When he doesn’t die, he is surprised and pleased. But he can’t seem to move from the crash position. In fact, the accident is just the first in a series of family crises: His wife Wendy is heroically supportive, but when his daughter Rosie punches out a vindictive schoolmate, all hell breaks loose. His son Declan is found with a stash of illicit drugs. A strange policeman starts harassing the family and ordinary mishaps take on a sinister desperation. To top it all off, Michael’s professional life starts to crumble.Mark Lamprell’s extraordinary debut examines the terrible truth: sometimes you can’t pull yourself together until you’ve completely fallen apart.

    They had taken the most impregnable fortress in Europe, faced Stalin's cadets in the screaming inferno of the Russian front, and returned with only a handful of survivors. They were Hitler's elite, dedicated, relentless men, for whom death held no fear, Assault Regiment Wotan. Their next mission was a lightening blow at Kursk in the very heart of Soviet Russia. As they advanced across the burning steppes after the fall of Stalingrad, the men of Wotan found the bodies of German soldiers, hanged, tortured, and mutilated, and they swore they would not leave Russian soil until they had taken their revenge.

    Each one a perfect piece, together they showcase Garner’s mastery of the form.

    Then there are the local arguments, that all seem to flare up around complicated bits of machinery, like water pumps and cars. All they really need is a little help from Bruno to sort everything out...This is the first of four books that inspired the television series Sun on the Stubble.

    . . . the kind of book that can be life-changing.” I Am the Messenger is a cryptic journey filled with laughter, fists, and love, which School Library Journal called “unpretentious, well conceived, and appropriately raw” in a starred review. Markus Zusak is the recipient of the Margaret A. Edwards Award for his significant and lasting contribution to writing for teens, and together, these two stories form an extraordinary collection to showcase the intensity and heart inherent in his storytelling.

    Yet the Japanese attack on 19 February 1942 was the first wartime assault on Australian soil. The Japanese struck with the same carrier-borne force that devastated Pearl Harbor only ten weeks earlier. There was a difference. More bombs fell on Darwin, more civilians were killed, and more ships were sunk. The raid led to the worst death toll from any event in Australia. The attackers bombed and strafed three hospitals, flattened shops, offices and the police barracks, shattered the Post Office and communications centre, wrecked Government House, and left the harbour and airfields burning and ruined. The people of Darwin abandoned their town, leaving it to looters, a few anti-aircraft batteries and a handful of dogged defenders with single-shot .303 rifles. Yet the story has remained in the shadows. Drawing on long-hidden documents and first-person accounts, Peter Grose tells what really happened and takes us into the lives of the people who were there. There was much to be proud of in Darwin that day: courage, mateship, determination and improvisation. But the dark side of the story involves looting, desertion and a calamitous failure of leadership. Australians ran away because they did not know what else to do. Absorbing, spirited and fast-paced, An Awkward Truth is a compelling and revealing story of the day war really came to Australia, and the motley bunch of soldiers and civilians who were left to defend the nation.-Booktopia

    Angel is convinced that the voice belongs to his beautiful and enigmatic neighbor, Angela -- and that she is terrified for her life. He paces the floor, waiting for the phone to ring again, calls the police, searches her apartment, but there is no trace of her anywhere, not for days. So begins a haunted man's quest to uncover what happened to the woman he has fallen in love with. Only now does he realize that he knows nearly nothing about her. Angel has his secrets, too. He is the son of one of Hollywood's most successful movie producers, but he has turned away from that bright and power-ridden world. Instead, he leads a cloistered existence, nursing an unfinished screenplay as Ridley Scott's Blade Runner loops ceaselessly in his darkened apartment. But now, for the first time in years, because of Angela's sudden disappearance, Angel is propelled into action. Following the few clues he has gathered about her, he trails Angela through the hard glitter of Los Angeles days and nights. With every new piece of knowledge arrives another question and an even more chilling possibility: Did he merely imagine Angela? Is someone deliberately leading him? Is the phantom he is pursuing the very fear he has been running from? In the murky underworld beneath the bright surface of Los Angeles, everything he knew about her -- and himself -- begins to unravel. In this city of secrets that aren't meant to be told and people who aren't meant to be found, Angel may soon discover that the most dangerous lies of all are the ones you tell yourself.

