Though tragic, it is also a story of triumph that scarcely has an equal. It is one of history's great witnesses of the power of faith and sacrifice. Although this story is one of the most frequently told of all Mormon pioneer accounts, it is also among the least understood. This book provides the most comprehensive and accessible account of these pioneers' epic 1856 journey. In addition to painting a broad perspective of the trek, it includes dozens of personal stories from the pioneers themselves. Woven into the larger story of the journey west, these stories inspire, build faith, recount miracles, and reveal how these pioneers were able to endure such adversity. The book also includes chapters on the lives of many of these pioneers after the handcart trek. Immerse yourself in the challenges and miracles of this astounding odyssey as never before!

    A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.

    On the way John Moschos and his pupil Sophronius the Sophist stayed in caves, monasteries, and remote hermitages, collecting the wisdom of the stylites and the desert fathers before their fragile world finally shattered under the great eruption of Islam. More than a thousand years later, using Moschos's writings as his guide, William Dalrymple sets off to retrace their footsteps and composes an evensong for a dying civilization --Kirkus Reviews, starred review

    In this landmark work he depicts the Italian city-states of Florence, Venice and Rome as providing the seeds of a new form of society, and traces the rise of the creative individual, from Dante to Michelangelo. A fascinating description of an era of cultural transition, this nineteenth-century masterpiece was to become the most influential interpretation of the Italian Renaissance, and anticipated ideas such as Nietzsche's concept of the 'Ubermensch' in its portrayal of an age of genius.

    The new enemy: Raymond VI, Count of Toulouse, one of the greatest princes in Christendom, premier baron of all the territories in southern France where the langue d'oc was spoken. Thus began the Albigensian Crusade, named after the town of Albi. It culminated in 1244 at the mountain fortress of Montségur with the massacre of the Cathars, or "pure ones" - a faith more ancient than Catholicism. At stake was not only the growth of this rival religion right in the heart of the Catholic Church's territory, but also the very survival of the Languedoc itself as an autonomous and independent region of France.

    In his capital at Constantinople he built the world's most beautiful building, married its most powerful empress, and wrote its most enduring legal code, seemingly restoring Rome's fortunes for the next five hundred years. Then, in the summer of 542, he encountered a flea. The ensuing outbreak of bubonic plague killed five thousand people a day in Constantinople and nearly killed Justinian himself. In Justinian's Flea, William Rosen tells the story of history's first pandemic plague seven centuries before the Black Death that killed tens of millions, devastated the empires of Persia and Rome, left a path of victims from Ireland to Iraq, and opened the way for the armies of Islam. Weaving together evolutionary microbiology, economics, military strategy, ecology, and ancient and modern medicine, Rosen offers a sweeping narrative of one of the great hinge moments in history, one that will appeal to readers of John Kelly's The Great Mortality, John Barry's The Great Influenza, and Jared Diamond's Collapse .

    Unlike the so-called mainstream Protestant denominations, Southern Baptists have remained stubbornly conservative, refusing to adapt their beliefs and practices to modernity's individualist and populist values. Instead, they have held fast to traditional orthodoxy in such fundamental areas as biblical inspiration, creation, conversion, and miracles. Gregory Wills argues that Southern Baptist Theological Seminary has played a fundamental role in the persistence of conservatism, not entirely intentionally. Tracing the history of the seminary from the beginning to the present, Wills shows how its foundational commitment to preserving orthodoxy was implanted in denominational memory in ways that strengthened the denomination's conservatism and limited the seminary's ability to stray from it. In a set of circumstances in which the seminary played a central part, Southern Baptists' populist values bolstered traditional orthodoxy rather than diminishing it. In the end, says Wills, their populism privileged orthodoxy over individualism. The story of Southern Seminary is fundamental to understanding Southern Baptist controversy and identity. Wills's study sheds important new light on the denomination that has played - and continues to play - such a central role in our national history.

    Best known as one of the world's greatest painters, he sketched the foundations for inventions that would not come to fruition for centuries. Born a bastard in a hillside village in northern Italy, Leonardo became the protégé of princes, popes, and kings. He mastered so many branches of science that scholars still debate whether he was greater as an anatomist, botanist, cartographer, engineer, geographer, or naturalist. Nevertheless, he died unhappy, believing he had failed to work the miracles of which he had dreamed. Here, from New York Times bestselling author Anna Abraham, is his extraordinary story.

