White’s masterful retelling of the Arthurian legend is an abiding classic. The Once and Future King, contains all five books about the early life of King Arthur: The Sword in the Stone The Witch in the Wood The Ill-Made Knight The Candle in the Wind The Book of Merlyn Exquisite comedy offsets the tradegy of Arthur’s personal doom as White brings to life the major British epic of all time with brilliance, grandeur, warmth and charm.

    A young jazz buff in Tokyo. A crooked British lawyer in Hong Kong. A disc jockey in Manhattan. A physicist in Ireland. An elderly woman running a tea shack in rural China. A cult-controlled terrorist in Okinawa. A musician in London. A transmigrating spirit in Mongolia. What is the common thread of coincidence or destiny that connects the lives of these nine souls in nine far-flung countries, stretching across the globe from east to west? What pattern do their linked fates form through time and space?A writer of pyrotechnic virtuosity and profound compassion, a mind to which nothing human is alien, David Mitchell spins genres, cultures, and ideas like gossamer threads around and through these nine linked stories. Many forces bind these lives, but at root all involve the same universal longing for connection and transcendence, an axis of commonality that leads in two directions—to creation and to destruction. In the end, as lives converge with a fearful symmetry, Ghostwritten comes full circle, to a point at which a familiar idea—that whether the planet is vast or small is merely a matter of perspective—strikes home with the force of a new revelation. It marks the debut novel of a writer with astonishing gifts.

    He may have been the greatest player the game has ever seen, but today no one remembers his name. He was the first--and only--player to have his existence completely removed from the record books. Even his team is long forgotten, barely a footnote in the game's history.Every effort was made to erase any evidence that William Blakely played professional baseball, and with good reason. Blockade Billy had a secret darker than any pill or injection that might cause a scandal in sports today. His secret was much, much worse... and only Stephen King, the most gifted storyteller of our age, can reveal the truth to the world, once and for all.

    In the blistering heat and barren rocks they encounter the evil merchant Musa — madman, sadist, rapist, even a Satan — who holds them in his tyrannical power. Yet there is also another, a faint figure in the distance, fasting for forty days, a Galilean who they say has the power to work miracles... Here, trapped in the wilderness, their terrifying battle for survival begins...

    In the pared-down style that has since become his hallmark, Carver showed us how humour and tragedy dwelt in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.

    Robin Hood is the best-loved outlaw of all time.In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

    Bernard Cornwell's epic novel Stonehenge catapults us into a powerful and vibrant world of ritual and sacrifice at once timeless and wholly original-a tale of patricide, betrayal, and murder; of bloody brotherly rivalry: and of the never-ending quest for power, wealth, and spiritual fulfillment.Three brothers-deadly rivals-are uneasily united in their quest to create a temple to their gods. There is Lengar, the eldest, a ruthless warrior intent on replacing his father as chief of the tribe of Ratharryn; Camaban, his bastard brother, a sorcerer whose religious fervor inspires the plan for Stonehenge; and Saban, the youngest, through whose expertise the temple will finally be completed. Divided by blood but united-precariously-by a shared vision, the brothers begin erecting their mighty ring of granite, aligning towering stones to the movement of the heavenly bodies, and raising arches to appease and unite their gods. Caught between the zealousness of his ambitious brothers, Saban becomes the true leader of his people, a peacemaker who will live to see the temple built in the name of salvation and regeneration.Bernard Cornwell, long admired for his rousing narrative and meticulous historical imaginings, has here delivered his masterpiece, the most compelling and powerful human drama of its kind since Ken Follett's Pillars of the Earth and Edward Rutherford's Sarum. His re-creation of civilization as it might have been in 2000 B.C. at once amplifies the mystery of his subject and makes the world of Stonehenge come alive as never before.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    A magnificently crafted novel of Regency manners and mores that will delight Austen enthusiasts with its wit and elegant expression.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    The book details the history of the penguins and is written as a critique of human nature, and is also a satire on France's political history, including the Dreyfus affair. Morals, customs and laws are satirised within the context of the fictional land of Penguinia, where the animals were baptised erroneously by the myopic Abbot Maël. The book is ultimately concerned with the perfectibility of mankind. As soon as the Penguins are transformed into humans, they begin robbing and murdering each other. By the end of the book, a thriving civilization is destroyed by terrorist bombs.

    But as hysteria and depravity increase, it becomes clear that it is not the Messiah who has come to Goray.

    At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.