Ansel Easter was a favored minister until he rescued a grotesque creature from a carnival sideshow. His sons, C and Sam, suffer in the shadow of their outcast father until his violent death. C and Sam leave the home their father built for a new beginning, and find fortune building a lucrative business called the Associates — but when a rash of deaths has the townspeople looking at C and Sam as suspects, they find their father's legacy reaches further than they expect. Taut, dark, and engrossing, The Easter House holds up as a brilliant work of fiction some 30 years after its initial publication.

    Amelie-Anaïs, buried on the Nebraska hilltop where the family home resides, tells this story of deceit, survival, and love from beyond the grave. Following Willow's life and Willow's incredible passion to paint despite loneliness, a physical handicap, and being raised by a father plagued with secrets, Amelie-Anaïs weaves together the lives of four enigmatic generations."Not since 'The Lovely Bones' have we experienced such a moving tale of love, suspense, and family secrets narrated by a ghost. Lukas creates a complex, moving story with brilliant lyricism and hard won realism. She is a rare writer who makes you devour her words. Readers of Alice Hoffman and Anita Shreve will love this novel...and stay up all night to finish it!" -Jonis Agee, author of "The River Wife"“Margaret Lukas has written a page-turner of a novel. 'Farthest House,' boldly narrated by an unsettled spirit, is part-ghost story and a full-out love story of a family coming to terms with its mysterious past, much of it lived in an ancestral home set within a gorgeously rendered Nebraska landscape. Above all, Farthest House is the story of Willow, a bewildered little girl who grows into a passionate painter. I can’t remember the last time I rooted so enthusiastically for a heroine.” –Anna Monardo, author of "The Courtyard of Dreams" and "Falling in Love with Natassia"“Haunting and eerily beautiful, Margaret Lukas' 'Farthest House' is like the family treasure chest one finds in the attic. It may seem inviting at first, but open at your own risk. An ode to both what we should and should never know about the generations that preceded us, 'Farthest House' is an unsettling, unforgettable book.” Holiday Reinhorn, author of "Big Cats: Stories"

    Brimming with humor, irony, and insights about the unpredictable nature of life, the unbearable beauty of fate, and the power that one moment, or one decision, can have to transform us, I Knew You'd Be Lovely delivers that rare thing—stories with both an edge and a heart.

    Traven. Evidence suggests that he was born Otto Feige in Schlewsig-Holstein and that he escaped a death sentence for his involvement with the anarchist underground in Bavaria. Traven spent most of his adult life in Mexico, where, under various names, he wrote several bestsellers and was an outspoken defender of the rights of Mexico's indigenous people. First published in 1935, The Treasure of the Sierra Madre is Traven's most famous and enduring work, the dark, savagely ironic, and riveting story of three down-and-out Americans hunting for gold in Sonora.

    In this peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The events of this fateful summer will affect the entire town of Medgar, Kentucky. Medgar is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. When Buzzy witnesses a brutal hate crime, a sequence is set in play that tests Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.

    A retired English professor who began writing fiction at the age of 70, Maclean produced what is now recognized as one of the classic American stories of the twentieth century. Originally published in 1976, A River Runs through It and Other Stories now celebrates its twenty-fifth anniversary, marked by this new edition that includes a foreword by Annie Proulx.Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences—the experiences of a young man who found that life was only a step from art in its structures and beauty. The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.

    Now, thirty-six years later, the rift between Nell and her daughter Kate threatens to implode as Kate, now forty-six and a water manager for the Nevada Water Authority, plans to pipe water from a huge aquifer that lies beneath the family ranch to thirsty Las Vegas. Meanwhile, Nell's twenty-one-year-old granddaughter Cassie intends to unearth those old secrets and repair the resentments that grew in their place. Throughout the novel, sparse and beautiful landscapes surround an emotional wilderness of love, loss, and family.

    Deteriorating both physically and mentally while still painfully aware of what's going on around him, Bobby continues to work on the murder mystery he was writing before his life took a sudden and unexpected turn. As Bobby strives to tie up loose ends in his final story, if just for himself and his characters, the reader is given a glimpse of the life he's left behind in the form of day-in-the-life vignettes of his family. A vibrant, original story steeped in symbolism and family ties, this haunting debut explores the subtle ways lives are connected, broken, and renewed by love.

    Like Kazuo Ishiguro's The Remains of the Day, So Many Ways to Begin is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession as curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravel. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives - struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly, David attempts to physically piece together his past, finding meaning and connection where he least expects it.

