It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    The same family appears in Act Two 25 years older and back in London, only now it’s 1979. Cloud 9 is about relationships between women and men, men and men, women and women. It is about sex, work, mothers, Africa, power, children, grandmothers, politics, money, Queen Victoria, and Sex. Cloud 9 premiered in London at the Royal Court Theatre in 1979 and has since been staged all over the world.

    In doing so, England's reigning man of letters set in motion a series of events that would culminate in his ruin and imprisonment. For within a year the bewildered Wilde himself was on trial for acts of gross indecency and, implicitly--for a vision of art that outraged Victorian propriety. Expertly interweaving courtroom testimony with excerpts from Wilde's writings and the words of his contemporaries, Gross Indecency unveils its subject in all his genius and human frailty, his age in all its complacency and repression. The result is a play that will be read and studied for decades to come.

    Beginning in 1949 and moving to the present day, Mordden puts a unique and innovating spin on modern history. An adventurous, adroit, and fascinating novel by one of the finest gay writers of our time.

    The four hour-plus play begins with a soliloquy in which he explains his cynical disillusionment with love.Each act focuses on a different phase in Arnold's life. In the first, Arnold meets Ed, who is uncomfortable with his bisexuality. In the second, one year later, Arnold meets Alan, and the two settle down into a blissful existence that includes plans to adopt a child, until tragedy strikes. In the third, several years later, Arnold is a single father raising gay teenager David. Arnold is forced to deal with his mother's intolerance and disrespect when she visits from Florida.

    Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    There is a dominant father and a socially ambitious mother who adores her son Dennis. When he arrives it is at once clear to the reader why he does not fit in with his smugly conventional family. Then, with the outbreak of war, the tone of the book changes: it focuses on Dennis’s refusal to fight, indeed on his abhorrence of violence; his falling in love with Alan; and his close friendship with Antoinette, who has not realised she is lesbian but is unabashed when she does. Dennis, however, is in agony about being ‘a musical man’ (slang for being gay): ‘Abnormal – perverted – against nature – he could hear the epithets that would be hurled against him. But what had nature been about, in giving him the soul of a woman in the body of a man?’Running through all this is the background of the war. At first everyone thought it would be over by Christmas. Then there were the horrors of 1915. And then conscription started. Month by month one sees what happens to Dennis and the other COs (conscientious objectors) he knows.The book was published by C.W. Daniel, a pacifist publisher, in May 1918. In September the book was banned for being ‘likely to prejudice the recruiting, training, and discipline of persons in his Majesty’s forces.’ Unsold copies were seized and the publisher was fined.

    Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts.At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender,Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