    Yet the more we familiarize ourselves with the Eastern Church the more we recognize, for all the differences, the family resemblances. The family has been parted for a very long time. But chances have arisen to meet again and get to know one another.In recent years, Eastern Orthodoxy has emerged vividly on the radar of Western Christians - hitherto, it was largely ignored. The separation has been due to the long-term historical disruption caused by differences in language, outlook and theology and eventually by the depredations of Islam. Because of these East and West went their separate ways. As a result, the respective theologies appear at times to inhabit parallel universes. However, this ignorance is changing. Eastern Orthodoxy is increasingly popular in the Anglo-Saxon world. It conveys a sense of mystery, of continuity with the past, of dignified worship at a time when evangelical Protestantism is increasingly cheapened and trivialized. This book examines the history and theology of Orthodoxy from a Reformed perspective. There are clear and significant areas of agreement - a common allegiance to the triune God; the person of Christ; the authority of Scripture and the truth of the gospel. At the same time there are many areas of disagreement, where it seems that Orthodoxy and Protestantism are at odds. However, there are also misunderstandings on both sides, where proponents of either position are not normally dealing accurately with what the other holds to be true. In drawing attention to the agreements and misunderstandings Robert Letham trusts that readers may come to a better understanding of exactly where the real differences lie. We can learn from Orthodoxy - if our assumption is that the most important thing is to grow in our knowledge of Christ.

    “Fascinating, brave & sometimes infuriating” (Time), this dark history is more than a chronicle of religion. It's the central tragedy of Western civilization, its fault lines reaching deep into our culture to create “a deeply felt work” (San Francisco Chronicle) as Carroll wrangles with centuries of strife & tragedy to reach a courageous & affecting reckoning with difficult truths.

    Although the whole of Francis's life was based on his belief in God, he was the least dogmatic of saints, seeing himself as God's troubadour or fool. It is unnecessary to share his faith in order to appreciate his soaring achievements. His life (1182-1226) was rich in its succession of dramas. After his debauchery as a young playboy, merchant and soldier-he fought at the Battle of Collestrada--he stripped naked in court, abandoned everything he owned and devoted his life to the poorest and sick. The all-embracing relationship between him and Clare enriched each as man and woman. On his missions he walked over the Pyrenees barefoot, was shipwrecked and crossed the lines during the Fifth Crusade to parley with the sultan in Egypt. In 1224 marks similar to Christ's wounds appeared on his hands, feet and side, the first recorded case of the stigmata. His feelings for creation, epitomized in his sermon to the birds, stimulated the realism of the Italian Renaissance artists; his vernacular poems inclined Dante to write The Divine Comedy in Italian, not Latin. The first religious order he founded, for men, had a radical effect on social justice and the developing universities in Europe; his second order, the Poor Clares, soon numbered hundreds, including royalty and half a dozen saints; his third, for laity sworn to peace, helped destroy the military power of feudalism. Men like Giotto, Leonardo da Vinci, Michelangelo, Cervantes and Galileo allegedly joined the Third Order. But, above all, it is through his universal love that he has influenced the world for nearly eight centuries, drawing more than three million people every year to his tomb in Assisi.

    It brings together leading avant-garde composers of the early postwar period such as Elliot Carter, Pierre Boulez and Karlheinz Stockhausen; pioneers of electroacoustic music such as Francois Bayle, Pauline Oliveros, Iannis Xenakis and Peter Zinovieff; minimalist and Fluxus-inspired artist-musicians such as Tony Conrad, Henry Flynt, Phil Niblock, Yoko Ono, Steve Reich and Terry Riley; and figures that have moved between classical/experimental realms and more pop terrain, such as Brian Eno, Kraftwerk, Howie B., Arto Lindsay and Caetano Veloso. Obrist's interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrete to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.

    It reveals the connection between the thought of the Medieval Schools of philosophy and that of the Greek philosophers. The new edition has been fully revised, updated and corrected.Preface to First EditionPreface to Second Edition Introduction to Second Edition I The Legacy of the Ancient World 1 Plato & Aristotle2 The Later Platonists & Plotinus 3 St Augustine4 Boethius & Dionysius5 Education in the Ancient World II Renaissance of the 11th & 12th Centuries 6 The Rebirth of the Schools7 The Awakening of Western Europe 8 Revival of Dialectic: Berengar, Lanfranc & Anselm9 The Question of Universals 10 Peter Abelard 11 School of Chartres & John of Salisbury 12 School of St Victor & St Bernard III New Universities/Rediscovery of Aristotle 13 Origins of the Universities 14 Studies, Degrees & Text-books 15 Rediscovery of Aristotle 16 Arabian & Jewish Philosophy 17 Problems of the Soul & Process of Cognition IV Achievement of the 13th Century 18 Philosophical Revolution of the 13th Century19 The Franciscan School at Paris 20 Albert the Great 21 St Thomas Aquinas 22 Siger of Brabant & Faculty of Arts23 England in the 13th Century V Breakdown of Medieval Synthesis 24 The Aftermath of Aristotle 25 Henry of Ghent & Duns Scotus 26 The Breakdown of the Synthesis 27 William of Ockham28 The Harvest of Nominalism EpilogueSuggestions for Further Reading Index

    He addresses the scope of Modern Art, from its founding days as Abstract Expressionism through its transformations to Pop, Op, Minimal, and Conceptual. This is Tom Wolfe "at his most clever, amusing, and irreverent" (San Francisco Chronicle).

    Jesus Wars is a must for the bookshelf of those who enjoy the work of Jared Diamond, Karen Armstrong, N.T. Wright, Elaine Pagels, and Alister McGrath, as well as anyone interested in early Christian history.