Eve, fresh out of Harvard Business School, has fired “the gray hairs,” put the managing editor in a supply closet, stopped using the landlines, and hired a bevy of manicured and questionably attired underlings who text and tweet their way through meetings. Imogen, darling of the fashion world, may have Alexander Wang and Diane von Furstenberg on speed dial, but she can’t tell Facebook from Foursquare and once got her iPhone stuck in Japanese for two days. Under Eve’s reign, Glossy is rapidly becoming a digital sweatshop—hackathons rage all night, girls who sleep get fired, and “fun” means mandatory, company-wide coordinated dances to Beyoncé. Wildly out of her depth, Imogen faces a choice—pack up her Smythson notebooks and quit, or channel her inner geek and take on Eve to save both the magazine and her career. A glittering, uproarious, sharply drawn story filled with thinly veiled fashion personalities, The Knockoff is an insider’s look at the ever-changing world of fashion and a fabulous romp for our Internet-addicted age.

     “Opening a book by Sarah Strohmeyer is like opening a box of chocolates – sweet, nutty, and absolutely irresistible.” —Meg Cabot, author of The Princess Diaries At 36, Genie Michaels is beginning to feel that she has hit the snooze button on her life one too many times. When her “commitment-phobic” boyfriend Hugh proposes on national TV—not to Genie, but to an unknown mystery woman—Genie’s wise-cracking friend Patty doesn’t hesitate to give her some tough love: “You remind me of that idiot Sleeping Beauty, lying around like a zombie waiting for your prince. Well, guess what, he rode right past your castle and now you have a choice – you can either go back to bed or you can wake up!” Genie chooses to wake up. After some questionable advice, her first step is to allow everyone to believe she’s Hugh’s real fiancée. She’ll let him be the one to explain the mistake. Naturally the good news travels fast and, in a heartbeat, Genie’s parents are booking a reception hall while friends are showering her with gifts. Genie feels bad about the deception, but at last everyone is dancing to her tune, and she can’t help but enjoy it. Particularly when a certain too-handsome-for-his-own-good Greek carpenter shows up on the scene thinking he’s hotter than Tabasco. Genie realizes that she never needed a man to start her life – to buy a home, to get a better job, or even to wear a diamond ring. And if Prince Charming wants to show up while she’s at it, she just might teach him a thing or two.

    But when illness brings them together, they discover they may be more like Austen’s famous sisters after all.Lizzy was only a teenager when her mother died of cancer. Shortly after, Lizzy fled from her home, her family, and her cherished nickname. After working tirelessly to hone her gift of creating magic in the kitchen, Elizabeth has climbed the culinary ladder to become the head chef of her own New York restaurant, Feast. But as her magic begins to elude her, Paul, Feast’s financial backer, brings in someone to share her responsibilities and her kitchen. So Elizabeth flees again.In a desperate attempt to reconnect with her gift, Elizabeth returns home. But her plans are derailed when she learns that her estranged sister, Jane, is battling cancer. Elizabeth surprises everyone—including herself—when she decides to stay in Seattle and work to prepare healthy, sustaining meals for Jane as she undergoes chemotherapy. She also meets Nick and his winsome son, Matt, who, like Elizabeth, are trying to heal from the wounds of the past.As she tends to Jane's needs, Elizabeth's powers begin to return to her, along with the family she left behind so long ago. Then Paul tries to entice her back to New York, and she is faced with a hard decision: stay and become Lizzy to her sister’s Jane, or return to New York and the life she worked so hard to create?

    In Goodnight June, Sarah Jio offers a suspenseful and heartfelt take on how the "great green room" might have come to be. June Andersen is professionally successful, but her personal life is marred by unhappiness. Unexpectedly, she is called to settle her great-aunt Ruby’s estate and determine the fate of Bluebird Books, the children’s bookstore Ruby founded in the 1940s. Amidst the store’s papers, June stumbles upon letters between her great-aunt and the late Margaret Wise Brown—and steps into the pages of American literature.