    Lieutenant Vere Marriott of the Royal Navy, and the men of Motor Gunboat 801 are moored in Kiel harbor, witness to the disintegration of the mighty German navy. Where once they fought just to stay alive, Marriott and his men must now learn how to accept peace.

    In 1942, with war raging in Europe and the Pacific, the Japanese army is on Australia's doorstep, and the small coastal Queensland town of Maryborough is on full alert. They are not, however, prepared for the arrival of a troupe of incompetent actors whose unjustifiably self-confident leader is determined to bring his daring production of Titus Andronicus to the rural barbarians. Unfortunately for Power, when a young woman goes missing and is found floating dead in the town's water supply, he becomes the prime suspect in her murder. With every misplaced step he takes, he becomes more and more embroiled in a series of crimes that baffle the police and horrify the locals.

    Edna’s work spans decades. Her soaring images of red dirt, close interiors and distant jungles have the potential to change the way the nation views itself.Edna could have been an official war artist. Did she choose to hide herself away? Or were there people who didn’t want her to become famous? As the biographer is pulled into Edna’s life, she is confronted with the fact that how she tells Edna’s past will affect her own future.This elegant and engrossing novel explores how we value and celebrate art and artists’ lives. The Biographer’s Lover reminds us that all memory is an act of curation.‘A delight to read. Ruby J. Murray enters the mind of an ambitious young biographer to assemble a moving portrait of a mysterious Australian painter.’ Carrie Tiffany‘An accomplished and memorable novel about the gaps left in our inherited history, and the imperfect storytellers we entrust to fill them. Beautifully constructed.’ Abigail Ulman

    Eliza is to be married to Nicholas, her companion since she was a child. But when the pair are involved in a car crash, Eliza is rescued by a stranger, Lewis Harper, whose stunning green eyes she will never forget.As the war begins, Eliza's world begins to fall apart: her beloved brother Martyn is killed in action, and her once-beloved husband grows increasingly distant. And then, when her efforts to help the Dunkirk evacuees take her to the south coast, she spots a familiar pair of eyes.

    Myree is outwardly the more striking - a qualified botanist, brilliant and dazzlingly beautiful. She sets out to oversadow Kim, who is pretty but shy and much younger.For a time it looks as though she will succeed. Then both girls fall for Dr John Andrews, the handsome leader of the expedition. And Kim shows that she is not so shy and naive after all.

    When Englishman Corby Morgan and his young bride Jessie arrive at their recently purchased sugar plantation in nineteenth-century Australia, they embark on a difficult and dangerous existence.

    She has resigned from her job, and is trying to survive as a writer. With no food left in her rooming-house attic, she sets out to buy provisions from the corner shop. On the way she collapses, and to her surprise wakes up in hospital... From there it's a bumpy ride to the tuberculosis sanatorium, where Isobel becomes a member of a self-contained society. The god-like doctors and an assorted, less than compatible, cast of patients help Isobel to gain hard insights about herself, and about human nature, on the slow path to recuperation. While many of the experiences recounted in this memorable novel are grim, Amy Witting manages at the same time to be continually and compassionately funny. From her humour emerges the profound, ironic wisdom by which all her writing is distiguished.

    Don't worry about the fact that you will never be able to afford a home. Worry about the day after. That's when they will all come, with their black shirts and bayonets, and then you will see the drowned bodies and slit necks. And I would stand there and say, But Mum, I'm ten years old.Working as a writer hasn't granted Panos the financial success he once imagined, but lobbying against a mosque being built across the road from his home (and the occasional meth-fuelled orgy) helps to pass the time. He's also found himself a gig ghostwriting for a wealthy property developer. The pay cheque alone is enough for him to turn a blind eye to some dodgy dealings - at least for the time being.In a world full of flashy consumerism and aspiration, can Panos really escape his lot in life? And does he really want to?