A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

    Homicide detective Bryan Clauser is losing his mind. How else to explain the dreams he keeps having—dreams that mirror, with impossible accuracy, the gruesome serial murders taking place all over San Francisco? How else to explain the feelings these dreams provoke in him—not disgust, not horror, but excitement?  As Bryan and his longtime partner, Lawrence “Pookie” Chang, investigate the murders, they learn that things are even stranger than they at first seem. For the victims are all enemies of a seemingly ordinary young boy—a boy who is gripped by the same dreams that haunt Bryan.  Meanwhile, a shadowy vigilante, seemingly armed with superhuman powers, is out there killing the killers.  And Bryan and Pookie’s superiors—from the mayor on down—seem strangely eager to keep the detectives from discovering the truth.Doubting his own sanity and stripped of his badge, Bryan begins to suspect that he’s stumbled into the crosshairs of a shadow war that has gripped his city for more than a century—a war waged by a race of killers living in San Francisco’s unknown, underground ruins, emerging at night to feed on those who will not be missed. And as Bryan learns the truth about his own intimate connections to the killings, he discovers that those who matter most to him are in mortal danger…and that he may be the only man gifted—or cursed—with the power to do battle with the nocturnals. Featuring a dazzlingly plotted mystery and a terrifying descent into a nightmarish underworld—along with some of the most incredible action scenes ever put to paper, and an explosive, gut-wrenching conclusion you won’t soon forget—Nocturnal is the most spectacular outing to date from one of the genre’s brightest stars.

    The haughty, aristocratic Ushers live in a mansion near Asheville; the poor but crafty mountain folk (whose families are just as ancient) live on Briartop Mountain nearby. At harvest time, when the book's action unfolds, the mountains are a blaze of color. Add to the mixture a sinister history of mountain kids disappearing every year, a journalist investigating those disappearances, a monster called "The Pumpkin Man," moldy books and paintings in a huge old library at the Usher estate, and a secret chamber with a strange device involving a brass pendulum and tuning forks--and you've got a splendid recipe for atmospheric horror.Originally published: New York: Holt, Rinehart, and Winston, 1984.

    After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale. From Hugo Award–winning author Ursula Vernon, writing as T. Kingfisher.

    She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides.But when Miriam hitches a ride with Louis Darling and shakes his hand, she sees that in thirty days Louis will be murdered while he calls her name. Louis will die because he met her, and she will be the next victim.No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try.

    It may seem like a good ghost buster can charge what he likes and enjoy a hell of a lifestyle--but there's a risk: Sooner or later he's going to take on a spirit that's too strong for him. While trying to back out of this ill-conceived career, Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London - just to pay the bills, you understand. But what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize. That's OK: Castor knows how to deal with the dead. It's the living who piss him off...

    Lovecraft mythos into the twenty-first century, optioned by Warner Bros TV.Daniel Carter used to be a homicide detective, but his last case-the hunt for a serial killer-went wrong in strange ways and soured the job for him. Now he's a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First he inherits a bookstore in Providence from someone he's never heard of, along with an indignant bookseller who doesn't want a new boss. She's Emily Lovecraft, the last known descendant of H.P. Lovecraft, the writer from Providence who told tales of the Great Old Ones and the Elder Gods, creatures and entities beyond the understanding of man. Then people start dying in impossible ways, and while Carter doesn't want to be involved, he's beginning to suspect that someone else wants him to be. As he reluctantly investigates, he discovers that Lovecraft's tales were more than just fiction, and he must accept another unexpected, and far more unwanted inheritance.

    Interstate Highway System.In 1119 A.D., a group of nine crusaders became known as the Poor Fellow-Soldiers of Christ and of the Temple of Solomon--a militant monastic order charged with protecting pilgrims and caravans traveling on the roads to and from the Holy Land. In time, the Knights Templar would grow in power and, ultimately, be laid low. But a small offshoot of the Templars endure and have returned to the order's original mission: to defend the roads of the world and guard those who travel on them.Theirs is a secret line of knights: truckers, bikers, taxi hacks, state troopers, bus drivers, RV gypsies--any of the folks who live and work on the asphalt arteries of America. They call themselves the Brotherhood of the Wheel.Jimmy Aussapile is one such knight. He's driving a big rig down South when a promise to a ghostly hitchhiker sets him on a quest to find out the terrible truth behind a string of children gone missing all across the country. The road leads him to Lovina Hewitt, a skeptical Louisiana State Police investigator working the same case and, eventually, to a forgotten town that's not on any map--and to the secret behind the eerie Black-Eyed Kids said to prowl the highways.