    So when her husband gets the idea to uproot the family to run a quaint Vermont inn, Leelee is devastated…and her three best friends are outraged. But she's loved Baker Satterfield since the tenth grade, how can she not indulge his dream? Plus, the glossy photos of bright autumn trees and smiling children in ski suits push her over the edge…after all, how much trouble can it really be?But Leelee discovers pretty fast that there's a truckload of things nobody tells you about Vermont until you live there: such as mud season, vampire flies, and the danger of ice sheets careening off roofs. Not to mention when her beloved Yorkie decides to pick New Year's Eve to go to doggie heaven-she encounters one more New England oddity: frozen ground means you can't bury your dead in the winter. And that Yankee idiosyncrasy just won't do.The inn they've bought also has its host of problems: an odor that no amount of potpourri can erase, tacky décor, and a staff of peculiar Vermonters whose personalities are as unique as the hippopotamus collection gracing the fireplace mantle. The whole operation is managed by Helga, a stern German woman who takes special delight in bullying Leelee for her southern gentility. Needless to say, it doesn't take long for Leelee to start wondering when to drag out the moving boxes again.But when an unexpected hardship takes Leelee by surprise, she finds herself left alone with an inn to run, a mortgage to pay, and two daughters to raise. But this Southern belle won't be run out of town so easily. Drawing on the Southern grit and inner strength she didn't know she had, Leelee decides to turn around the Inn, her attitude and her life. In doing so, she makes friends with her neighbors, finds a little romance, and realizes there's a lot more in common with Vermont than she first thought.In this moving and comedic debut, Lisa Patton paints a hilarious portrait of life in Vermont as seen through the eyes of a southern belle readers won't soon forget. A charming fish-out-of-water tale of one woman who learns to stand up for herself-in sandals and snow boots-against the odds.

     Alice has always looked young for her age, even with her graying hair and her dowdy New Jersey housewife style. Make that ex-housewife: Now that her husband’s gone and her daughter is grown, Alice is in desperate need of a whole new life. So she lets her best friend Maggie, a hip New York City artist, transform her on New Year’s Eve. Soon, thanks to the wonders of hair dye and tight jeans, Alice looks really young, as one night in a Manhattan bar confirms. At midnight, she kisses a boy who was in diapers when she was in high school. She’s having too much fun to care. The white lie Alice tells Josh gets her thinking that if no one asks her age, she doesn’t have to tell. So she applies for a job she had briefly before becoming a full-time mom—and gets it. Meanwhile, Josh is falling head over heels for Alice, who’s just way cooler than girls his age. He figures she’s about twenty-nine—and for the first time since she was twenty-nine, or possibly ever, Alice feels that life is ripe with possibility. Unfortunately one possibility is that she’s gonna get caught. Challenging the adage that the truth will set you free, Younger is a hilarious and insightful story that proves that you’re only as young as you feel.

    

    . . .No Place Like Home tells the unforgettable story of a family bound together by tradition–and the emotional journey of an estranged daughter risking everything for a second chance at life and love. Twenty-one years ago Jewel Sabatino left her childhood behind and never looked back. After a magical taste of fame, she found herself alone with a son to raise and not much else. She survived with the help of Michael, her one true friend. But now Michael is too sick to care for himself, and Jewel has run out of options. She leaves New York for the hills of Colorado, unsure if the family she ran from will welcome her back. For Jewel, coming home is falling back into a world that smells of Italian restaurants and home-baked pies. It is the laughter of sisters preparing for a summer wedding, and the peaceful haven for a treasured soul mate’s last days. It also means facing the unforgiving eyes of a father betrayed by his favorite child–and letting go of a son who is ready to become a man. But most of all, it is the love she discovers in her own wary heart when Michael’s brother Malachi unexpectedly arrives on her doorstep. Told with breathtaking insight and deep emotion, No Place Like Home is a joyful feast for all the senses, a vibrant bounty of love, and a tender life lesson to be savored long after the last page is turned.

