While Charlotte and her sister, Sally, grew up at "Lakeside," their stepbrothers, Spin and Perry, were welcomed as weekend guests. Now the grown boys own the estate, which Joan occupies by their grace--and a provision in the family trust. When Spin, the youngest and favorite of all the children, brings his fiancé home for the summer, the entire family is intrigued. The beautiful and accomplished Laurel Atwood breathes new life into this often comically rarefied world. But as the wedding draws near, and flaws surface in the family's polite veneer, an array of simmering resentments and unfortunate truths is exposed.With remarkable wit and insight, Ann Leary pulls back the curtain on one blended family, as they are forced to grapple with the assets and liabilities - both material and psychological - left behind by their wonderfully flawed patriarch.

    Brant’s writing [is] taut, terse and concentrated on exposing the fissures that open in the heroine’s confidence and sense of honor... Grounded has a grimly fresh topicality." - New York Times"Propulsive drama... A fascinating exploration of personality, Grounded is, of course, all the more interesting because the subject of drone warfare is so much in the news... Thought-provoking." - Washington Post"Brant’s sharp-eyed, timely script... lets no one off easy; it forces the audience into a greater awareness of our own complicity in America’s drifts. Clap all you want at the end of the play—and you’ll want to clap a lot—but the game stays with you." - Time Out New York"Brant's drama is ready for prime time... Compelling and provocative." - San Francisco Chronicle"I was blown away... Grounded powerfully focuses on the human element... Don't miss it." - The Nation"Gripping... A play that challenges us to consider the moral and mortal conflict that is so much a part of our dangerous world... Delivers quite the gut punch... Grounded could not be much more timely." - Baltimore SunSeamlessly blending the personal and the political, Grounded tells the story of a hot-rod F16 fighter pilot whose unexpected pregnancy ends her career in the sky. Repurposed to flying remote-controlled drones in the Middle East from an air-conditioned trailer near Vegas, the Pilot struggles through surreal twelve-hour shifts far from the battlefield, hunting terrorists by day and being a wife and mother by night. A tour de force play for one actress, Grounded flies from the heights of lyricism to the shallows of workaday existence, targeting our assumptions about war, family, and the power of storytelling.Winner of the 2012 Smith Prize, a 2013 Scotsman Fringe First Prize, and Shortlisted for the Amnesty International Freedom of Expression Award 2013 at the Edinburgh Fringe Festival, 2013.

    My gut feeling was--plenty of people. Will Dean, founder of extreme obstacle course Tough Mudder, shares the thrilling inside story of how a scrappy startup grew into a movement whose millions of members feel like co-owners. He shows how other companies can embrace the Tough Mudder playbook by nurturing tribes of passionate fans while constantly experimenting with new risks. After five years as a British counterterrorism officer and two years at Harvard Business School, Dean was determined not to follow his classmates to Wall Street or Silicon Valley. Instead, he pursued his unique vision for an extreme obstacle course--a ten- to twelve-mile gauntlet pushing participants to their limits and helping them surpass those limits together. Instead of cutthroat competition, Tough Mudder would be about continual self-improvement and collective energy.It would be about the power of a tribe.Dean and his small team launched the first Tough Mudder event in May 2010, hosting 5,000 pioneers at a deserted ski resort in Pennsylvania. Just seven years later, more than 3 million people on four continents have participated at least once, and hundreds of thousands have done so repeatedly. More than 20,000 are so committed that they sport a Tough Mudder tattoo. Mudders prove the power of fierce and unshakable loyalty to one another and the challenge itself. Proudly sport-ing orange headbands and team uniforms, they'll run through mud, climb steep walls, face elec-tric shocks, and slide down the side of a moun-tain. The tougher the experience, the greater the satisfaction.It Takes a Tribe shows you how to embody the Tough Mudder spirit and capture the same magic. As a Tough Mudder slogan says, "When was the last time you did something for the first time?"

    As Strindberg himself wrote in his Preface, he wanted “to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.”Caryl Churchill’s spare and resonant new version was first staged at the National Theatre, London, in a production by Katie Mitchell, where A Dream Play was called “fresh, new and magical” (Telegraph).Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.August Strindberg (1849-1912) was a novelist and playwright from Stockholm, Sweden. His plays include Miss Julie, The Father, To Damascus, A Dream Play, and The Pelican. In 1912 Strindberg's birthday was marked by a torchlight procession through Stockholm, where his radical journalism had earned him the title of ‘people’s writer.’

