella'. His wishes come true with remarkable speed once he teams up with renowned hoodlum Jimmy Conway and his alarmingly psychotic pal Tommy DeVito. Henry embarks on an everyday life of crime which takes him from rags to gaudy riches, in and out of the federal penitentiary and under the unwelcome spotlight of the FBI. As the 1970s turn sour Henry finds himself at the sharp end of the cocaine trade, increasingly adrift from his extended mobster 'family' and forced to make a tough decision about his future . . .The film that re-established Martin Scorsese's eminence among American directors after years of professional difficulties, GoodFellas is a tour de force which lays bare the crude and venal motives which drive a happy band of thieves and murderers.

    Cold Mountain Penitentiary houses convicted killers awaiting their turn to walk the Green Mile to the electric chair. But there's never been anyone like John Coffey, with the body of a giant and the mind of a child.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    In this book, Ernest Larsen examines the film's sophistcated narrative structure and the new spin it puts on an old genre.

    His consolation is that he gets to romance an elegant female spy, but he soon learns that the game of international intrigue is played for high stakes. Ernest Lehman provides an introduction to this souvenir volume, published to coincide with the centenary of Hitchcock's birth, in which he describes the course of his cherishable collaboration with the master of suspense.

    But look closer. Lester Burnham's wife, Carolyn, regards him with contempt, his daughter, Jane, thinks he's a loser, and his boss is positioning him for the ax.Captivated by Jane's sultry high school friend Angela, Lester decides to make a few changes in his mere existence—changes that are less mid-life crisis than a life reclaimed. The freer he gets, the happier he gets, which is even more maddening to his wife and daughter. Complicating matters, Lester finds an unexpected ally in Ricky, the teenage son of the new next-door neighbors, who sees life through a camera lens that has lately focused on Jane Burnham.In pursuit of his new vision of the American dream, Lester is about to learn that the ultimate freedom comes at the ultimate price.The 1999 winner of five Academy Awards®, including Best Picture and Best Original Screenplay, American Beauty boasts an accomplished cast led by two-time Academy Award® Best Actor winner Kevin Spacey (The Usual Suspects) and Oscar® nominee Annette Bening (The Grifters). The ensemble cast also includes Thora Birch (Ghost World), Wes Bentley (The Claim), Mena Suvari (American Pie), Peter Gallagher (Mr. Deeds), Allison Janney (NBC's The West Wing), Scott Bakula (NBC's Quantum Leap), Sam Robards (A.I.: Artificial Intelligence), and Chris Cooper (Adaptation).American Beauty marks the feature film directorial debut of award-winning theater director Sam Mendes (The Blue Room, Cabaret). The film is produced by Dan Jinks (Nothing to Lose) and Bruce Cohen (The Flintstones in Viva Rock Vegas) from an original screenplay by Alan Ball (HBO's Six Feet Under). Stan Wlodkowski (One Hour Photo) and Alan Ball are the co-producers.