    There they will confront madness, murder, and the ultimate evil so that their billionaire host might find the key to life beyond the grave. But as they learn, dead souls dwell in The Pines. And death is just the beginning...

    But Joe is married to one of the most powerful witches in Pitchfork, and spends almost as much time keeping an eye on her as he does dealing with occult crimes and shadowy horrors in the rest of the county. Even his children, a little girl who plays host to a rogue's gallery of strange spirits and a young man with a demonic secret, keep him on his toes. All Joe really wants is a simple life, a bottle of good whiskey, and a break from the horrors of his job. But nothing in Pitchfork County is ever simple, and the horrors just keep on coming. Someone's hung a mutilated girl on a cross in Pitchfork's most infamous church, dragging Joe into the most challenging case of his career. Joe's investigation into the ritual murder leads him through the dark underbelly of the Ozarks to the doorstep of a twisted cult of meth addicts. As Joe digs deeper into the mystery, he soon finds himself the target of the murderers and must stop them before they can summon their dark god and destroy everything he holds dear.

    Dan Chambeaux. Taking on the creepiest of cases in the Unnatural Quarter with a human lawyer for a partner and a ghost for a girlfriend, Chambeaux redefines "dead on arrival." But just because he was murdered doesn't mean he'd leave his clients in the lurch. Besides, zombies are so good at lurching. Now he's back from the dead and back in business--with a caseload that's downright unnatural. A resurrected mummy is suing the museum that put him on display. Two witches, victims of a curse gone terribly wrong, seek restitution from a publisher for not using "spell check" on its magical tomes. And he's got to figure out a very personal question--Who killed him? For Dan Chambeaux, it's all in a day's work. (Still, does everybody have to call him "Shamble"?) Funny, fresh, and irresistible, this cadaverous caper puts the P.I. in R.I.P. . ..with a vengeance. "Wickedly funny, deviously twisted and enormously satisfying. This is a big juicy bite of zombie goodness. Two decaying thumbs up!"--Jonathan Maberry"Anderson has become the literary equivalent of Quentin Tarantino in the fantasy adventure genre."--The Daily Rotation"An unpredictable walk on the weird side. Prepare to be entertained." --Charlaine Harris

    With skillful prose, he enthralls even as he horrifies; with uncanny insight, he disturbs as profoundly as he reveals. Evoking revulsion and admiration, anticipation and dread, Barker's works explore the darkest contradictions of the human condition: our fear of life and our dreams of death.

    But his work is interrupted when, surrounded by thirty miles of refuse,  the ship and its high tech systems are plagued by a series of strange malfunctions and the crew is battered by a raging storm.When the storm fades and the sun rises, the beaten crew awakens to find themselves anchored in the protective cove of a tropical island...and no one knows how they got there. Even worse, the ship has been sabotaged, two crewman are dead and a third is missing. Hawkins spots signs of the missing man on shore and leads a small team to bring him back. But they quickly discover evidence of a brutal history left behind by the Island’s former occupants: Unit 731, Japan’s ruthless World War II human experimentation program. Mass graves and military fortifications dot the island, along with a decades old laboratory housing the remains of hideous experiments.As crew members start to disappear, Hawkins realizes that they are not alone. In fact, they were brought to this strange and horrible island. The crew is taken one-by-one and while Hawkins fights to save his friends, he learns the horrible truth: Island 731 was never decommissioned and the person taking his crewmates may not be a person at all—not anymore.

    With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her.She soon learns that she is a Rook, a high-ranking member of a secret organization called the Chequy that battles the many supernatural forces at work in Britain. She also discovers that she possesses a rare, potentially deadly supernatural ability of her own. In her quest to uncover which member of the Chequy betrayed her and why, Myfanwy encounters a person with four bodies, an aristocratic woman who can enter her dreams, a secret training facility where children are transformed into deadly fighters, and a conspiracy more vast than she ever could have imagined.Filled with characters both fascinating and fantastical, The Rook is a richly inventive, suspenseful, and often wry thriller that marks an ambitious debut from a promising young writer.