It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    ترجم الكتاب إلى العديد من اللغات العالمية.واسم الكتاب كاملاً طوق الحمامة في الألفة والأُلاف. ويحتوي الكتاب على مجموعة من أخبار وأشعار وقصص المحبين، ويتناول الكتاب بالبحث والدَّرس عاطفة الحب الإنسانية على قاعدة تعتمد على شيء من التحليل النفسي من خلال الملاحظة والتجربة. فيعالج ابن حزم في أسلوب قصصي هذه العاطفة من منظور إنساني تحليلي. والكتاب يُعد عملاً فريدًا في بابه.Ibn Hazm's Tawq al-Hamama ('The Ring of the Dove')The famous Arabic book on love and lovers, Tawq al-hamâma ('the Ring of the Dove'), is a splendid witness to the high age of Islamic culture in Spain. The book was written in or around 1022 CE in Játiva, south of Valencia, by Abu Muhammad `Ali Ibn Hazm al-Andalusi (Córdoba, 994-1064 CE). It is a youth work by this famous Andalusian poet, philosopher, jurist and scholar of comparative religion.In thirty chapters Ibn Hazm treats thirty moments or personages that are of relevance to love relationships, such as the signs of love, love at first sight, amorous allusions, correpondence between lovers, the messenger between the lovers, being together, fidelity and unfidelity, separation, death. Ibn Hazm alternates from theoritical observations to anecdotes of daily life and he ornates his essays with an abundance of appropriate poetry. The anecdotes are often very peronal and they give the reader a enthralling view on life and love in Islamic Córdoba. All poetry in the Ring of the Dove is Ibn Hazm's own.The Ring of the Dove has been preserved in only one manuscript, which is, since 1665, part of the Oriental collections of Leiden University Library (where it is registered as Or. 927). It was copied in 1338 CE, most probably in Egypt or Syria, from an original that is now lost. The manuscript was first acquired in Istanbul in the middle of the 17th century by the learned and bibliophile Dutch ambassador to the Sublime Porte, Levinus Warner (1619-1665). After his death his entire collection of books and manuscripts came to Leiden.The first edition of the Arabic text was made by the Russian D.K. Pétrof and was published in Leiden in 1914. Before that R.P.A. Dozy (1820-1883) had already published several fragments. All later editions and the numerous translations of the book are directly, or, mostly, indirectly based on the Leiden manuscript. Together they are proof to the fact that Ibn Hazm in his book on love and lovers treats themes that are for all humans in all times.

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    S. Eliot, Marianne Moore, many other notables.

    Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.

    They stood up and spoke out when no one else would. They broke the mould in art, music and literature. Each of them fought, in their own way, for change. Encompassing artists, politicians, activists, reporters and heads of state from past and present, A History of the World in 21 Women celebrates the lives, struggles and achievements of women who have had a profound impact on the shaping of our world. Jenni's 21 are: Joan of Arc, Artemesia Gentileschi, Angela Merkel, Benazir Bhutto, Hillary Clinton, Coco Chanel, Empress Dowager Cixi, Catherine the Great, Clara Schumann, Hatshepsut, Wangari Maathai, Golda Meir, Frida Kahlo, Toni Morrison, Margaret Atwood, Isabella of Castile, Cathy Freeman, Anna Politokovskaya, Sirimavo Bandaranaike, Madonna and Marie Curie.

    For Jay, a retired research scientist this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth--and, even more, a final opportunity to more fully understand his son, a writer and classicist. But through the sometimes uncomfortable months that the two men explore Homer's great work together--first in the classroom, where Jay persistently challenges his son's interpretations, and then during a surprise-filled Mediterranean journey retracing Odysseus's famous voyages--it becomes clear that Daniel has much to learn, too: Jay's responses to both the text and the travels gradually uncover long-buried secrets that allow the son to understand his difficult father at last.

    Professor Craig G. Benjamin of Grand Valley State University introduces you to the many people, achievements, and ideas that came out of Eastern civilization and played a role in creating the modern world.more info: http://www.thegreatcourses.com/tgc/co...

    Wallace was capable of writing . . .about subjects from tennis to politics to lobsters, from the horrors of drug withdrawal to the small terrors of life aboard a luxury cruise ship, with humour and fervour and verve' Michiko Kakutani, The New York TimesDavid Foster Wallace wrote the novels The Pale King, Infinite Jest, and The Broom of the System and three story collections. His nonfiction includes Consider the Lobster and A Supposedly Fun Thing I'll Never Do Again. He died in 2008.

    The world's foremost expert on the English language takes us on an entertaining and eye-opening tour of the history of our vernacular through the ages.In this entertaining history of the world's most ubiquitous language, David Crystal draws on one hundred words that best illustrate the huge variety of sources, influences and events that have helped to shape our vernacular since the first definitively English word — ‘roe’ — was written down on the femur of a roe deer in the fifth century.Featuring ancient words ('loaf'), cutting edge terms that reflect our world ('twittersphere'), indispensable words that shape our tongue ('and', 'what'), fanciful words ('fopdoodle') and even obscene expressions (the "c word"...), David Crystal takes readers on a tour of the winding byways of our language via the rude, the obscure and the downright surprising.

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period").Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.

    Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence–unless, somehow, they can learn a new life. But they will learn nothing without someone to teach them, and their school has no teacher.Here is PAT CONROY’S extraordinary drama based on his own experience–the true story of a man who gave a year of his life to an island and the new life its people gave him.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.