After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    Most days, she's got other things on her mind. Like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn't casually eviscerate one of their neighbors. Again.And most days, she can almost accept that she'll never know the truth--that she'll never know why humanity was deemed too dangerous to exist. Or whether she really is--impossibly--the lone survivor of a species destroyed a millennium ago. That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered.Thrown into the universe at the helm of a stolen ship--with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands--Sarya begins to uncover an impossible truth. What if humanity's death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table--and a second chance for humanity?The Last Human is a sneakily brilliant, gleefully oddball space-opera debut--a masterful play on perspective, intelligence, and free will, wrapped in a rollicking journey through a strange and crowded galaxy.

    Days later, the family are forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds.This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family’s world – of new life and new hope – sings with love.

    Her mission: to recruit children with miraculous gifts in the hope that they might prevent the Pulse from once again sending countless worlds back to the dark ages.Hot on her trail is the Pax--a collection of fascist zealots who believe they are the rightful rulers of the galaxy and who remain untouched by the Pulse.Now Jane, a handful of comrades from her past, and a telekinetic girl called Esa must fight their way through a galaxy full of dangerous conflicts, remnants of ancient technology, and other hidden dangers.And that's just the beginning . . .

    Now, in his hilarious and heartfelt new novel, he envisions a deliciously dark tale of America’s dysfunctional coming years—and the timeless and tender feelings that just might bring us back from the brink.In a very near future—oh, let’s say next Tuesday—a functionally illiterate America is about to collapse. But don’t that tell that to poor Lenny Abramov, the thirty-nine-year-old son of an angry Russian immigrant janitor, proud author of what may well be the world’s last diary, and less-proud owner of a bald spot shaped like the great state of Ohio. Despite his job at an outfit called Post-Human Services, which attempts to provide immortality for its super-rich clientele, death is clearly stalking this cholesterol-rich morsel of a man. And why shouldn’t it? Lenny’s from a different century—he totally loves books (or “printed, bound media artifacts,” as they’re now known), even though most of his peers find them smelly and annoying. But even more than books, Lenny loves Eunice Park, an impossibly cute and impossibly cruel twenty-four-year-old Korean American woman who just graduated from Elderbird College with a major in Images and a minor in Assertiveness.After meeting Lenny on an extended Roman holiday, blistering Eunice puts that Assertiveness minor to work, teaching our “ancient dork” effective new ways to brush his teeth and making him buy a cottony nonflammable wardrobe. But America proves less flame-resistant than Lenny’s new threads. The country is crushed by a credit crisis, riots break out in New York’s Central Park, the city’s streets are lined with National Guard tanks on every corner, the dollar is so over, and our patient Chinese creditors may just be ready to foreclose on the whole mess. Undeterred, Lenny vows to love both Eunice and his homeland. He’s going to convince his fickle new love that in a time without standards or stability, in a world where single people can determine a dating prospect’s “hotness” and “sustainability” with the click of a button, in a society where the privileged may live forever but the unfortunate will die all too soon, there is still value in being a real human being.Wildly funny, rich, and humane, Super Sad True Love Story is a knockout novel by a young master, a book in which falling in love just may redeem a planet falling apart.

    I never marketed this novelette; I failed to mention it on my website. What happened next was remarkable: People started reading it, and reviewing it, and talking about it.There was never any intention to create a series. It wasn't until the demand for "more" became so great that I launched into the next four books, each one growing longer and longer, until I was wrapping up the story line with this novel, a full 60,000 word WOOL 5.I would like to humbly thank everyone who has come along on this journey with me; it has been the most rewarding experience of my young writing career. Your emails, your reviews, your comments on my website, every ounce of your enthusiasm . . . it has combined to grant me enough satisfaction and confidence to last the rest of my writing days.For those of you who suffered the wait, I hope you'll find it was worth it. This is WOOL 5. Brace yourselves. And enjoy.

