It is the summer of '82 as Sally Thomas prepares to leave her job at the British Drama League in London and head off to the North of England for her very first season in repertory as an Assistant Stage Manager at the beautiful old theatre in Crewe. Flung into this new world, Sally soon finds her feet, thanks to her own steady, unspoilt nature and to the company of her best friend, Jeremy. One of the first lessons she learns is that the other actors barely need tuition in the art of stage-fighting, since they are quite adept at stabbing each other in the back. When Jeremy falls suddenly and dangerously in love, Sally needs to grow up - fast. A shadow is falling over the theatre, sparing no one, and a tragedy is gathering pace in the darkness behind the stage. The Boy I Loveis a superb evocation of theatre and real life that will stay with you long after you've read it. Be warned: it may just break your heart.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    KnowledgeNotes offers students in-depth analysis of the most frequently studied literary works, from William Shakespeare to Maya Angelou, and Aeschylus to Toni Morrison

    

    Despite its success in performance, and being hailed by Sir Terence Rattigan as 'the best first play' he'd seen in 'thirty odd years', it was not until the London production of Loot in 1966 - less than a year before Joe Orton's untimely death - that theatre audiences and critics began to more fully appreciate the originality of Orton's elegant, alarming and hilarious writing. Introduced by John Lahr, the author of Orton's biography Prick up Your Ears, Entertaining Mr Sloane is now established as an essential part of the repertoire of the modern theatre.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    It is a dramatic study of sexual conflict and jealousy between an older and a younger man; as well as a subtle psychological portrait of an inadequate and sexually-obsessed middle-aged man.Sleuth was filmed by Joseph Mankiewicz, with Laurence Olivier and Michael Caine in the leading roles, and this edition is fully illustrated with stills from the film, for which Anthony Shaffer wrote the screenplay.Anthony Shaffer has written several television and stage plays, including the West End success Murderer (also available from arion Boyars Publishers). He has also written many screenplays, including Play with a Gypsy, Hitchcock's Frenzy, The Wicker Man, and the Agatha Christie films Death on the Nile and Evil Under the Sun.

    While his friends were out getting laid and stoned, he was tucked up at home dreaming of his name in lights, of holding an audience rapt, of perhaps becoming a TV heart-throb, or having someone, anyone, ask for his autograph in the supermarket. This is the true story of an obsessive pursuit of acting fame. It is a life marked by occasional hard-fought successes and routine helpings of ritual humiliation: scout hut Gilbert and Sullivan, dodgy rock operas, sewage farm theatre workshop, Christmas panto hell, straight-to-video film flops, leading roles in Crimewatch reconstructions and dressing up as a chicken to advertise TV dinners. It is a hilarious tale of turgid theatre, tights, trusses and tonsil tennis with Timothy Spall.

    She adapted it as a play, which was awarded the Pulitzer Prize for Drama in 1921. In the same year, Gale took an active role in the creation of the Wisconsin Equal Rights Law, which prohibits discrimination against women.

    For the most part, it concerns itself with the mercurial and irresponsible moods of a girl called Sally Bowles. When we first meet her, she is a creature of extravagant attitudes, given to parading her vices, enormously confident that she is going to take life in her stride. She is fond of describing herself as an 'extraordinary interesting person,' and she is vaguely disturbing. As we get to know her, as we watch her make frightened arrangements for an illegal operation, seize at the tinseled escape offered by a rich and worthless American playboy, attempt to rehabilitate herself and fail ludicrously, we are more and more moved, more and more caught up in the complete and almost unbearable reality of this girl. [The author has] placed a character named Mr. Isherwood on the stage He serves both as narrator and as principal confidant to Sally Bowles. He is the camera eye of the title, attracted to Sally, yet dispassionate about her." Though Sally is the chief point of interest, the plight of the Jew in Germany in the early '30s is brought within focus in a few touching scenes.

    Head "greaser" Danny Zuko and new (good) girl Sandy Dumbrowski try to relive the high romance of their "Summer Nights" as the rest of the gang sings and dances its way through such songs as "Greased Lightnin'", "It's

    In Bed Among the Lentils, a vicar's wife discovers a semblance of happiness with an Indian shop owner. In A Chip in the Sugar, a man's life begins to unravel when he discovers his aging mother has rekindled an old flame. In A Lady of Letters, a busybody pays a price for interfering in her neighbor's life.First produced for BBC television in 1988 to great critical acclaim, the Talking Heads monologues also appeared on the West End Stage in London in 1992 and 1998. In 2002, seven of the pieces were performed at the Tiffany Theater in Los Angeles for a highly praised brief engagement, and in 2003 a selection of the monologues premiered in New York at the Minetta Lane Theatre. These extraordinary portraits of ordinary people confirm Alan Bennett's place as one of the most gifted, versatile, and important writers in the English Language.

    Carnelle enlists half-blind seamstress Popeye to help her efforts. Meanwhile, Carnelle’s cousins, Elain and Delmont, are forced to come to terms with their late mother’s legacy, against their own desires. Beth Henley’s signature messy characters fit imperfectly into tragi-comic portraits of the American South.

    Inge has taken us back to the early 1920s and into the home of the Flood family in a small Oklahoma town. Here we find Rubin, a traveling salesman for a harness firm, Cora his sensitive and lovely wife, Sonny their little boy and Reenie their teen-age daughter The plot of Mr. Inge's comedy drama is less one story than a series of short stories the fight between a husband and wife; the fear of an overly shy young girl on going to a dance; the problems of an introverted little boy who feels that the whole world, including his family is against him; the outwardly peaceful and inwardly corroding marriage of Cora's rowdy sister; the tragedy of a military school cadet whose mother has never provided him with a home and who suffers from the stigma of being a Jew in an alien community. What Mr. Inge is saying, with a power and tenderness of speech, is that there is dark at the top of everyone's stairs, but that it can be dissipated by understanding, by tolerance, by compassion and by the brand of companionship that demands not conformity but love For Mr. Inge has made in his play a statement of faith for all people who, if they accepted it, would live in a far better world."

    . . this passionate play about a family struggling to outrun social prophecy is potent and intensely acted." --The New York Times"Pipeline showcases an American play wright in full blaze." --Huffington Post"This is a writer who has a flawless ear for the way kids see the world and their ability to navigate it with surgical eloquence." --DeadlineNya, an inner-city teacher, is desperate to give her only son, Omari, opportunities he'd otherwise never have in the flawed public education system. When an incident at his private school threatens to get him expelled, Nya must con- front the full weight of the impact her parenting decisions have made on her son. Inspired by the "school-to-prison" pipeline that ensnares people of color, Morisseau brings us a powerful play that delves into issues of class, race, parenting, and education in America and questions the systematic structures that ultimately trap underserved communities.Dominique Morisseau's plays include Detroit '67, Paradise Blue, Skeleton Crew, Sunset Baby, Follow Me to Nellie's, Third Grade, Black at Michigan, Socks, Roses Are Played Out, and Love and Nappiness. Morisseau is a recipient of the Edward M. Kennedy Prize for Drama, two NAACP Image Awards, a commendation from the Primus Prize by the American Theatre Critics Association, and the winner of the 2012 Barrie and Bernice Stavis Play wright Award by National Theatre Conference.