    There, Alma will have as friends, neighbors, and benefactors the magnificent Cleveland family.With their sprawling mansion and gleaming thoroughbred horses, the Clevelands are a wonder. But from the beginning, one Cleveland draws all of Alma's attention: the youngest son, John Warren.Alma knew they were meant for each other from their first meeting. But everything changes as war descends on Cotterpin Creek, taking John Warren to battle and sweeping his family into the chaos.Against this turbulent backdrop, Alma will come of age. And when the fighting is over, the story of a brave young man riding off to battle becomes a haunting journey of vengeance and redemption. And for Alma, yet another journey begins on the day a tormented young soldier staggers back into her life.

    Six months of silence. One last chance. By all appearances, Frank and Maggie share a happy, loving marriage. But for the past six months, they have not spoken. Not a sentence, not a single word. Maggie isn’t sure what, exactly, provoked Frank’s silence, though she has a few ideas.Day after day, they have eaten meals together and slept in the same bed in an increasingly uncomfortable silence that has become, for Maggie, deafening.Then Frank finds Maggie collapsed in the kitchen, unconscious, an empty package of sleeping pills on the table. Rushed to the hospital, she is placed in a medically induced coma while the doctors assess the damage.If she regains consciousness, Maggie may never be the same. Though he is overwhelmed at the thought of losing his wife, will Frank be able to find his voice once again—and explain his withdrawal—or is it too late?

    Navy and moves his wife, Ann, and seventeen-year-old son, Josh, to the family’s summer home in the village of Corazon Sagrado, high in the New Mexico mountains. A true daughter of the Confederacy, Ann finds it impossible to cope with the quality of life in the largely Hispanic village and, in the company of Jimbob Buel—an insufferable, South-proud, professional houseguest—takes to bridge and sherry. Josh, on the other hand, becomes an integral member of the Sagrado community, forging friendships with his new classmates, with the town’s disreputable resident artist, and with Amadeo and Excilda Montoya, the couple hired by his father to care for their house. Josh narrates the story of his fateful year in Sagrado and, with irresistibly deadpan, irreverent humor, describes the events and people who influence his progress to maturity. Unhindered by his mother's disdain for these "tacky, dusty little Westerners," Josh comes into his own and into a young man's finely formed understanding of duty, responsibility, and love.

    Her Vietnam vet father, King, has been more out of her life than in. Her mother boycotts her wedding because Becca is making the same mistakes she did—yoking herself to a man just back from battle. And Ben is different after his second tour. Within days of the wedding he turns dangerous, and Becca runs to the only person she has left. King, though, is heading West with his motorcycle buddies, out to a place they call Kleos. A mysterious desert compound ruled over by a guru-like commanding officer, it is a refuge for some soldiers, but might be the death of others. There, Becca will be faced with the possibility that she may not know the real damage in her loved ones’ hearts. In finally seeing her father’s demons, she might just be able to start with her husband on their own journey back to peace.The Heart You Carry Home lays bare the violence soldiers bring home, as one woman fights for the men in her life who have been scarred by different wars in disturbingly similar ways. It “combines great storytelling with social questions that are both as current and as old as war” (Karl Marlantes). And it mines the trials of generations of American families to find hope for the next.

    Upon graduation, she takes a fellowship to Africa, and they lose touch. When, decades later, they meet again, they discover that their prior bond was but a rehearsal for the world stage.THE ROWAN TREE reaches from the tumultuous 1960s into humanity’s future, encompassing the worlds of politics, sport, ballet, presidential leadership, and world governance. An international cast of characters personifies the catalytic role of love in political change.Replete with illicit loves, quixotic quests, and inextinguishable hope, THE ROWAN TREE foretells a dignitarian world much as the story of King Arthur and the round table sowed the seeds of democracy.

    A tour-de-force about two women and the piano that inexorably ties their lives together through time and across continents, for better and for worse.In 1962, in the Soviet Union, eight-year-old Katya is bequeathed what will become the love of her life: a Blüthner piano, built at the turn of the century in Germany, on which she discovers everything that she herself can do with music and what music, in turn, does for her. Yet after marrying, she emigrates with her young family from Russia to America, at her husband's frantic insistence, and her piano is lost in the shuffle.In 2012, in Bakersfield, California, twenty-six-year-old Clara Lundy loses another boyfriend and again has to find a new apartment, which is complicated by the gift her father had given her for her twelfth birthday, shortly before he and her mother died in a fire that burned their house down: a Blüthner upright she has never learned to play. Ophaned, she was raised by her aunt and uncle, who in his car-repair shop trained her to become a first-rate mechanic, much to the surprise of her subsequent customers. But this work, her true mainstay in a scattered life, is put on hold when her hand gets broken while the piano's being moved--and in sudden frustration she chooses to sell it. And what becomes crucial is who the most interested party turns out to be. . .