Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    Set in the exotic background of the little mining village of Nibucal in the southern Philippines, A Blade of Fern sketches a panoramic vista of rural life and problems of survival among miners prospecting for gold.The novel is in the tradition of the Romantic hero who runs away from a society he rejects to seek regeneration in a deeply natural environment.A Blade of Fern should be of interest to students of Philippine literature in English and the general reader.

    What emerges is the picture of a fascinating decade: the 1960s.

    She lives in Manila with her three cats. Visit her site: www.JessicaRulesTheUniverse.com

    

    Presented with drama and poetry, Gonzalez' work counters the myth of of the Philippines' lost native past and cultural weakness in the face of foreign dominance

    Parker's novels from Spenser to Jesse Stone to Sunny Randall, plot summaries, cast of characters, Boston locations and maps, and more. Even before he was named Grand Master for Lifetime Achievement by the Mystery Writers of America, Edgar® Award-winning Robert B. Parker had assumed the mantle of dean of American crime fiction. "Taking his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald" (Boston Globe), he transcended the crime genre. As one of the most prolific writers in the world, he reinvented crime writing. Now his millions of fans can discover everything about Robert B. Parker and his books: - Comprehensive biography of Robert B. Parker - Inside the Spenser novels - All about the Jesse Stone and Sunny Randall novels - Parker's stand-alone fiction - Complete cast of characters - Spenser on film - Robert B. Parker's Boston: locales, crime scenes, and maps - Memorable quotes - Inclusive bibliography - Plus, an exclusive and insightful new interview with Robert B. Parker

    Because of this, the sea creatures go their separate ways. Under the leadership of Octopus, the sick are driven away and confined in a fenced area. Read in this story how the sea creatures' problem is solved and how peace and caring among them are restored under the sea.

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    As a novelist and icon, Rushdie has embraced both 'popular' and 'high' culture; reflecting this, the Guide brings together both academic criticism and journalism to investigate the passions and preoccupations of Rushdie's many critics, steering the reader through the inflamed debates and rhetoric surrounding this much admired but controversial author.

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: A Portrait of the Artist as Filipino, the Summer Solstice, Nick Joaquin, Cave and Shadows, May Day Eve, the Woman Who Had Two Navels. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: The A Portrait of the Artist as Filipino, known also as A Portrait of the Artist as Filipino: An Elegy in Three Scenes is a literary play written in English by Filipino National Artist for Literature and one of the Philippines best postwar author, poet, and playwright Nick Joaquin in 1950. It was described as Joaquins most popular play, as the "most important Filipino play in English," and as probably the best-known Filipino play Apart from being regarded also as the national play of the Philippines because of its popularity, it also became one of the important reads in English classes in the Philippines. Joaquins play was described by Anita Gates, a reviewer from New York Times, as an "engaging, well plotted metaphor for the passing of Old Manila." Set in the Filipino world of pre-World War II Intramuros of Old Manila in October 1941, the play explores the many aspects of Philippine high society by telling the story of the Marasigan sisters, Candida and Paula, and their father, the painter Don Lorenzo Marasigan. Due to an artistic drought on Don Lorenzo's part, the family has to make ends meet by relying on the financial support provided by their brother Manolo and sister Pepang, who were urging them to sell the house. Later on, they also had to take a male boarder, in the person of Tony Javier. Don Lorenzo, who refused to sell, donate, or even exhibit his self-portrait in public, was only content in staying inside his room, a stubbornness that already took a period of one year. The painting has attracted the attention and curiosity of journalists su...More: http: //booksllc.net/?id=2206106

    He ran away again from his foxhole in Bataan when the Japanese were closing in. and through much of his life, even when he had become comfortable, he still ran away, haunted by the poverty of his boyhood, of the treachery that he may have committed. This is Benjamin Singkol—perhaps the most interesting character ever created by F. Sionil José. After World War II, Sionil Jose enrolled at the University of Santo Tomas and came under the wing of Paz Latorena, one of the country’s foremost writers and literature teachers and the Dominican writer, Juan Labrador. He worked in journalism and developed his distinctively direct narrative style.Sionil José is best known for his epic work, the Rosales saga—five novels which encompass a hundred years of Philippine history, from 1872 when the three Filipino priests—Gomez, Burgos and Zamora—were martyred, to 1972 when Marcos declared Martial Law.

    Set in future Manila, a gleaming metropolis where one's paranoia may not be exactly unfounded and whose lashing sings tribute to Philip K. Dick. "Stations" takes on the ethical trappings of high technology adoption. "August Moon" relies on a succession of flashbacks to uncover, as well as obscure, the eventual doom of a woman who deems herself a "good wife," while "Eyes as Wide as the Sky" depicts a post-war world—scorched yet not wholly devoid of hope. These stories insist on the unreal becoming the real, the rational melding with the irrational, familiarity breeding strangeness.

    I have explored the interrelationship of race, class, and gender, not as abstract issues but as actual encounters and episodes, providing me with a "voice". Varied as the narrative may be, they are told by the same voice--that of a wounded but surviving writer and academic. So perhaps the story that all the narratives tell is one of self-preservation. Memoirs, after all, become the literary representation of memory."