Rue Morgue" is a short story by Edgar Allan Poe first published in "Graham's Magazine" in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his tales of "ratiocination," his concept of analyzing a fictional crime to find the resolution. Brand new idea in its day.Poe's amateur detective, C. Auguste Dupin, takes an interest in the murder in Paris of two women. It was terribly brutal but difficult to categorize; there appeared to be no robbery or sexual assault, no obvious reason for the crimes. The newspapers carried sensational headlines. Dupin gets involved because the man arrested for the crimes, Monsieur Le Bon, had previously done him a favour. It becomes a challenge to Dupin.Get set for a step back in the history of detective fiction that leaves the impression that it was written just a short while ago.Librarian's note: this entry is for the story "The Murders in the Rue Morgue." It is the first of three in the author's Dupin series. Collections of the series, including those under this title, and other stories by the author, are located elsewhere on Goodreads. Each of the Dupin stories can be found by searching Goodreads for "a C. Auguste Dupin Short Story."

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    He’s also an ex-drug addict with a troubled past.He’s rewarded for his success. Power. Money. Respect. They’re all within reach.But a man like him won’t get to the top.Plagued by hallucinations and paranoia, Macbeth starts to unravel. He’s convinced he won’t get what is rightfully his. Unless he kills for it.

    The serial murderer has been dubbed “the Indian Killer” because he scalps his victims and adorns their bodies with owl feathers. As the city consumes itself in a nightmare frenzy of racial tension, a possible suspect emerges: John Smith. An Indian raised by whites, John is lost between cultures. He fights for a sense of belonging that may never be his—but has his alienation made him angry enough to kill? Alexie traces John Smith’s rage with scathing wit and masterly suspense.In the electrifying Indian Killer, a national bestseller and New York Times Notable Book, Sherman Alexie delivers both a scintillating thriller and a searing parable of race, identity, and violence.

    But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened -- something that ended their friendship and changed all three boys forever.Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to hold his marriage together and keep his demons at bay -- demons that urge him to do terrible things. When Jimmy's daughter is found murdered, Sean is assigned to the case. His investigation brings him into conflict with Jimmy, who finds his old criminal impulses tempt him to solve the crime with brutal justice. And then there is Dave, who came home the night Jimmy's daughter died covered in someone else's blood.A tense and unnerving psychological thriller, Mystic River is also an epic novel of love and loyalty, faith and family, in which people irrevocably marked by the past find themselves on a collision course with the darkest truths of their own hidden selves.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    This is a novel by the author of Hold Tight.

    Published at only twenty-two, she peaked early and found critical but not commercial success. Now her former life is gone, along with her writing career and beloved husband. A reclusive widow, her sole companion a dour, flatulent basset hound who barely tolerates her, her daily mantra Kill Me Now, she is a loner afraid to be alone. Her only bright spot each week is the writing class that she teaches at the university extension.This semester's class is full of the usual suspects: the doctor who wants to be the next Robin Cook, the overly enthusiastic repeat student, the slacker, the unassuming student with the hidden talent, the prankster, the know-it-all... Amy's seen them all before. But something is very different about this class—and the clues begin with a scary phone call in the middle of the night and obscene threats instead of peer evaluations on student writing assignments. Amy soon realizes that one of her students is a very sick puppy, and when a member of the class is murdered, everyone becomes a suspect. As she dissects each student's writing for clues, Amy must enlist the help of everyone in her class, including the murderer, to find the killer among them.Suspenseful, extremely witty, brilliantly written, unexpectedly hilarious, and a joy from start to finish, The Writing Class is a one-of-a-kind novel that rivals Jincy Willett's previous masterpieces.

    Revoyr’s novel is honest in detailing southern California’s brutal history, and honorable in showing how families survived with love and tenacity and dignity."—Susan Straight, author of Highwire MoonSouthland brings us a fascinating story of race, love, murder and history, against the backdrop of an ever-changing Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four African-American boys were killed in the store Frank owned during the Watts Riots of 1965. Along with James Lanier, a cousin of one of the victims, Jackie tries to piece together the story of the boys’ deaths. In the process, she unearths the long-held secrets of her family’s history.Southland depicts a young woman in the process of learning that her own history has bestowed upon her a deep obligation to be engaged in the larger world. And in Frank Sakai and his African-American friends, it presents characters who find significant common ground in their struggles, but who also engage each other across grounds—historical and cultural—that are still very much in dispute.Moving in and out of the past—from the internment camps of World War II, to the barley fields of the Crenshaw District in the 1930s, to the streets of Watts in the 1960s, to the night spots and garment factories of the 1990s—Southland weaves a tale of Los Angeles in all of its faces and forms.Nina Revoyr is the author of The Necessary Hunger ("Irresistible."—Time Magazine). She was born in Japan, raised in Tokyo and Los Angeles, and is of Japanese and Polish-American descent. She lives and works in Los -Angeles.

