F Collier & Son published a five volume collection of Poe's work in hardback in 1903. This is volume 1, with a frontspiece in color from a painting by Arthur E. Becher.contains:Edgar Allan Poe, An Appreciation, by W.H.R.Life of Poe, by James Russell LowellDeath of Poe, by N. P. WillisThe Unparalled Adventures of One Hans PfallThe Gold BugFour Beasts in OneThe Murders in the Rue Morgue (Audio version)The Mystery of Marie RogêtThe Balloon HoaxMS. Found in a BottleThe Oval Portrait

    Away from the rest of the world, this perfect escape is interrupted by a motley parade of misfits who show up and change his plans. A hired beauty, a fireman, and an eccentric British real estate agent desperately trying to stay in the country all suddenly find themselves tangled together in a beach house where the mood is anything but sunny.This pithy piece portrays a scenario of attempted suicide with mordant humour, where a basis of social alienation leads to unexpected connections. The richly-drawn characters are quick-witted and narcissistic yet self-aware and the dialogue is fluid and witty."All New People" is centred around a clever concept which works as a catalyst for both angst-fuelled scrutiny and morbid humour.

    Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. It's heroine, Bridal Du, is a cloistered girl who dreams of love, then dies pining for her dream suitor. Returning to earth in ghostly form, she is restored to life through the devotion of a young scholar. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humour of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1980, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a revised text of the translation, Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of a well-established tradition of stage interpretation in China and the sometimes heated politics of intercultural collaboration.

    To find the bird, Mytyl and Tyltyl quest through the Land of Memory to the Palace of Night. The children get help from the good fairy Bérylune.

    Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.

    Many have large casts and an equal mix of boy and girl parts. This play discusses racial tension in the heart of the American South.

    When Tom Brangwen marries a Polish widow,Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. All are seeking individual fulfilment, but it is Ursula, Anna's spirited daughter, who, in search for self-knowledge, rejects the conventional role of womanhood.

    Gerardo Escobar has just been chosen to head the commission that will investigate the crimes of the old regime when his car breaks down and he is picked up by the humane doctor Roberto Miranda. But in the voice of this good Samaritan, Gerardo's wife, Paulina Salas, thinks she recognizes another man—the one who raped and tortured her as she lay blindfolded in a military detention center years before.

    Savage has been left ten million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. These latter, knowing that the widow's wealth is now in negotiable securities, and seeing they cannot get hold of it, commit her to a "sanatorium" hoping to "bring her to her senses." But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanatorium she meets various social misfits, men and women who just cannot adjust themselves to life, people who need the help Mrs. Savage can provide. In getting to know them, she realizes that she will find happiness with them and plans to spend the rest of her life as one of them. But when the doctor tells her there is no reason why she should remain, she hesitates to go out into a hard world where people seem ready to do anything for money. The self-seeking stepchildren are driven to distraction by their vain efforts to browbeat Mrs. Savage, but she preserves her equanimity and leads them on a merry chase. At last her friends conspire to get rid of her stepchildren, and through their simple belief in the justice of her cause, they enable Mrs. Savage to carry out her plans. The last scene, a farewell party, is a delightful fantasy where each "guest" in the sanatorium realizes at last some hopeless dream for something he was never able to realize. The dominant mood is high comedy, and the audience is left with a feeling that the neglected virtues of kindness and affection have not been entirely lost in a world that seems motivated at times only by greed and dishonesty.

    In his autobiography, he wrote: I have had a life which, for variety and romance, could, I think, hardly be exceeded. He was not wrong. But Conan Doyle was also a Victorian with a twist, a man of tensions and contradictions. He was fascinated by travel, exploration, invention, and indeed all things modern and technological; yet at the same time very traditional, voicing support for values such as chivalry, duty, constancy, and honour. By the time of his death he was a celebrity, achieving worldwide fame for his creation of the rationalist, scientific super-detective Sherlock Holmes; but his later decades were taken up with advocacy of the new religion of Spiritualism, in which he became a devoted believer.

    In English translations that achieve a lively readability without sacrificing the dramatic and comic impact of the original Latin, this volume presents all six comedies: The Girl from Andros (Andria), The Self-Tormentor (Heautontimorumenos), The Eunuch (Eunouchus), Phormios, The Brothers (Adelphoe), and Her Husband's Mother (Hecyra).

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    This brilliant American dramatist creates what The New Yorker dubbed "Shepard Country"--a landscape of the imagination, a unique theatrical experience that captures our culture and consciouness, our fears and fantasies.FOOL FOR LOVE * ANGEL CITY * GEOGRAPHY OF A HORSE DREAMER * ACTION * COWBOY MOUTH * MELODRAMA PLAY * SEDUCED * SUICIDE IN BbWith an Introduction by Ross Wetzsteon"Sam Shepard is phenomenal...the best practicing American playwright." --The New Republic "Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage." --Marsha Norman"The most ruthlessly experimental and uncompromising of today's young writers." --John Lahr"Sam Shepard fills the role of professional playwright as a good ballet dancer or acrobat fulfills his role in performance. That is, he always delivers, he executes feats of dexterity and technical difficulty that an untrained person could not, and makes them seem easy." --Michael Feingold, The Village Voice "One of the most original, prolific, and gifted dramatists at work today." --The New Yorker "Increasingly recognized as one of the more significant dramatists in the English-speaking world." --Charles R. Bachman, Modern Drama

    This is a drama that takes place between words and language itself, in which Hamlet Shakespeare deconstructs his own version of Hamlet. Hamlet here is a mere word, lost in its own and externally imposed meanings that create the action, which starts, continues, and ends in an abstract scene representing life and everything beyond it is reflected in mirrors, green color, and endless dialogues that are not present, but are substituted by incessant speaking or just text and words, which create and undo themselves in the eyes of the reader.

    Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa–introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is a star UK stage actress–-so good, in fact, that perhaps she never stops acting.It seems that noting can ruffle her satin feathers, until a quiet stranger challenges Julia's very sense of self. As a result, she will endure rejection for the first time, her capacity as a mother will be affronted, and her ability to put on whatever face she desired for her public will prove limited. In Theatre, Maugham subtly exposes the tensions and triumphs that occur when acting and reality blend together, and–for Julia–ultimately reverse.