    Someone to love. Who will love me back." September, 1982. John Cougar's "Jack and Diane" is on endless radio rotation, and Dallas and Dynasty rule the ratings. Jack Paterno is a straight-A student living in the Detroit suburb of Hazel Park, with his own Atari 5200, a Beta VCR, and everything a seventh-grader could ask for. The only thing he has in common with foul-mouthed Brad Dayton, who lives on the gritty south side near 8 Mile, is that both are in Varsity Band. Or maybe that's not the only thing. Because Jack is discovering that while hanging around with girls in elementary school was perfectly acceptable, having lots of girl friends (as opposed to girlfriends) now is getting him and Brad labeled as Band Fags. And Jack is no fag. Is he?As Jack and Brad make their way through junior high and then through Hazel Park High School, their friendship grows deeper and more complicated. From stealing furtive glances at Playgirl to discussing which celebrities might be like that, from navigating school cliques to dealing with crushes on girls and guys alike, Jack is trying to figure out who and what he is. He wants to find real, endless love, but he also wants to be popular and "normal." But, as Brad points out, this is real life--not a John Hughes movie. And sooner or later, Jack will have to choose.Filled with biting wit and pitch-perfect observations, Band Fags is an exhilarating novel about lust and love, about the friendships that define and sometimes confine us, and about coming of age and coming to terms with the end of innocence and the beginning of something terrifying, thrilling, and completely unpredictable.Advance praise for Band Fags! "For those of us who came of age in the 80s, reading Frank Anthony Polito's novel is like being teleported back to high school. Filled with pop culture references that will have you saying, 'I remember that!, ' this is a love letter to a time when happiness was a pair of Calvin Klein jeans, and every heartbreak could be fixed by listening to your Bonnie Tyler or REO Speedwagon albums. Most important, though, it is a portrait of a friendship between two boys struggling to find themselves without losing each other."--Michael Thomas Ford, author of Last Summer "With the Motor City running on empty in Reagan's America, Frank Anthony Polito's characters dance their mystery dance of teenage longing as if Motown never left for California. Sexy, funny, and wiser than it wants to be, Band Fags! pulses with a ragged beauty and bounces to its beat. I give it a 98.6." --Thorn Kief Hillsbery, author of What We Do Is Secret"More than just a novel, Band Fags! is a virtual time machine that transports you smack dab into the cheesy heart of the 80's. It's like a queer Wonder Years as it follows Brad and Jack's memorable journey through high school hell. Screamingly funny, surprisingly charming and, ultimately, truly moving, it's a fresh take on the importance of friendship during the worst/best years of your life." --Brian Sloan, A Really Nice Prom Mess and Tale of Two Summers"A consistently hilarious story of the best-friendship we all seem to have had, set in a time we can never seem to forget -- the totally awesome '80s -- Band Fags! never misses a beat in its affectionate, moment-by-moment chronicling of the complicated journey we take from cradle to closet to what lies beyond." --Matthew Rettenmund, author of Boy Culture"Band Fags! is like the gay teen flick John Hughes never got around to making. Let's face it, there's a Band Fag in all of us and Frank Anthony Polito has his on speed dial. This book is a sweet, funny, deeply felt valentine to the wonder/horror of coming of age in the 1980's. You might just pee your parachute pants." --Den

    In this coming-of-age novel set in the second century AD, Antinous of Bithynia, a Greek youth from Asia Minor, recounts his seven-year affair with Hadrian, fourteenth emperor of Rome. In a partnership more intimate than Hadrian's sanctioned political marriage to Sabina, Antinous captivates the most powerful ruler on earth both in life and after death. This version of the affair between the emperor and his beloved ephebe vindicates the youth scorned by early Christian church fathers as a "shameless and scandalous boy" and "sordid and loathsome instrument of his master's lust." EROMENOS envisions the personal history of the young man who achieved apotheosis as a pagan god of antiquity, whose cult of worship lasted for hundreds of years far longer than the cult of the emperor Hadrian.In EROMENOS, the young man Antinous, whose beautiful image still may be found in works of art in museums around the world, finds a voice of his own at last.

    His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels-who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret. What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements. A major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904-1986) is the author of Down There on a Visit, Lions and Shadows, A Meeting by the River, The Memorial, Prater Violet, A Single Man, and The World in the Evening, all available from the University of Minnesota Press.

    But in her remote corner of England eligible suitors are few and far between, and none hold a candle to her closest friend, Diana Fitzroy. When Sir Edward Masterson arrives, he seems the answer to Caroline’s financial worries, though she instinctively dislikes the reticent, older merchant. Soon Sir Edward has set his sights on acquiring both Caroline and the decaying Harkworth Hall. Caroline’s future seems secure, save that his enigmatic secretary hints at a dark secret, and Sir Edward shows an unusual interest in tales of monsters … and the blood in Caroline’s veins.

    In a dark corner of the best bar in the city, two lovers fall into each other's arms. The bar has been called many names, but it is now known simply as The Bar. Its proprietor is the aging, still glamourous Madame. Its clientele is gay. The two who fall in love are Boy, a beautiful nineteen-year-old, and the handsome, forty-something "Older Man" referred to as "O" by the regulars of The Bar. This is the story of Boy's and O's courtship and marriage, of Madame's role in the affair, and of the man called "Father," who threatens to come between them. Searingly honest in its deception of gay culture and ritual, this gripping novel is at once a moving celebratiion of love and a stark picture of life for gay men today.