    What begins as a botched experiment will change her life—and the world—forever…Over two decades later, all across the planet, “flash” technology allows individuals the ability to transfer their consciousness into other bodies for specified periods, paid, registered and legal. Society has been utterly transformed by the process, from travel to warfare to entertainment; “Be anyone with Anyone” the tagline of the company offering this ultimate out-of-body experience. But beyond the reach of the law and government regulators is a sordid black market called the darkshare, where desperate “vessels” anonymously rent out their bodies, no questions asked for any purpose - sex, drugs, crime... or worse.Anyone masterfully interweaves the present-day story of the discovery and development of the flash with the gritty tale of one woman’s crusade to put an end to the darkness it has brought to the world twenty-five years after its creation. Like Blade Runner crossed with Get Out, Charles Soule’s thought-provoking work of speculative fiction takes us to a world where identity, morality, and technology collide.

    She is hired to provide genetic material to a grief-stricken, affluent mother, who lost all four of her daughters within four short weeks. This experimental genetic work is policed by a hazy network of governmental ethics committees, and threatened by the Knights of Life, religious zealots who raze the rural farms where much of this experimentation is done.When the mother backs out at the last minute, Inez is left responsible for the product, which in this case is a baby girl, Ani. Inez must protect Ani, who is a scientific breakthrough, keeping her alive, dodging authorities and religious fanatics, and trying to provide Ani with the childhood that Inez never had, which means a stable home and an education.With a stylish voice influenced by years of music writing, The Only Ones is a time-old story, tender and iconic, about how much we love our children, however they come, as well as a sly commentary on class, politics, and the complexities of reproductive technology.

    But what they can’t predict is how it will tear their friendship—and society—apart.If you had the chance to look one year into the future, would you?For Ben Boyce and Adhi Chaudry, the answer is unequivocally yes. And they’re betting everything that you’ll say yes, too. Welcome to The Future: a computer that connects to the internet one year from now, so you can see who you’ll be dating, where you’ll be working, even whether or not you’ll be alive in the year to come. By forming a startup to deliver this revolutionary technology to the world, Ben and Adhi have made their wildest, most impossible dream a reality. Once Silicon Valley outsiders, they’re now its hottest commodity. The device can predict everything perfectly—from stock market spikes and sports scores to political scandals and corporate takeovers—allowing them to chase down success and fame while staying one step ahead of the competition. But the future their device foretells is not the bright one they imagined.Ambition. Greed. Jealousy. And, perhaps, an apocalypse. The question is . . . can they stop it?Told through emails, texts, transcripts, and blog posts, this bleeding-edge tech thriller chronicles the costs of innovation and asks how far you’d go to protect the ones you love—even from themselves.

    She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans.In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?

    Joseph Kavanagh, a new Defender, has one task: to protect his section of the Wall from the Others, the desperate souls who are trapped amid the rising seas outside and are a constant threat. Failure will result in death or a fate perhaps worse: being put to sea and made an Other himself. Beset by cold, loneliness, and fear, Kavanagh tries to fulfill his duties to his demanding Captain and Sergeant, even as he grows closer to his fellow Defenders. A dark part of him wonders whether it would be interesting if something did happen, if they came, if he had to fight for his life.

    But when Vivian returns home the night after the supposed "Rapture," all that’s left of her parents are two holes in the roof. Suddenly, she doesn't know who or what to believe. With her best friend Harp and a mysterious ally, Peter, Vivian embarks on a desperate cross-country roadtrip through a paranoid and panic-stricken America to find answers. Because at the end of the world, Vivan Apple isn't looking for a savior. She's looking for the truth.

    I am a good dog. Rex is also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics especially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multiform Assault Pack operating in the lawless anarchy of Campeche, south-eastern Mexico. Rex is a genetically engineered Bioform, a deadly weapon in a dirty war. He has the intelligence to carry out his orders and feedback implants to reward him when he does. All he wants to be is a Good Dog. And to do that he must do exactly what Master says and Master says he's got to kill a lot of enemies. But who, exactly, are the enemies? What happens when Master is tried as a war criminal? What rights does the Geneva Convention grant weapons? Do Rex and his fellow Bioforms even have a right to exist? And what happens when Rex slips his leash?

    Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico's father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms of infected Flies roam the earth, these few survivors navigate the woods of post-apocalyptic New England, meeting others along the way, each on their own quest to find life and love in a world gone dark. The Electric Kingdom is a sweeping exploration of art, storytelling, eternal life, and above all, a testament to the notion that even in an exterminated world, one person might find beauty in another.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.