In Basil's secret and unconsummated marriage to the linen-draper's sexually precocious daughter, and the shocking betrayal, insanity, and death that follow, Wilkie Collins reveals the bustling, commercial London of the 19th century wreaking its vengeance on a still powerful aristocratic world.

    But this great novelist began and ended his writing career as a poet. In-between, he wrote a number of books that many readers find emotionally-wrenching, but which are considered among the classics of 19th Century British literature, including Far from the Madding Crowd, and Tess of the D'Urbervilles. Readers will experience Hardy's uncompromising, unsentimental realism in Wessex Tales, and for those seeking a taste of the Dorset poet and novelist, they represent an ideal start.

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    A squeaky collar round the neck of a man is a comment, not upon the collar, but upon the man. That man is unlucky. Things are against him. Nature may have done all for him that she could, have given him a handsome outside and a noble inside, but the world of inanimate objects is against him.

    Added to the stories are extracts from the novels in which the men of the law make their mark. These law officers and the circumstances in which they work were based on Dickens' observations of the fledgling police detective force when he was a solicitor's clerk and reporter. He accompanied detectives on their nightly patrols of the streets of London, witnessed the day-to-day running of police stations, attended magistrates' courts, and was present at murder trials and public executions. Out of these eyewitness experiences grew Mr. Nadgett in Martin Chuzzlewit—the first serious detective in an English novel—and Inspector Bucket in Bleak House, who solves the murder of an unscrupulous lawyer. The assorted cast of inspectors, sergeants, and constables also include an amateur detective, a river policeman, and the prototype of all undercover policemen.

    Though it is the work of an older man, it is perhaps the brightest and freshest novel he ever wrote. The story of a young woman forced to choose a husband from among three unsavory men, the novel is remarkable for its wealth of minor characters and it romantic exuberance.

    Octavia Bassett arrives from Nevada with her trunks of fancy clothes, diamond jewelry, and gold coins for the poor. She soon becomes friends with Lucia Gaston, the repressed granddaughter of the village matriarch, Lady Theobald.

    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    The first readers, including Dickens and Thackeray, were struck by its humorous irony, the truthfulness of its presentation of the lives of ordinary men and women, and its compassionate acceptance of human weakness.The three stories that make up the Scenes, ‘The Sad Fortunes of the Reverend Amos Barton', ‘Mr Gilfil's Love Story', and ‘Janet's Repentance', foreshadow George Eliot's major work, and their success gave her the confidence to become one of the greatest English novelists.

    Most of the stories it includes had already appeared in the Civil and Military Gazette they were written before he reached the age of 22; and they show a remarkably precocious literary talent. His vignettes of life in Brittish India a hundred years ago give vivid insight into Anglo-India at work and play, into a barrack-room life, and into the character of Indians themselves.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Adultery, death, and the spectacle of female recrimination and suffering are the elements that combine to make The Doctor's Wife a classic women's 'sensation' novel. Yet it is also Braddon's most self-consciously literary work and her rewriting of Madame Bovary. Like Emma Bovary, Braddon's heroine, Isabel Gilbert, is trapped in a marriage to a man incapable of understanding her imaginative life. But Braddon's novel differs vastly from Flaubert's in the nature and consequences of Isabel's 'affair'.

    A child spiritually oppressed, a school run on shallow and mercenary principles, a brutish schoolmistress, a quiet observer of the injustice and cruelty--it contained the same preoccupations which elsewhere had called forth her most passionate and dramatic writing. Another Lady has now at last fulfilled the promise of that novel. Her lively powers of invention have worked the unfolding mystery of Charlotte Brontë's two opening chapters into an exciting and poignant story. The characters grow in vitality and complexity while remaining true in spirit, tone and style to the original conception. The wanton havoc wrought by Emma in the life of Mrs Chalfont, the narrator, is not the only proof of her ruthlessness; she plays a part, too, in the sufferings of the abandoned child, Martina. The affection which grows between Mrs Chalfont and Martina out of their mutual distress illumines this story, and Emma herself, with her inexplicable motives, her incomprehensible anger and her darkness of soul, develops into a character of whom Charlotte Brontë would have been proud.

    This collection includes the following tales:"The Young King""The Birthday of the Infanta" "The Fisherman and his Soul""The Star-child"Readers of all ages will be delighted by these fanciful tales.