With her daughters and grandchildren, Black Lena led a ring of consummate female criminals - women skilled in the art of cruelty.Only a few blocks away, amidst the elegant mansions and lily-white reputations of Gramercy Park and Washington Square lived Judge James Stallworth. He was determined to crush Lena's evil crew, and with icy indifference he ordered three deaths in her family.Then, one Sunday, all the Stallworths receive individual invitations - invitations to their own funerals. Black Lena has vowed a reign of revenge. Can even the Stallworth fortune and awesome power save them from her diabolical lust for revenge?

    That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    His father, a deputy sheriff, has been murdered by the unknown "Highway 41 Killer." His mom has unraveled. And a goon named Larry Buskin has been pummeling Minnow behind Neenah High.Minnow finds support in the company of his roguish grandfather, his loyal pal Mark, and beautiful Opal Parsons, who has her own worries as the first African American student in their school. When the sheriff seems in no hurry to solve the murder, Minnow must seek justice by partnering with unlikely allies and discovering his own courage.

    An unrequited crush. A break-in and near assault.Life wasn't going too well for Joyce Manning. Given her circumstances, it wasn't surprising that she was willing to accept the strange condition in the will of a heretofore-unknown relative. Joyce would inherit a house, and an income, if she lives in the property for two years. Joyce doesn't hesitate to leave Chicago for upstate New York. It's not until she's almost there that she begins to worry that the house might be a rickety shack with no lights or running water, and filled with feral cats.It's not. In some ways, it's worse. The house is like something out of a nightmare, crawling with gargoyles and grotesques. The nearest neighbor to the isolated house, depending on who you talk to, is a spa -- or a mental asylum.But it's not all bad. The interior of the house, thankfully, doesn't match the outside. Not one but two local men actively pursue Joyce -- more attention than she garnered in Chicago. And not having to work for a living is a dream come true.Things would be great, if it weren't for the odd occurrences in the house, and the changes on its outside that make Joyce wonder whether her imagination is too vivid or if she's losing her mind. Will Joyce realize that when something seems too good to be true, it usually is? Because the house has a horrifying secret, and there was a special -- and sinister -- reason Joyce was lured there.

    Reissue.

    until he gets a call from his missing sister! It takes him on a journey where he meets a young hooker, hillbillies, truckers, and a crazy church. He also meets someone he never knew: himself.

    Her new neighbour Trixie is eighty-four years old and a hymn-singing Salvation Army veteran. Trixie's life is one of apparent calm but beneath the surface lie not one but three different personalities. One of them is very private. And very dangerous.

    He knows he will be the vampire's next victim. But no one will believe him: not the police, not his girlfriend Amy, not even the school weirdo, Evil Ed. Charley's last chance is to enlist the help of Peter Vincent, Vampire Killer, star of a hundred horror movies and host of TV's Fright Night.Nobody thinks he's telling the truth—until Evil Ed becomes a vampire and Amy is dragged into his next-door neighbour's evil, foul-smelling house of death!

    Coyote is on a murderous hunt, leaving behind a trail of carnage. The shape-shifter is determined to kill the human representatives to the Great Council in Galun’lati, eliminating the rule of mankind in the New World. But Raven has overheard the Trickster’s evil plan, and will do anything to protect Luther Watie and his daughter, Sarah Reynolds, even if it means turning his skin inside out. The forces of evil are aligning in two very different worlds. Can mankind be saved, or will creatures of fur and fangs once again reign supreme? Cover art by Ben Baldwin “OWL GOINGBACK UNDERSTANDS WHAT MAKES HORROR FICTION TICK.” --The Arizona Republic “THE SUSPENSE OF A CLIVE BARKER OR DEAN KOONTZ.” --Kirkus Reviews

    Set in resistance France, this is a grand and passionate story of forbidden love between an English Special Operations Executive and a German Abwehr officer.

    In the pages of pulp magazines that were still flourishing in the 1950s—Argosy, Dime Western Magazine, Zane Grey’s Western, and others—he perfected his trademark style, a blend of wiry tautness, sharp characterizations, and jolts of unexpected humor. Now, writer and film critic Terrence Rafferty has gathered the best of Leonard’s Westerns in a single volume, four classic novels and eight outstanding short stories, including the tales that inspired such powerful films as Hombre, Valdez Is Coming, and 3:10 to Yuma.In Last Stand at Saber River (1959), Leonard spins a tight narrative in which a homecoming Confederate veteran must fight to regain the ranch that has been stolen from him. Set, like most of Leonard’s Westerns, against a stark Arizona landscape, the novel is a masterpiece of unbroken tension, as the hero confronts a violent new war for all he holds dear.Chosen as one of the twenty-five greatest Western novels by the Western Writers of America, and the basis for a classic film starring Paul Newman, Hombre (1961) is a stagecoach drama whose hero, a man raised by Apaches, is treated with contempt by the white settlers who will ultimately depend on him for their survival.Valdez Is Coming (1970), Leonard’s favorite among his Westerns, pits Mexican American town constable Bob Valdez against the entrenched power of frontier oligarch Frank Tanner. When Valdez is maneuvered by Tanner into shooting an innocent man, he launches a one-man war for justice for the man’s widow that culminates with a surprising twist.With Forty Lashes Less One (1972) Leonard explores the comic tone that would mark his later books. Set within the harsh confines of Yuma Territorial Prison, the novel recounts the unlikely friendship of two prisoners—one part Apache, the other African American—planning a near-impossible escape.Like the novels, the eight stories included here, are tough, suspenseful, convincing, and beautifully spare in style. They range from Leonard’s first published pulp story, “Trail of the Apache” (1951), to one of his last, the fascinating character study “The Tonto Woman” (1982). Among the others are the twice-filmed “Three-Ten to Yuma” (1953) and “The Captives” (1955), the novella that inspired the acclaimed film The Tall T.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.