The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s.In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

     A photographer reluctantly agrees to take images of an abandoned manor house on the Dorset cliff tops only to find the building is not completely empty. . .

    Can you imagine Draupadi in a Brothel house? How did she end there and who is responsible for that? Read this short story to meet her and know about her life.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Eggers’ irreverent approach included a pioneering design that incorporated chapbooks, drawings, and all manner of cultural confetti previously unseen in the lit-mag format. McSweeney’s became an instant hit, showcasing the work of major new voices as well as literary luminaries such as William T. Vollman and Joyce Carol Oates. Long out of print and available only in the pricey collectors’ market, the first three issues appear in this omnibus, reproduced precisely as they first appeared. Longtime fans can revisit some of the best of the early McSweeney’s, while those new to the journal will see what all the fuss was about. A bracing range of topics include John Hodgman writing on the topic of cavemen, Jon Langford on Lester Bangs, Gary Greenberg on the Unabomber, and much more.

    Stories of Ourselves is a set text for the Cambridge Literature in English courses at IGCSE, O Level, AS and A Level. The anthology contains stories by writers from many different countries and cultures.

    On the verge of giving up—anchored to dreams that never came true and to people who have long since disappeared from their lives—Van Booy's characters walk the streets of these stark and beautiful stories until chance meetings with strangers force them to face responsibility for lives they thought had continued on without them.

    The simple and lively stories compel you to take a look back at your own life, and remember when you put these incidences at the back of your mind. Its not just a collection of stories and a true incident, but also a reflection of what every one of us has seen sometime or the other, in our lives. The characters come alive, time and again as people we may have met, or as a persona of our own self.Not too many works in recent years have managed to capture the nuances of ordinary, daily lives as effortlessly and fluently as Terms and Conditions Apply has done. A wonderful assortment of 13 short stories and a true incident, Whether it is highs and lows of a relationship, chaos and bedlam of school life, petty or harmless office gossips, or the buzz of a salon; all stories are strongly steeped in reality and yet they take a superb flight of fancy in the hands of a master craftsman. Rich in imagination, broad in its scope and elegant in its style, Terms and Conditions Apply is arguably one of the best debut works in recent Hindi literature.

    Like the flaming projectiles his protagonists often launch into the sky, these stories crackle with energy and violence and a furious beauty. Benjamin Percy is a force. -- Anthony Doerr

    George Mackay Brown was steeped in the life and traditions of Orkney, a world set firmly between the sea and the sky, where time has an altogether different nature and significance from the rest of the world.'In Orkney,' wrote Edwin Muir, 'the lives of living men turn into legend.' The rich history of the islands – the succession of Neolithic man, Pict, Norsemen, Scot – leaves its impression upon the life of modern Orkney and is reflected in this finely wrought collection. Mingling past and present, the human world and the spiritual, George Mackay Brown brings together both the modern islanders and the Orcadians of centuries past, for the same lineaments are discernable in both.'Hawkfall', the central story, traces the vicissitudes, violence and hypocrisies which recur over many generations; in 'The Drowned Rose', the ghosts of dead lovers, still in love with the things of this world, mix with the living, while 'Sealskin' explored the relationship between legend, art and life. All stories are richly entertaining, poignant and moving, their universal themes realized in the context of their unique island setting.

    What we know of identity is smashed and in its place, true individuals emerge, each bristling with a unique sexuality, a belief-system all their own. Reminiscent of Jane Bowles, William Burroughs, and Colette, her writing glows with an authenticity that is intoxicating and rare. A National Book Foundation 5 Under 35 HonoreeWhiting Award WinnerPEN/Hemingway Award FinalistLambda Literary Award FinalistLonglisted for the PEN/Robert W. Bingham Prize for Debut Fiction & The Story

    14, 2010, and was never seen again. The only clues to his fate were a series of blog posts he left behind, allegedly recounting his final hours inside one of the most haunted houses in the world. But what started as an investigation into the mysterious occurrences inside Madison Manor also revealed shocking truths about Sean’s own past. “The Last Blog” is a 10,000-word short story that includes Sean’s final blog postings, as well as additional analysis and insight provided by noted supernatural expert Soren Chase. It’s the perfect treat for Halloween!

    Here are war heroes bewildered by the complex negotiations of family life, former debutantes called upon to muster resources they never knew they had, vacationing senior citizens confronted by their own bravery, and married men brought up short by the marvelous possibilities of entirely different lives.  Written with flair, wit, and deep humanity, this award-winning volume confirms Allan Gurganus as one of the finest writers of our time.

    She has a fine ear, a fine eye, and a magician's impeccable timing."—Judith Foosaner, Los Angeles Times"The day-to-day lives in The Lover of Horses are mined wth small, extraordinary moments of epiphany and unsettling insight."—Elizabeth Alexander, Washington Post Book WorldTess Gallagher's previous publications include Amplitude: New and Selected Poems, A Concert of Tenses (essays on poetry), and Moon Crossing Bridge. She lives in Port Angeles, Washington, where she has recently completed the introduction to No Heroics, Please, the first of two volumes of The Uncollected Works of Raymond Carver, edited by William Stull.

    . . possess a rare, disorienting force. When you look up from them, the quality of light seems a little different. It’s a reminder to those of us who have almost forgotten what literature can sometimes do.”—Boston Book Review“The most honest, observant and timely book written this year about the American generation now approaching thirty . . . Chaon speaks with clarity of feeling, and more than a little oddball wit, about the lives of those left behind the demographic curve of America—men and woman with pointless jobs, doughy faces, soured relationships, bad credit. . . . Each story pulls you into its subtle emotional vortex, largely because of Chaon’s knack for simple but poignant detail.”—New York Newsday“Remarkable . . . Each story is a marvel of complexity, dense with meaning and nuance. . . . Very few first works are as solid, moving, and pitch-perfect as Chaon’s.”—The Cleveland Plain Dealer“[AN] OFTEN PERCEPTIVE, LUCID VOICE.”—The New York Times Book Review