    Kenisha Smalls has lived in poverty all her life. She has three children by three different men and has just been diagnosed with inoperable cancer. While the meeting between these two women appears accidental, it becomes their catalyst of hope. Neither woman expects the blessing that God has in store for her. While Deidre guides Kenisha on the path to eternal life with Jesus Christ, Kenisha teaches Deidre how to stand strong against the storms of life.

    She’s adjusting to high heels, scrambling to cook dinner for her family after a day at the office—and soaking in the dangerous attention of a very handsome, very married male colleague. Kellie’s neighbor Susan Barrett begins every day with fresh resolutions: she won’t eat any carbs. She’ll go to bed at a reasonable hour. And she’ll stop stalking her ex-husband and his new girlfriend. Gigi Kennedy seems to have it all together—except her teenage daughter has turned into a hostile stranger and her husband is running for Congress, which means her old skeletons are in danger of being brought into the light.Then a new family moves to this quiet, tree-lined cul-de-sac. Tessa Campbell seems friendly enough to the other mothers, if a bit reserved. Then the neighbors notice that no one is ever invited to Tessa’s house. And soon, it becomes clear Tessa is hiding the biggest secret of all.

    Louis. It’s not bad for a woman who drove away from her entire life just two years ago when she found her husband entwined with a red-headed artist. Sure, Elly has an embarrassingly beautiful best friend, a terribly behaved sheepdog and a sarcastic assistant who she simply calls “Snarky Teenager”, but overall her days are pleasantly uneventful. As a bonus, her new next door neighbor just happens to be an unnervingly handsome musician who has an eye for curvy Elly. Just when she feels that she is finally moving on from her past, she discovers that an extravagant wedding contract, one that could change her financial future, is more than she bargained for. With the help of her friends, staff and the occasional well-made sandwich, Elly bravely agrees to take on the event that threatens to merge her painful history with her bright new life, and finds herself blooming in a direction she never imagined. Elly’s voice, both charming and hilarious, will appeal to those readers who have been looking for a new voice in chick-lit, and will give women of all sizes the realistic heroine they’ve been waiting for.

    Shamed online and ostracised by everyone she knows, her boss suggests an extended sabbatical – ghostwriting an autobiography for hot new acting talent, Elliot Owen. Easy, right?Wrong. Banished back to her home town of Nottingham, Edie is not only dealing with a man who probably hasn’t heard the word ‘no’ in a decade, but also suffering an excruciating regression to her teenage years as she moves back in with her widowed father and judgey, layabout sister.When the world is asking who you are, it’s hard not to question yourself. Who’s that girl? Edie is ready to find out.

    Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Bröntes—but without the dying young bit.By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.

    With the engagement and wedding off, the constant parade of sympathetic platitudes made it impossible to forget she’d been jilted. Needing an escape, she moved to her aunt’s lake house for the summer. Drew Sullivan’s return to Jasper Lake one hot summer day had everyone talking, but he wasn’t giving answers. His plans didn’t include romance, but neither did they include Amie Sullivan. Fortunately for him, he’d learned to be flexible. Romance blooms, but when Amie discovers Drew’s secret, will the trust between them be irrevocably broken? Please note: this is a significantly revised edition from that which appeared in the Whispers of Love collection.

    . . and her life After a political scandal, fledgling lobbyist Dempsey Jo Killebrew is left almost broke, unemployed, and homeless. She reluctantly accepts to refurbish Birdsong, the old family place in Guthrie, Georgia. But, oh, is Dempsey in for a surprise. "Bird Droppings” would more aptly describe the moldering Pepto Bismol pink dump. There's also a murderously grumpy old lady who has claimed squatter's rights and isn't moving out. Ever. Furthermore, everyone in Guthrie seems to know Dempsey's business, from a smooth-talking real-estate agent to a cute former lawyer who owns the local newspaper. It wouldn't be so bad if it weren't for the pesky FBI agents who show up on Dempsey's doorstep, hoping to pry information about her ex-boss from her. All Dempsey can do is roll up her sleeves and get to work. And before long, what started as a job of necessity somehow becomes a labor of love and, ultimately, a journey that takes her to a place she never expected back home again.