The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. The Librarian of Auschwitz: Fourteen-year-old Dita is one of the many imprisoned by the Nazis at Auschwitz. Taken, along with her mother and father, from the Terezín ghetto in Prague, Dita is adjusting to the constant terror that is life in the camp. When Jewish leader Freddy Hirsch asks Dita to take charge of the eight precious books the prisoners have managed to smuggle past the guards, she agrees. The Tattooist of Auschwitz: In 1942, Lale Sokolov arrived in Auschwitz-Birkenau. He was given the job of tattooing the prisoners marked for survival - scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust.Waiting in line to be tattooed, terrified and shaking, was a young girl. For Lale - a dandy, a jack-the-lad, a bit of a chancer - it was love at first sight. And he was determined not only to survive himself, but to ensure this woman, Gita, did, too.

    It spans the millennia and the continents - from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain.And a great story unfolds. Not - as often imagined - of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.

    presence in Iraq. There is perhaps no other place in the world fraught with as much turmoil as the Middle East. This updated guide provides readers with an intense look at current events and the ever-changing political and social landscape in this dynamic part of the world, as well as the history�ancient and modern�of the region. -Very strong sales for the first two editions -The go-to book on the subject for readers on all sides of the issue -This book has a nationwide appeal for anyone wishing to bring themselves up-to-date on the conflict and its consequences for the United States and the rest of the world -Covers recent events, including the death of Arafat and the Iraqi elections, with expanded information about terrorism in the region

    There about 270 men and women await their future and try to recover from their past. Diamant with infinite compassion and understanding tells the stories of the women gathered in this place. Shayndel is a Polish Zionist who fought the Germans with a band of partisans. Leonie is a Parisian beauty. Tedi is Dutch a strapping blond who wants only to forget. Zorah survived Auschwitz. Haunted by unspeakable memories and too many losses to bear these young women along with a stunning cast of supporting characters who work in or pass through Atlit begin to find salvation in the bonds of friendship and shared experience as they confront the challenge of re-creating themselves and discovering a way to live again.

    Drawing on a wealth of newly available sources from the time, eminent historian David Clay Large explores the 1972 festival in all its ramifications. He interweaves the political drama surrounding the Games with the athletic spectacle in the arena of play, itself hardly free of controversy. Writing with flair and an eye for telling detail, Large brings to life the stories of the indelible characters who epitomized the Games. Key figures range from the city itself, the visionaries who brought the Games to Munich against all odds, and of course to the athletes themselves, obscure and famous alike. With the Olympic movement in constant danger of terrorist disruption, and with the fortieth anniversary of the 1972 tragedy upon us in 2012, the Munich story is more timely than ever.

    American, British and coalition forces have been fighting in Afghanistan since October 2001, a month following the attacks on the Twin Towers in New York. By the end of the year the war seemed won. But a decade on the ongoing conflict seems far from over.Today's conflict has historical parallels - in the nineteenth century Great Britain twice invaded Afghanistan, in 1839 and 1878. Both times they had seemingly defeated the Afghan forces only to find that the Afghan soldier, not knowing the meaning of defeat, fought back inflicting on the mighty British Empire humiliating retreats. A century later, the Soviet Union, technologically and militarily superior, also discovered to its cost that the Afghan was a tenacious foe and impossible to defeat. After a decade of conflict the Soviet Union withdrew, its military reputation in tatters. Today, Afghanistan has been in a state of constant conflict for almost four decades. When not fighting external enemies its people have fought against each other. The Civil War of 1990 to 1996, during which the Taliban emerged, was ferocious in its intensity.The coalition forces of today are embroiled in an equally unending war. But why are we still fighting in Afghanistan? What are the lessons of history? Who are the Taliban; who are the Mujahedeen, and why was Osama bin Laden so significant? These, in an hour, are the Afghan Wars.

    In my younger years I avoided that subject, be it in literature or in entertainment, whenever I possibly could. That was not easy. Television was full of programs in which Germans looked stupid and heinous. My own children watched these things with glee; I fled into another room. Since I have always read a lot, I was at least aware of the avalanche of books that were published about the Holocaust. Still, I kept my blinkers on. I firmly told myself that it was not my business, since I was just a child during that time. Sooner or later such an attitude will have to come to an end. It did for me after I fled a difficult marriage and finally began to examine my life. This was a slow process, aided by a patient psychiatrist. Now, years later, I want to write about my life and about the conflicted feelings such a search will cause in a woman of German nationality.

