Stunned by the intensity of the work, Durand offered Maslov a modest advance to quit his job and finish the book. The result is this extraordinary visual portrayal of Russian life and spirit.Awash in alcohol from the first pages to the last, Siberia charts Maslov’s bleak path through the labyrinths of the Soviet system, from the desolate Siberian countryside, to military service with the Red Army in Mongolia, to the psychiatric hospital where he was admitted after his brother’s death. Drawn entirely in pencil on paper, the book’s nuanced gray tones document with unremitting clarity and delicate nuance the austere Siberian landscape, the bad vodka, the daily brawls, the cynicism and violence of life in Siberia, but also the perseverance and hope of those in this often neglected but fascinating part of the world.

    This novel tells the story of a mysterious tribal figure named Kokomo, who falls asleep to dream a wild picaresque interlude starring Jimbo and Bob War.

    Why? Because each page boasted sticky, uncomfortable truths drenched in bleakly familiar humor. It was "cringe comedy" before the phrase had been coined, presaging squirmy shows like Louie and Girls. Set in a New York so real you can practically smell it (so claimed Mike Mignola), Minimum Wage is the workaday saga of cartoonist Rob Hoffman and his firebrand girlfriend, Sylvia. He churns out strips for smut rags and off-brand MAD knockoffs and she languishes managing a hair salon. With their colorful crew of friends, they forge ahead against the brutal indifference of their hometown. This definitive edition includes the original 72-page "pilot" episode (Minimum Wage Book One) and the revised "director's cut" of the main storyline. Plus, a bonus color section featuring original cover paintings and guest pin-ups by Mike Mignola, Kevin Nowlan, Dave Johnson, Jill Thompson, Dave Cooper, Glenn Barr, and others.

    Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks.Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished.2008 Eisner Award WINNER: Best Archival Collection/Project — Comic Books2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik

    Tyler (Late Bloomer)and sure to be one of the most acclaimed books of the year. It tells the story of the 50-something author’s relationship with her World War II veteran father, and how his war experience shaped her childhood and affected her relationships in adulthood. “You’ll Never Know” refers not only to the title of her parents’ courtship song from that era, but also to the many challenges the author encountered in uncovering the difficult and painful truths about her Dad’s service—challenges exacerbated by her own tumultuous family life.You’ll Never Know is Tyler’s first first full-fledged graphic novel (after two volumes of short stories). Unlike many other graphic memoirs which have opted for simple, stylized drawings and limited color or black and white, You’ll Never Know makes full use of Tyler’s virtuosity as a cartoonist: stunningly rendered in detailed inks and subtle watercolors, it plunges the reader headlong into the diverse locales: her father’s wartime experiences and courtship, her own childhood and adolescence, and contemporary life.The unique landscape format, and the lush variety of design choices and rendering techniques, make perusing You’ll Never Know like reading a family album—but one with a strong, compelling, sharply told story.You’ll Never Know’s release schedule and format emulate those of Chris Ware’s ACME Novelty Library:three beautifully designed, large-format hardcover volumes released annually to complete a trilogy of astonishing breadth, depth, and sensitivity.Nominated for two 2010 Will Eisner Comic Industry Awards: (Best Writer/Artist: Nonfiction; Best Painter/Multimedia Artist: Interior Art).

    When one town elder breaks this pact, Grendel’s only hope is that its prodigal daughter will return home to face down the creature of her nightmares—and bring her all-female biker gang with her.

    weekly newspapers, including the L.A. New Times and Seattle Stranger. This first collection, designed by Chip Kidd and Millionaire, reprints every strip from its 1994 inception through early 2000. Maakies features the nautical adventures of an alcoholic crow and suicidal ape, and includes an introduction by Andy Dick.

    Unlike those works, Ripple is a highly realistic story in terms of subject matter and drawing style. Martin is a floundering painter desperately attempting to pursue his fine art inclinations rather than toil in the world of commercial art. He hires a homely model, Tina, to pose for a series of "erotic" paintings that he hopes will be his breakthrough into the gallery world. Over time, Martin and Tina's relationship evolves from a tenuous working relationship to a confused sexual one. Martin's initial repulsion for Tina slowly turns to attraction and eventually lust, causing him to re-evaluate his own notions of beauty and sexuality. Meanwhile, Tina's own motives behind working for Martin are slowly turned upside down as well, building the book towards its inevitably explosive end. Throughout it all, Ripple is a complex love story poked and prodded from all angles, from Martin and Tina's physical and emotional feelings toward each other, Martin's dishonesty to himself, Tina's self-loathing, and everything in between. Sad, funny, and often uncomfortably titillating, Ripple is a remarkably introspective graphic novel, rendered with kinetic realism in a pen technique that calls to mind a more controlled Edward Sorel and Jules Feiffer.

    This beautiful minimalist story, collected here for the first time, is the culmination of ten years and more than six hundred pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent, stranded pilot is of great interest to the birds—some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group. Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.Big Questions has roots in classic fables—the birds and snakes have more to say than their human counterparts, and there are hints of the hero’s journey, but here the easy moral that closes most fables is left open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander where they will.

    Given his general clumsiness, he seems more Will Ferrell than Humphrey Bogart. Translated in English for the first time. Wearing an old trenchcoat and his indispensable felt hat, the 20-year-old Jerome tries to look the part of a seasoned sleuth. By day he translates detective novels and fantasizes about being one. By night he's enrolled in Professor Maison's correspondence course for would-be private eyes. His girlfriend, Babette, is a flight attendant who brings him recordings for his collection of police sirens from around the world. And then, his first -case- In the past two months, fifteen people in Paris have been killed by poisoned darts. All that witnesses saw was a feathered shadow and a blowgun. The job of capturing the flamboyant assassin is entrusted to Jerome by Professor Maison. Things get off to a rocky start, however, when the professor appears to be victim number sixteen!

    Helen Friedman is in charge of interrogating the two survivors, who are none other than Neil Armstrong and Buzz Aldrin. Who, then, are the men who came back from the 1969 Apollo XI mission?

    following a six month suspension after he shot and killed his partner Dennis Harvey. His fellow police officers give Kane a welcome back gift - a couple of bullets with his name engraved on them. Partnered with a new detective, Kate Felix, Kane soon finds out nothing has changed in the city of New Eden. In his first two days back, Kane has to deal with a siege, a kidnapping and a bomb attack. And then there's the Crime Boss of New Eden, Oscar Darke...

    Chronicling his career from his children's program to his movie work to his late night talk show, we witness the hilarious peaks and valleys of Cowboy Wally's life as he stumbles back and forth between success and failure. Whether using compromising pictures of a TV producer to get his own show or shooting a high-budget Hamlet remake in jail while incarcerated for drunken and disorderly conduct, Cowboy Wally always has a story to tell. SUGGESTED FOR MATURE READERS.

    Only one small village of indomitable Gauls still holds out against the invaders. But how much longer can Asterix, Obelix and their friends resist the mighty Roman legions of Julius Caesar? Anything is possible, with a little cunning plus the druid Getafix's magic potions! Their effects can be truly hair-raising...

    The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.