    Dave Heyhoe, whilst doing the most dangerous job on earth - sniffing out bombs in Afghanistan. Dave, known to his fellow soldiers as 'the Dog Whisperer' and Treo were sent forwards, alone and unprotected, to detect the Taliban's murderous IEDs. Soon soldiers refused to patrol certain areas unless accompanied by Treo, and the pressure on the duo became ever more intense. Dave and Treo would realise they needed each other more than they could have ever imagined. It is a story full of tragedy and triumph, pathos and laughter, as one man and his best friend dare all to ensure that no lives are lost.

    When Samantha Schutz first left home for college, she was excited by the possibilities -- freedom from parents, freedom from a boyfriend who was reckless with her affections, freedom from the person she was supposed to be. At first, she revelled in the independence. . . but as pressures increased, she began to suffer anxiety attacks that would leave her mentally shaken and physically incapacitated. Thus began a hard road of discovery and coping, powerfully rendered in this poetry memoir.

    Granby Presbyterian is a weary congregation without a pastor, overwhelmed by the prospect of finding someone who actually wants to be a pastor—not a manager, coach, or CEO. When Granby's pastoral search committee and Jonas connect through handwritten letters passed back and forth, something sparks between them—something so real and refreshing that even after Jonas and his family move to Granby, he continues the regular practice of writing letters to his congregation. Spanning seven years of his ministry at Granby Presbyterian, Jonas's letters ruminate on everything from fly-fishing to the Nicene Creed. They reveal the earthy spirituality woven into the joys and sorrows of the people of Granby, the community of the church, and Jonas's own unfolding story. Readers will discover what it means for a pastor and a church to do the slow work of ministry in community—anchored by a common place and buoyed by a life of faith that is meaningful, rooted, and true.

    Nicole Lyons' voice undulates from pain to ecstasy, at breakneck speed. Erotic, soulful and authentic, Nicole has written a raw memoir encapsulated in poems. Stepping off the cliff, delving into HUSH, readers will find themselves breathless and wanting more.

    Norma Jeane Baker of Troy is a partly spoken, partly sung performance piece by poet, essayist, and scholar Anne Carson, and an exploration of the lives and myths of Marilyn Monroe and Helen of Troy—iconic beauties who lived millennia apart.A thrilling and thoughtful meditation on the destabilising and destructive power of beauty, this had its world premiere at The Shed in New York City, starring Ben Whishaw and Renée Fleming.

    A moving and hilarious account of a spring day in a small Welsh coastal town, Under Milk Wood is "lyrical, impassioned and funny, an Our Town given universality" (The New Statesman and Nation).

    A routine prenatal exam reveals a dangerous problem, and first-time parents find themselves thrust into a world of close calls, sleepless nights, and psychological crisis. Surrounded by disagreements, deaths, extended family tensions, and questions of faith, the mother struggles to maintain a positive frame of mind. Against the antiseptic, mechanical reality of the NICU, the dedicated health professionals are drawn as sympathetic and wry animal characters. Doctor Eyes and Nurse Gentlehands are two of the care providers that do all they can to take care of Baby Asa. But even the best hospital staff make mistakes, and Jaeckel and her husband’s vigilance must be acute. At times they battle feelings of helplessness, but their determination, insight, bravery, and connection ultimately helps keep their little one alive.

    Without warning, Russian tanks have crossed the frontier and are pouring into the city. The Soviet invasion of Czechoslovakia has begun. Arriving with the troops is Colonel Grigori Dal, a seasoned KGB officer and coldblooded killer. While the country slips into chaos, Dal uses the fighting as cover to apprehend an American prisoner of war from a military prison in Prague. Within days, only a cursed woman and a troubled war hero will stand between him and protecting the Cold War’s darkest secret: proof U.S. servicemen were secretly transferred to the Soviet Union.R. Cyril West’s award winning novel of tragic love, suspense, intrigue, and the dangerous machinations of the human heart—The Thin Wall.*BRAG Medallion Award

    By building a rude home in the forest and eliminating desire, poet and Buddhist priest Chomei believed he would be spared the anguish that had befallen the townspeople. Yet at the end we find the author consumed with self-doubt, questioning his own sanity and the integrity of his purpose. His voice reaches out from the distant past and speaks directly to our hearts, surprisingly modern and intensely human.Author Biography: Yasuhiko Moriguchi and David Jenkins are writers, teachers, and translators living in Kyoto. Stone Bridge Press is a leading English-language publisher of Japanese literature in translation. Our ROCK SPRING COLLECTION OF JAPANESE LITERATURE features absorbing and important translations of classical and contemporary Japanese fiction and poetry. We believe that literature is a window into culture and society, and an expression of what is most peculiarly, and universally, human.

    Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life.The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates.Challenging the complexities of language, Betts animates what it means to be a "felon."

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.