    This hilarious compendium of stupidity is guaranteed to have readers of any age howling in disbelief, and is the ideal gift for anyone who's ever shouted answers at the TV and thinks they could do better.

    To all appearances, she was a strong and dignified survivor, with old-world courtesies, a twinkling sense of humor, and a lilting Austrian syntax. Yet deep within, she'd been scarred by a profound personal trauma.Finally, just before she died at the age of 91, she chose to entrust me with this profound secret, and all at once I understood how it had affected her entire adult life. This is a story of friendship and strength, of courage and betrayal. It is an epic tale set against the backdrop of history.

     To find out the secret behind this turn of character, Tuvia Tenenbom, a Jew born in Israel, presented himself as a Jordanian and was able to gain entry into many refugee camps. Living in squalid conditions in airless rooms, and with barely edible food, the refugees begged Tuvia to help them get out of the camps. When not with the refugees, Tuvia traveled through the land and mingled with the local people who shared with him that they, the Germans, were the kindest people in Europe, far superior to the "inhumane” Jews. Tuvia Tenenbom's provocative re-enactment of the refugee reality in the middle of Europe, coupled with the rising anti-Semitism of the people who proclaim themselves to be kind, exposes the hypocrisy of the "Refugees Welcome" mantra chiming throughout the Western world. • • • Praise for Tuvia Tenenbom’s previous work: "Irresistibly fascinating, emotionally explosive ... seductive and engaging." The New York Times "Highly engaging and emotional, eminently readable, brutally honest.” Publishers Weekly “A Falstaffian reporter . . . Illuminating and alarming." The Wall Street Journal "Tenenbom’s hodgepodge of politics, zealotry and literary genres is fresh and audacious." The Village Voice "Hugely entertaining, terribly funny, sarcastic, engaging, powerful, accusatory, judgmental, good!" National Review

    While there, she reached out to the trapped Jewish families, going from door to door and asking the parents to trust her with their young children. She started smuggling them out of the walled district, convincing her friends and neighbors to hide them. Driven to extreme measures and with the help of a network of local tradesmen, ghetto residents, and her star-crossed lover in the Jewish resistance, Irena ultimately smuggled thousands of children past the Nazis. She made dangerous trips through the city’s sewers, hid children in coffins, snuck them under overcoats at checkpoints, and slipped them through secret passages in abandoned buildings.But Irena did something even more astonishing at immense personal risk: she kept secret lists buried in bottles under an old apple tree in a friend’s back garden. On them were the names and true identities of those Jewish children, recorded with the hope that their relatives could find them after the war. She could not have known that more than ninety percent of their families would perish.

    From the Reformation through the Napoleonic and Cold Wars to European Union, a superb history of Austria's central role in uniting Western civilization is covered. 24 pages of photographs and maps are included. "Connoisseurs of Austria and its delightful and infuriating inhabitants will agree that Mr. Brook-Shepherd has got it just about right.'—The Wall Street Journal "Engrossing, elegantly written history.'—Publishers Weekly

    Dodd becomes America's first ambassador to Hitler's Germany in a year that proved to be a turning point in history.A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the New Germany, she has one affair after another, including with the surprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler's true character and ruthless ambition.Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Goring and the expectedly charming—yet wholly sinister—Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

    Better to have hostile identities framed by democracy than democrats indifferent to identity.In a vigorous, insightful challenge to the left and right alike, Natan Sharansky, as he has proved repeatedly, is at the leading edge of the issues that frame our times.

    But during the Holocaust, the violin assumed extraordinary new roles within the Jewish community. For some musicians, the instrument was a liberator; for others, it was a savior that spared their lives. For many, the violin provided comfort in mankind’s darkest hour, and, in at least one case, helped avenge murdered family members. Above all, the violins of the Holocaust represented strength and optimism for the future.In Violins of Hope, music historian James A. Grymes tells the amazing, horrifying, and inspiring story of the violins of the Holocaust, and of Amnon Weinstein, the renowned Israeli violinmaker who has devoted the past twenty years to restoring these instruments in tribute to those who were lost, including 400 members of his own family. Juxtaposing tales of individual violins with one man’s harrowing struggle to reconcile his own family’s history and the history of his people, it is a poignant, affecting, and ultimately uplifting look at the Holocaust and its enduring impact.