Kidnapped off the Manhattan streets and whisked away from the safe, normal world she once knew, she finds herself the victim of one reprehensible man's vision. Forced to witness the depravities of the seedy underworld where lust, rape, torture and mutilation are a way of life, stripped of clothing, pride, and spirit, Zoey must play their games, bear their torture -- but for how long? Somehow she must learn to survive the daily perversions . . . but how can Zoey survive? How could anyone? Somewhere between ecstasy and pain -- learn to SUFFER THE FLESH.

    During the opening engagements of the 2003 invasion of Iraq, a platoon of U.S. soldiers disappears. The Army attributes this disappearance to the "fog of war," and the subsequent investigation into the disappearance fails to locate even a single body or destroyed vehicle. Six years later, two soldiers on a routine search for "weapons of mass destruction" locate a cave with the remains of one of the missing soldiers and his journal. Unfortunately, Captain Henderson and Specialist Densler find out all too soon that what happened to the "Lost Platoon" is also happening to them. Trapped, they must confront this unspeakable menace, or risk suffering the same fate as that of the soldier in the cave. "Bryon Morrigan's first novel, THE DESERT, is everything you hope to find in a first novel and then some. An original plot, solid characterization and a refreshing change of pace from the standard chains rattling in the attic. A fine mesh of horror and military drama that I can't recommend enough." -James A. Moore, author of BLOOD RED & HARVEST MOON "The Desert by Bryon Morrigan is a weird and wild novel of men againt monsters. In the grand tradition of James Cameron's Aliens, Bryon Morrigan gives a whipcrack tale of U.S. soldiers pitted against the very forces of Hell. It's fun, fast-paced, and deliciously creepy." -Jonathan Maberry, Bram Stoker Award-winning author of GHOST ROAD BLUES & BAD MOON RISING

    Ranging from the Caribbean to Vietnam to the American Midwest and spanning decades of tumultuous history, these books are both unforgettable narratives and indelible portraits of people in extremis, struggling to survive in a world marked by grief, loss, pain, trauma, and homicidal madness. The four stories gathered here are offshoots of that larger fictional universe. Each one stands entirely on its own. Together, they shine a revelatory light on the mysteries and hidden corners of the novels that inspired them."Blue Rose" recounts a defining moment in the childhood of Koko's Harry Beevers, the moment when the ten-year-old Harry discovers his capacity for violence and brutality. "The Juniper Tree" describes, with almost unbearable clarity, a lonely young boy's encounter with adult betrayal, and with the darker aspects of human sexuality. "The Ghost Village" takes us to the phantasmagoric landscape of Vietnam, where the barriers between the living and the dead begin to dissolve, to mesmerizing effect. "Bunny is Good Bread" is arguably Straub's single most harrowing story. With relentless attention to detail, it anatomizes the creation of a human monster through abuse, cruelty, and neglect.These disturbing, beautifully written stories have a moral weight and emotional resonance that only the finest fiction achieves. They are the clear product of a master storyteller at the very top of his game. No one who reads them is likely to forget them, or come away unchanged.

    A place where the Druids laid down their lives to protect the darkest of all their secrets.

    Having survived the Ebola virus and witnessed the death of his coach in the same 365-day period, he must now withstand the taunts and insults of riders who don't understand his two all-encompassing motivations for living...... the sharing of Agape Love and the protection of bugs everywhere.

    

    . . From master of bizarro fiction Carlton Mellick III, author of the international cult hits "Satan Burger" and "Adolf in Wonderland," comes a violent and hilarious B movie in book form. Set in the same woods as Mellick's splatterpunk satire "Apeshit," Clusterfuck follows Trent Chesterton, alpha bro, who has come up with what he thinks is a flawless plan to get laid. He invites three hot chicks and his three best bros on a weekend of extreme cave diving in a remote area known as Turtle Mountain, hoping to impress the ladies with his expert caving skills.But things don't quite go as Trent planned. For starters, only one of the three chicks turns out to be remotely hot and she has no interest in him for some inexplicable reason. Then he ends up looking like a total dumbass when everyone learns he's never actually gone caving in his entire life. And to top it all off, he's the one to get blamed once they find themselves lost and trapped deep underground with no way to turn back and no possible chance of rescue. What's a bro to do? Sure he could win some points if he actually tried to save the ladies from the family of unkillable subterranean cannibal mutants hunting them for their flesh, but fuck that. No slam piece is worth that amount of effort. He'd much rather just use them as bait so that he can save himself.It's Tucker Max versus "The Descent" in this gore-filled comedy for the camp horror fan.

    Beacon's Ash is a private, remote school in the North of England, and all its pupils are fallen girls. Pregnant and unmarried, they have been sent away by their families. For Ivy Jones, a young girl who arrived at the school several months earlier, Beacon's Ash is a nightmare, and her fears are strengthened when one of her classmates is killed in mysterious circumstances. Has the ghost of Abigail Cartwright returned to the school? Who or what is responsible for the hand that touches the girls' shoulders in the dead of night? And is the school's headmaster Jeremiah Kane just a madman who seeks to cause misery, or is he in fact on the trail of the Devil himself? Soon ghosts are stalking the dark corridors, and Ivy realizes she has to face the evil that lurks in the school's shadows. The Devil's Hand is a horror novel about a girl who seeks the truth about her friend's death, and about a madman who believes the Devil stalks the school's corridors in the run-up to Christmas.

    No one understood their brutal deaths, not even the man who killed them. But John Coffey is about to gain a new insight, about his life in prison, and about the one man who will walk him down that green mile . . . toward destiny.Prepare yourself for Stephen King's boldest exercise in nerve-twisting suspense. A multi-part serial novel that begins on death row and goes on from there to realms of revelation that make death seem sweet. This is Stephen King's most irresistible journey ever. To be continued . . . --back cover

    Caught up in the chaos of a direct hit, Julie faces a stark choice between making a new life for herself or trying to pick up the pieces of a shattered identity.

    The world itself has turned against the handful of survivors, as one by one they succumb to despair and suicide or, even worse, are transformed by otherworldly pollution into hideous Gray Men, cannibalistic mutants driven by insatiable hunger. Into these desperate circumstances comes an amnesiac teenaged boy who names himself Ethan—a boy who must overcome mistrust and suspicion to master unknowable powers that may prove to be the last hope for humanity's salvation. Those same powers make Ethan a threat to the warring aliens, long used to fearing only each other, and thrust him and his comrades into ever more perilous circumstances.A major new novel from the unparalleled imagination of Robert McCammon, this dark epic of survival will both thrill readers and make them fall in love with his work all over again.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    Ken Richmond hits his breaking point when he puts a gun to his head and pulls the trigger. When his plan misfires—literally—he interprets the failed suicide as his calling to a higher purpose. Fueled by long-simmering hatred, Ken sets out on a murderous mission—but in order to get away with it, he’ll have to leave a trail of blood through the city.Detectives Dick Van Endel and Phil Nelson start chasing Ken toward a special spot in hell. But can the detectives put an end to the fiend’s sprees for good, before more bodies pile up?

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.