It is not a case history or study. I like to think it is a hymn to reality." —Joanne Greenberg

    Like the moon from whom Liam has chosen his female name, his true self, Luna, only reveals herself at night. In the secrecy of his basement bedroom Liam transforms himself into the beautiful girl he longs to be, with help from his sister's clothes and makeup. Now, everything is about to change: Luna is preparing to emerge from her cocoon. But are Liam's family and friends ready to elcome Luna into their lives? Compelling and provocative, this is an unforgettable novel about a transgender teen's struggle for self-identity and acceptance.

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    But the threesome faces their first separation when Nina goes away the summer before their senior year. And in ten short weeks, everything changes.Nina returns home bursting with stories about Steve, the quirky yet adorable eco-warrior she fell for hard while away. But when she asks her best friends about their summer romances, an awkward silence follows.Nina soon learns the shocking truth when she sees Mel and Avery...kissing. Their friendship is rocked by what feels like the ultimate challenge. But it's only the beginning of a sometimes painful, sometimes funny, always gripping journey as three girls discover who they are and what they really want.

    Random Acts of Senseless Violence, Womack's fifth novel, is a thrilling, hysterical, and eerily disturbing piece ot work. Lola Hart is an ordinary twelve-year-old girl. She comes from a comfortable family, attends an exclusive private school, loves her friends Lori and Katherine, teases her sister Boob. But in the increasingly troubled city where she lives (a near-future Manhattan) she is a dying breed. Riots, fire, TB outbreaks, roaming gangs, increasing inflation, political and civil unrest all threaten her way of life, as well as the very fabric of New York City. In her diary, Lola chronicles the changes she and her family make as they attempt to adjust to a city, and a country, that is spinning out of control. Her mother is a teacher, but no one is hiring. Her father is a writer, but no one is buying his scripts. Hounded by creditors and forced to vacate their apartment and move to Harlem, her family, and her life, begins to dissolve. Increasingly estranged from her privileged school friends, Lola soon makes new ones: Iz, Jude, and Weezie - wise veterans of the street who know what must be done in order to survive and are more than willing to do it. And the metamorphosis of Lola Hart, who is surrounded by the new language and violence of the streets, begins. Simultaneously chilling and darkly hilarious, Random Acts of Senseless Violence takes the jittery urban fears we suppress, both in fiction and in daily life, and makes them explicit - and explicitly terrifying.--Publisher/Powells.com

    A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    Real magic. As a teenager, a LaZelle undergoes "the Transition' —a severe illness that will either kill him or leave him with magical powers. If he's lucky, he gains a talent like shape-changing or wish-granting. If he's unlucky, he never experiences Transition. If he's especially unlucky, he undergoes Transition late, which increases his chances of dying. And if he survives, he will bear the burden of a dark, dangerous magic: the ability to cast only curses. And curse he must, for when a LaZelle doesn't use his magic, it kills him.In Nina Kiriki Hoffman's A Fistful of Sky, Gypsum LaZelle is unique among her brothers and sisters: she has not undergone Transition. She resigns herself to a mundane, magic-bereft existence as a college student. Then one weekend, when her family leaves her home alone, she becomes gravely ill... — Cynthia Ward

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    As his family splinters, worlds collide, and the police block all routes out of town, Nick must cope with economic deprivation, homelessness, the gulag of the public schools, a competitive Type-A father, murderous canines (in triplicate), and an inconvenient hair trigger on his erectile response—all while vying ardently for the affections of the beauteous Sheeni Saunders, teenage goddess and ultimate intellectual goad.

    Paris, Milan, London—Shannon has been everywhere, but somewhere along the way, she realizes she’s really…nowhere.Having graduated from high school and about to board yet another flight for yet another destination, Shannon is offered an alternative: stay in Portland, Oregon, with her parents’ close friend and help his law firm investigate a group of strangers living near the local university. A will with a substantial inheritance is being contested, and Shannon’s task is to gather information on the unlikely recipients of the money.Using an assumed name and working as a waitress in a diner, Shannon finds herself entirely on her own for the first time in her life; and as the long summer days go by, she tries to sort out who she really is and what her future holds.Originally published in 1968 and newly released as part of Nancy Pearl’s Book Crush Rediscoveries, Greensleeves is a smart and timeless tale of how far people must go to find themselves.

    For all readers of Ian McEwan's Atonement or L P Hartley's The Go-Between.1970s Weston-Super-Mare and ten-year-old oddball Eustace, an only child, has life transformed by his mother's quixotic decision to sign him up for cello lessons. Music-making brings release for a boy who is discovering he is an emotional volcano. He laps up lessons from his young teacher, not noticing how her brand of glamour is casting a damaging spell over his frustrated and controlling mother.When he is enrolled in holiday courses in the Scottish borders, lessons in love, rejection, and humility are added to daily practice.Drawing in part on his own boyhood, Patrick Gale's new novel explores a collision between childish hero worship and extremely messy adult love lives.

    She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood.Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counter-culture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor.Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in.Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction.