Timmins's Home for Orphans and Foundlings awakes at first light with no name and no memory. But a strange girl who hides among the shadows of the orphanage tells him that a mysterious wizard's creation, the Book of Lies, holds the answers, and then gives him one clue: "Your name is Marcel."With that knowledge, and the help of three new friends, Marcel begins a quest to find the truth about his real identity—a truth that is hidden in the Book of Lies. As Marcel learns more about his past, he realizes that truth can change at any moment and can be manipulated by anyone, and he begins to wonder if the old book's so-called magical truth might be the greatest lie of all.

    (Oxford Reading Tree: Stage 8: Storybooks)

    A found cipher. A game begins . . . .Twelve-year-old Emily is on the move again. Her family is relocating to San Francisco, home of her literary idol: Garrison Griswold, creator of the online sensation Book Scavenger, a game where books are hidden all over the country and clues to find them are revealed through puzzles. But Emily soon learns that Griswold has been attacked and is in a coma, and no one knows anything about the epic new game he had been poised to launch. Then Emily and her new friend James discover an odd book, which they come to believe is from Griswold and leads to a valuable prize. But there are others on the hunt for this book, and Emily and James must race to solve the puzzles Griswold left behind before Griswold's attackers make them their next target.

    This opinion, commonplace among published as well as aspiring writers, struck Nisi as taking the easy way out and spurred her to write an essay addressing the problem of how to write about characters marked by racial and ethnic differences. In the course of writing the essay, however, she realized that similar problems arise when writers try to create characters whose gender, sexual preference, and age differ significantly from their own. Nisi and Cynthia collaborated to develop a workshop that addresses these problems with the aim of both increasing writers' skill and sensitivity in portraying difference in their fiction as well as allaying their anxieties about ''getting it wrong.'' Writing the Other: A Practical Approach is the manual that grew out of their workshop. It discusses basic aspects of characterization and offers elementary techniques, practical exercises, and examples for helping writers create richer and more accurate characters with ''differences.''

    In the dead of night, a cloaked figure drags a heavy box through snow-covered streets. The chest, covered in images of mythical beasts, can only be opened when the fangs of its serpent's-head clasp taste blood. Centuries later, in an Oxford library, a boy touches a strange book and feels something pierce his finger. The volume is blank, wordless, but its paper has fine veins running through it and seems to quiver, as if it's alive. Words begin to appear on the page--words no one but the boy can see. And so unfolds a timeless secret . . . .

    But then along comes Tiny Chick, who begs Baby Owl to read to him. Before you can say “once upon a time,” they're joined by a crowd: Tiny Chick's brothers and sisters and cousins and friends all want a story, too. Soon Baby Owl is smothered by lots of fluffy chicks. How can he EVER read? Fantastic fun with a favorite character.

    One night, unable to resist the smell of delicious cookies, Burrufu sneaks out and is discovered by Olivia. The two soon learn that you can find friendship in the most unexpected places.'My Monster Burrufu' is a story of overcoming fear, a curse, and a most unusual monster who learns from a little girl how to trust his heart.

    He arrives in the dead of night at a remote village, where he crosses paths with the tall and limping figure of Joe Zabbidou - a pawnbroker with a difference. For Joe trades secrets, not goods, for cash.Employed as Joe's assistant, Ludlow records the villagers' fiendish confessions in an ancient leather-bound volume: The Black Book of Secrets. There's the gravedigger who has been resurrecting bodies; the butcher who made a mouse-meat pie for his bullying father, with fatal consequences; the wizened bookseller who went to murderous lengths to get her hands on a priceless tome.Ludlow longs to trust his mysterious master, but he senses Joe has much to hide. But then Ludlow Fitch has his own, very dark, secrets . . .

    I come from a world of stories.A little girl sails her raft across a sea of words, arriving at the house of a small boy. She invites him to go away with her on an adventure into the world of stories... where, with only a little imaginaton, anything at all can happen. Irresistibly engaging characters by Oliver Jeffers set sail and chart their way through Sam Winston's fascinating typographical landscapes in this extraordinary ode to the power and promises of storytelling. Forty treasured children's classics and lullabies are featured in the pictures, providing endless opportunities for discovery, memories and sharing. Woven together by a simple story line, the one-of-a-kind illustrations in a A Child of Books provide an unforgettable reading experience that will inspire and encourage readers of all ages to explore, question, and imagine timeless stories of their own.

    Reynolds provides a general overview of the history of the subject as it has developed in English, at the same time introducing key debates, developments, and figures in the field. Reynolds demonstrates how writing for children--whether on page or screen--has helped in shaping ideas about culture, society and childhood. She also raises questions about the future of children's literature generally and discusses the shape that it might take.

    O'Brien defines technology and then explains how companies use the technology to improve performance. Real world cases finalise the explanation

    Property loves living in the bookshop, but she has a whopper of a secret... she can't actually read! So Property doesn't see the newspaper article announcing the chance to win the Montgomery Book Emporium, the biggest and most magnificent bookshop in the world! When her family win the competition, Property finds herself moving to the Emporium, a magical place filled with floor upon floor of books and a very bad-tempered cat. But all is not at it seems at the Emporium and soon Property Jones finds herself in a whole heap of trouble.

    It was not until Robin's father found a permanent job at the McCurdy ranch, after three years as a migrant worker, that Robin had a place to wander to. As time went by the Velvet Room became more and more of a haven for her — a place to read and dream, a place to bury one's fears and doubts, a place to count on. The Velvet Room, first published in 1965, was a Junior Library Guild selection, and part of Scholastic Books' Arrow Book Club.

    Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.   Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.