    It won’t be the last. He’s now arrived in Galicia. It’s where Álvaro died. It’s where the case has already been quickly closed as a tragic accident. It’s also where Álvaro hid his secrets.The man to whom Manuel was married for fifteen years was not the unassuming man he knew.Álvaro’s trail leads Manuel deep into one of Spain’s most powerful and guarded families. Behind the walls of their forbidding estate, Manuel is nothing but an unwelcome and dangerous intruder. Then he finds two allies: a stubbornly suspicious police lieutenant and Álvaro’s old friend—and private confessor—from seminary school. Together they’re collecting the pieces of Álvaro’s past, his double life, and his mysterious death.But in the shadows of nobility and privilege, Manuel is about to unravel a web of corruption and deception that could be as fatal a trap for him as it was for the man he loved.

    After all, he’s been able to steal from the same people for years on end—virtually undetected. Of course, this could also be attributed to his unique business model—he takes only items that will go unnoticed by the homeowner. After all, who in their right mind would miss a roll of toilet paper here, a half-used bottle of maple syrup there, or even a rarely used piece of china buried deep within a dusty cabinet? Even though he's never met these homeowners, he's spent hours in their houses, looking through their photo albums and reading their journals. In essence, Martin has developed a friendship of sorts with them and as such, he decides to interfere more in their lives—playing the part of a rather odd guardian angel—even though it means breaking many of his twitchy neurotic rules.  Along the way Martin not only improves the lives of others, but he also discovers love and finds that his own life is much better lived on the edge (at least some of the time) in this hilarious, suspenseful and often profound novel about a man used to planning every second of his life, suddenly forced to confront chaos and spontaneity.

    In his latest New York Times bestseller, Hiaasen introduces impassioned, possibly bipolar, self-proclaimed queen of lost causes Honey Santana, who schemes to help rid the world of irresponsibility, indifference, and dinnertime sales calls.

    Lovecraft and his circle. Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears. The police say it's suicide. Marina is a psychiatrist, and she doesn't believe them.A tour-de-force of storytelling, The Night Ocean follows the lives of some extraordinary people: Lovecraft, the most influential American horror writer of the 20th century, whose stories continue to win new acolytes, even as his racist views provoke new critics; Barlow, a seminal scholar of Mexican culture who killed himself after being blackmailed for his homosexuality (and who collaborated with Lovecraft on the beautiful story The Night Ocean); his student, future Beat writer William S. Burroughs; and L.C. Spinks, a kindly Canadian appliance salesman and science-fiction fan -- the only person who knows the origins of The Erotonomicon, purported to be the intimate diary of Lovecraft himself.As a heartbroken Marina follows her missing husband's trail in an attempt to learn the truth, the novel moves across the decades and along the length of the continent, from a remote Ontario town, through New York and Florida to Mexico City.The Night Ocean is about love and deception -- about the way that stories earn our trust, and betray it.

    He's not one to pass up a drink - or too many - and he prides himself on being stylishly dressed for whatever occasion may present itself, no matter how debauched. Don't miss this brilliant mixture of comedy, crime, and suspense.

    . . . It’s not hyperbole to suggest that We Disappear is the eeriest Kansas-set story since Truman Capote’s In Cold Blood." — Chicago Sun-TimesA dark and compelling novel of addiction, obsession, love, and family from the acclaimed author of  Mysterious Skin The body of a teenage boy is discovered in a Kansas field. The murder haunts Donna—a recent widow battling cancer—calling forth troubling details from long-suppressed memories of her past. Hoping to discover more about "disappeared" people, she turns to her son, Scott, who is fighting demons of his own. Addicted to methamphetamines and sleeping pills, Scott is barely holding on—though the chance to help his mother in her strange and desperate search holds out a slim promise of some small salvation.But what he finds is a boy named Otis handcuffed in a secret basement room, and the questions that arise seem too disturbing even to contemplate. With his mother's health rapidly deteriorating, Scott must surrender to his own obsession, and unravel Otis's unsettling connections to other missing teens . . . and, ultimately, to himself.