The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

    There are the surprising, fresh little phrases minted expressly to convey the delicate realities of the made-up world. There's the humor, fierce and sly but always kind. There's the imagination that changes gender and historical epoch at whim, and does so convincingly; and the characters themselves, a sundry bunch of men and women not necessarily successful or commendable but always, somehow, likable. Best of all, by their very diversity, these stories reveal glimpses of the smart and enigmatic woman behind the work. In "Atlantic Crossing," Winterson becomes a middle-aged businessman of the mid-20th century, accidentally assigned to share his second-class cabin with a young black woman on a transatlantic crossing. In the realm of event, little happens, but in its depth of perception and what it tells of the nuances of regret, the story is as rich as a novel in another writer's hands. A few scant pages later, Winterson becomes a kind of lost female Homer, telling Orion's story from Artemis's point of view: "When she returned she saw this huge rag of a man eating her goat, raw.... His reputation hung about him like bad breath." In "The Poetics of Sex," she creates a lesbian love story that evokes her characters' personalities as explicitly as their erotic pleasures. "The 24-Hour Dog," the story of a woman writer returning a puppy she had thought to adopt, is remorseless as a psychological thriller in the squirmy depths it plumbs: "I had made every preparation, every calculation, except for those two essentials that could not be calculated: his heart and mine." Read The World and Other Places twice, once for instruction, once for joy. --Joyce Thompson

    A poor farmer, Ethan finds himself stuck in a miserable marriage to Zeenie, a sickly, tyrannical woman, until he falls in love with her visiting cousin, the vivacious Mattie Silver. As Mattie is forced to leave his household, Frome steals one last afternoon with her—one that culminates in a ruinous sled ride with unspeakably tragic results.Unhappily married herself, Edith Wharton projected her dark views of love onto people far removed from her social class in Ethan Frome. Her sensitivity to natural beauty and human psychology, however, make this slim novel a convincing and compelling portrait of rural life. A powerful tale of passion and loss—and the wretched consequences thereof—Ethan Frome is one of American literatures great tragic love stories.Also included in this volume are four of Edith Wharton’s finest short stories: “The Pretext,” “Afterward,” “The Legend,” and “Xingu.”Kent P. Ljungquist, Professor of English at Worcester Polytechnic Institute, is the author of The Grand and the Fair: Poe’s Landscape Aesthetics and Pictorial Techniques, co-editor of the SUNY Press edition of James Fenimore Cooper's The Deerslayer, and editor of several reference works of American fiction.(back cover)

    First published om 1972, it was immediately endorsed by Maori and Pakeha alike for its original stories that showed how important Maori identity is for all New Zealanders. As Katherine Mansfield did in her first collection In a German Pension (1911), and Janet Frame in The Lagoon (1951), Witi Ihimaera explores in Pounamu Pounamu what it is like to be a New Zealander - but from a Maori perspective. The seeds of Ihimaera's later works are first introduced in this ground-breaking collection- The Whale Rider in his story 'The Whale', The Rope of Man in 'Tangi', and the character of Simeon form Bulibasha, King of the Gypsies in 'One Summer Morning'; and the themes of aroha (love), whanaungatanga (kinship) and manaakitanga (supporting each other), which are so intergral to Ihimaera's work.

    These men and women, unsettled and adrift and often frightened, can't quite understand how they arrived at their present situations. Harry has been reworking a play for years in his apartment near Times Square in New York. Jane is biding her time at a cheese shop in a Midwest mall. Dennis, unhappily divorced, buries himself in self-help books about healthful food and healthy relationships. One prefers to speak on the phone rather than face his friends, another lets the answering machine do all the talking. But whether rejected, afraid to commit, bored, disillusioned or just misunderstood, even the most hard-bitten are not without some abiding trust in love.

