After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

    With elements of speculative fiction and the macabre, this is also an unforgettable story about a mother’s fight to survive.Heavily pregnant Alice and her partner Pete are done with the city. Above all, Alice is haunted by the rumours of the skin sealing epidemic starting to infect the urban population. Surely their new remote mountain house will offer safety, a place to forget the nightmares and start their little family. But the mountains and their people hold a different kind of danger.With their relationship under intolerable pressure, violence erupts and Alice is faced with the unthinkable as she fights to protect her unborn child.

    The liaison is caged by strict rules and rigid emotional distance. Nonetheless, it’s all too easy to surrender to an attraction so powerful she finds herself erased, abandoning even her own name in favor of a new one: Lilith.As Lilith grows closer to Matt, she begins to recognize the dark undertow of obsession and jealousy that her presence has created between Matt and Frances, and finds herself balancing on a knife’s edge between pain and pleasure, the promise of the future and the crushing isolation of the present. With stripped-down prose and unflinching clarity, Nash examines madness in the wreckage of love, and the loss of self that accompanies it. Nash's work has been featured in Cosmopolitan, Elle, Marie Claire and others.

    Tense and terrifying, these masterful stories by Eric LaRocca explore the shadow side of love.Contents:You Follow Wherever They Go.Bodies Are for Burning.The Strange Thing We Become.The Trees Grew Because I Bled There.You’re Not Supposed to Be Here.Where Flames Burned Emerald as Grass.I’ll Be Gone by Then.Please Leave or I’m Going to Hurt You.

    She might not make it to morning.Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

    Ada and her father, touched by the power to heal illness, live on the edge of a village where they help sick locals—or “Cures”—by cracking open their damaged bodies or temporarily burying them in the reviving, dangerous Ground nearby. Ada, a being both more and less than human, is mostly uninterested in the Cures, until she meets a man named Samson. When they strike up an affair, to the displeasure of her father and Samson’s widowed, pregnant sister, Ada is torn between her old way of life and new possibilities with her lover—and eventually comes to a decision that will forever change Samson, the town, and the Ground itself.Follow Me to Ground is fascinating and frightening, urgent and propulsive. In Ada, award-winning author Sue Rainsford has created an utterly bewitching heroine, one who challenges conventional ideas of womanhood and the secrets of the body. Slim but authoritative, Follow Me to Ground lingers long after its final page, pulling the reader into a dream between fairytale and nightmare, desire and delusion, folktale and warning.

    Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband’s dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

    Godwin Baxter's scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless's jealous love for Baxter's creation.The hilarious tale of love and scandal that ensues would be "the whole story" in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter. Satirizing the classic Victorian novel, Poor Things is a hilarious political allegory and a thought-provoking duel between the desires of men and the independence of women, from one of Scotland's most accomplished author.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    They are monsters. They are evil. They stalk through summer camps, abandoned hospitals, rundown schools, and isolated houses, hunting anyone foolish enough to visit these places, leaving behind carnage, terror, death, and destruction. Sometimes, there are survivors. Always, there is blood. And they do it to protect and preserve all of existence across the Multiverse.But now they are the ones being stalked and hunted, and life as we know it hangs in the balance unless they figure out a way to survive. ___PRAISE FOR PAUL MICHAEL ANDERSON"Anderson announces himself as a major talent in the dark fiction realm." - Fangoria"Anderson writes with a sure, steady hand." – Jack Ketchum, author of The Woman, The Girl Next Door, and Off Season"Paul Michael Anderson's writing doesn't feel gimmicky, but it has a pulp edge to it. Anderson's the real deal, guys." – Dead End Follies

    Then she meets a guy who shows her a movie that shouldn’t exist, one that upends everything she thinks she knows about reality itself. The movie on the old VHS tape is an unseen and unknown installment of a legendary slasher franchise she’s loved since the dark days of her unhappy adolescence. As soon as she sees it, she knows the movie is the real deal, not a fake or a fan film. She can only come to one impossible conclusion—the movie is from some other alternate reality. It is not of this world. And she knows one other thing. She must have it. At all costs. And by any means necessary. But unknown to Allison, possession of the tape comes at a higher price than she ever could have imagined.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.

    This gift comes at a steep price; the ghosts are resentful and hungry, and the cameras offer them a rare chance to reach their favourite prey… humans. Jenine didn’t know any of this when she found an abandoned Polaroid camera in a lighthouse. At first she assumes the ghostly shapes in the photos are a glitch or a prank – but then the spirits begin to hunt her down, and she’s forced into a deadly race to free herself from the camera’s curse.

    But publicly, she’s keeping her doubts to herself—because she’s the voice of Attachments, her brand-new paranormal investigation podcast, and she needs her ghost-loving listeners to tune in. That’s what brings her to Arrington Estate. Thirty years ago, teenager Atheleen Bell drowned in Arrington’s lake, and legend says her spirit haunts the estate. Dare’s more interested in the suspicious circumstances surrounding her death—circumstances that she believes point to a living culprit, not the supernatural. Still, she’s vowed to keep an open mind as she investigates, even if she’s pretty sure what she’ll find. But Arrington is full of surprises. Good ones like Quinn, the cute daughter of the house’s new owner. And baffling ones like the threatening messages left scrawled in paint on Quinn’s walls, the ghastly face that appears behind Dare’s own in the mirror, and the unnatural current that nearly drowns their friend Holly in the lake. As Dare is drawn deeper into the mysteries of Arrington, she’ll have to rethink the boundaries of what is possible. Because if something is lurking in the lake…it might not be willing to let her go.