I knew what it meant, and was ready for what I’d be expected to do. But nothing could have prepared me for him. He is as powerful as the stallions locked in his stables. His heart is as distant as a falcon flying over the horizon, searching for prey. He lives in a palace and wears royal robes, but make no mistake. This man is not a desert prince, but a beast. That’s fine. I am not the innocent beauty I appear to be. I am a hunter. He owns the sand I walk on and the water I drink, but he will never own me. He may claim my body, but I will tame his heart.

    Tim and the gang are up to their elbows in dinos, drugs, and dwarves.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    He tackles urgent themes head on, and often writes with the brutality of a sawn-off shotgun held at the spectator’s head.” –Telegraph (UK)“Fascinating and dramatically charged, Mamet’s provocative, hot-topic play is anything but simple. The questions and answers posed add up to an intriguing study of perception.” –Michael Kuchwara, Associated PressWhen a rich white man is accused of raping a younger African American woman, he looks to a multicultural law firm for his defense. But even as his lawyers—one of them white, another black— begin to strategize, they must confront their own biases and assumptions about race relations in America.David Mamet is a playwright, essayist and screenwriter who directs for both the stage and film. He was awarded the Pulitzer Prize and New York Drama Critics’ Circle Award for Glengarry Glen Ross. His plays include China Doll, Race, The Anarchist, American Buffalo, Speed-the-Plow, November, The Cryptogram, Sexual Perversity in Chicago, Lakeboat, The Water Engine, The Duck Variations, Reunion, The Blue Hour, The Shawl, Bobby gould in Hell, Edmond, Romance, The Old Neighborhood and his adaptation of The Voysey Inheritance.

    She also examines overlooked communities—including Native American, Muslim, transgender, and more—and their ongoing struggles for social change. With “intellectually smart and emotionally intelligent” (Patrisse Cullors, New York Times bestselling author and Black Lives Matter cofounder) writing, Beck meticulously documents how elitism and racial prejudice have driven the narrative of feminist discourse. Blending pop culture, primary historical research, and first-hand storytelling, she shows us how we have shut women out of the movement, and what we can do to correct our course for a new generation. Combining a scholar’s understanding with hard data and razor-sharp cultural commentary, White Feminism “is a rousing blueprint for a more inclusive ‘new era of feminism’” (The Boston Globe).

    This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Its proponents cite ancient Greek and Latin texts to support their claims--arguing that they articulate a model of masculinity that sustained generations but is now under siege.Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim them. She finds, mixed in with weightlifting tips and misogynistic vitriol, the words of the Stoics deployed to support an ideal vision of masculine life. On other sites, pickup artists quote Ovid's Ars Amatoria to justify ignoring women's boundaries. By appropriating the Classics, these men lend a veneer of intellectual authority and ancient wisdom to their project of patriarchal white supremacy. In defense or retaliation, feminists have also taken up the Classics online, to counter the sanctioning of violence against women.Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

    The United States is braced for a potential government shutdown and a US default on its debt. Washington is at the height of political dysfunction. Renowned Harvard professor, Winston Bernard Huntster II, has just aired a controversial documentary on the History Channel. To the mass of American viewers, it is an eerily striking comparison to the egocentric arrogance of the political landscape of present day. It is, to the millions of Americans tuned in, the fuel that would fire a movement to stop the reckless abuses in Washington D.C. Now, the man behind the firestorm is found dead in Boston Common from a gunshot wound to the head. His death has outraged an angry nation and incited its citizens to take to the streets. They will soon learn there is but one weapon that can crack the stronghold on Capitol Hill—the power of Article V. Show more Show less

    He was the top justice of New York’s highest court. She was a stunning socialite and his wife’s step-cousin. In 1993 Sol Wachtler was convicted of blackmail and extortion against Joy Silverman, his former mistress. How did a respected jurist and one of the most prominent men in America end up serving time in prison? Linda Wolfe starts at the beginning—from Wachtler’s modest Brooklyn upbringing through his courtship and marriage to Joan Wolosoff, the only child of a wealthy real estate developer.   Joy Fererh was three and a half when her father walked out. When she and Sol met, he was fifty-five and nearing the pinnacle of his legal career. She was a thirtysomething stay-at-home mother who, with Sol’s help, made a career for herself as a Republican Party fundraiser. They kept their affair a secret—until an explosive mix of sex, power, betrayal, and prescription-drug abuse set the stage for the tabloid headlines of the decade.

    It is a profound and utterly convincing portrait of a man whose career and life has been devoted to the manipulation of imagesand the story of how, at the age of 71, he tries to divest himself of illusions and make peace with his demons and his past.

    And he has old newspapers stacked up to his ceiling because...well, who knows?

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    He is ready for college. He is not ready to be a gay man living in America.”When Jackson's 18-year-old son born through surrogacy came out to him, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century.Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil.Jackson's son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall -- the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy the gay community must not be complacent.As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice.Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is powerful letter of love from a father to a son that holds lasting insight for us all.