    In each of these tales Margaret Atwood deftly illuminates the single instant that shapes a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age.  By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery.  Richly layered and disturbing, poignant at times and scathingly witty at others, the stories in Wilderness Tips take us into the strange and secret places of the heart and inform the familiar world in which we live with truths that cut to the bone.Contents:True trash --Hairball --Isis in darkness --The bog man --Death by landscape --Uncles --The age of lead --Weight --Wilderness tips --Hack Wednesday.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Romantically attached, they continue to exchange letters through the boarding school and college years—where Andy goes on to excel at Yale and law school, while Melissa flunks out of a series of "good schools." While Andy is off at war Melissa marries, but her attachment to Andy remains strong and she continues to keep in touch as he marries, becomes a successful attorney, gets involved in politics and, eventually, is elected to the U.S. Senate. Meanwhile, her marriage in tatters, Melissa dabbles in art and gigolos, drinks more than she should, and becomes estranged from her children. Eventually she and Andy do become involved in a brief affair, but it is really too late for both of them. However Andy's last letter, written to her mother after Melissa's untimely death, makes it eloquently clear how much they really meant, and gave to, each other over the years—physically apart, perhaps, but spiritually as close as only true lovers can be.

    In prose that is both raw and compelling, it tells the story of Beth Heke, a Maori woman struggling to keep her family from falling apart, despite the squalor and violence of the housing projects in which they live. Conveying both the rich textures of Maori tradition and the wounds left by its absence, Once Were Warriors is a masterpiece of unblinking realism, irresistible energy, and great sorrow.

    The collection contains thirty stories that take us from the islands of the Pacific Ocean to England, France and Spain. They all reveal Maugham's acute and often sardonic observation of human foibles and his particular genius for exposing the bitter reality of human relationships.Somerset Maugham learnt his craft from Maupassant, and these stories display the remarkable talent that made him an unsurpassed storyteller.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

     T&S is a hot firm making a bid to be a major national player when Leo Slyde—the company’s chief rainmaker, its king of the “billable hour”—is found stabbed to death in his corner office. It falls to T&S’s brightest, most unjustifiably insecure young associate Howard Rickover to conduct a risky “inside job” for homicide detective Sarah Nelson. But can Howard flush out a wily murderer among lawyers who do not make it their practice to be caught unprepared—and still keep up with an associate’s impossible workload? "Susan Wolfe is at her best depicting—and spoofing—the glitzy law firm scene. A lawyer herself, she serves her damages with skill and obvious glee." —The New York Times Book Review "A world of captivating corruption...with a delicate blend of malice, suspense and sharp psychology, Wolfe winds up her story with a scene that explodes a number of myths." —San Francisco Chronicle

    Widely ranging in time and place, these subversive tales -- by Grace Paley, Bessie Head, Katherine Mansfield, Elizabeth Jolley, Djuna Barnes, Colette, Angela Carter, Jamaica Kincaid, Ama Ata Aidoo, Jane Bowles and many more -- all have one thing in common: to restore adventuresses and revolutionaries to the rightful position as models for all women, everywhere. Leonora Carrington's debutante swaps places with a hyena who exchanges the cage for the ball -- and goes dressed to kill. Christina Stead's seedy seducer is eventually wrecked by the utterly conventional bride. Some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.

    William and Mary was later adapted for Roald's American television series 'Way Out and several of the stories appeared in British television adaptations for the series Tales of the Unexpected in the 1980s. Also included here is The Champion of the World - the first time Roald wrote about the man who would go on to become Danny's dad in Danny the Champion of the World.The stories featured in Kiss Kiss are: The LandladyWilliam and MaryThe Way up to HeavenParson's PleasureMrs Bixby and the Colonel's CoatRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigThe Champion of the World--roalddahl.com

    Scott Fitzgerald's stories defined the 1920s 'Jazz Age' generation, with their glittering dreams and tarnished hopes. In these three tales of a fragile recovery, a cut-glass bowl and a life lost, Fitzgerald portrays, in exquisite prose and with deep human sympathy, the idealism of youth and the ravages of success.This book includes Babylon Revisited, The Cut-Glass Bowl and The Lost Decade.