That story, Pictor's Metamorphoses, is presented here along with a half century of Hesse's other short writings. Inspired by the Arabian Nights and the tales of the Brothers Grimm, these nineteen stories display the full range of Hesse's lifetime fascination with fantasy--as dream, fairy tale, folktale, satire, and allegory.

    Kate Blackwell is one of the richest and most powerful women in the world. She is an enigma, a woman surrounded by a thousand unanswered questions. Her father was a diamond prospector who struck it rich beyond his wildest dreams. Her mother was the daughter of a crooked Afrikaaner merchant. Her conception was itself an act of hate-filled vengeance. At the extravagent celebrations of her ninetieth birthday, there are toasts from a Supreme Court Judge and a telegram from the White House. And for Kate there are ghosts, ghosts of absent friends and of enemies. Ghosts from a life of blackmail and murder. Ghosts from an empire spawned by naked ambition! Sidney Sheldon is one of the most popular storytellers in the world. This is one of his best-loved novels, a compulsively readable thriller, packed with suspense, intrigue and passion. It will recruit a new generation of fans to his writing.

    When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest work. Whether writing about her teenage self, microscopic creatures, or the upsides to living on Earth, she remains a virtuoso of form, line, and thought. From the title poem: I can’t speak for elsewhere, but here on Earth we’ve got a fair supply of everything. Here we manufacture chairs and sorrows, scissors, tenderness, transistors, violins, teacups, dams, and quips . . . Like nowhere else, or almost nowhere, you’re given your own torso here, equipped with the accessories required for adding your own children to the rest. Not to mention arms, legs, and astonished head.

    The story of Scarlett's and Rhett's love affair, begun in Gone With the Wind, continues in this long-awaited sequel.

    However, this anecdote is told ninety-nine more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    Read this book and understand--at last!--why men never listen, why women can't read maps, and why learning each other's secrets means you'll never have to say sorry again.

    Drugs had been found in her son's car and she discovers that they are rampant in her local community.

    

    It was the marvel of its age?legendary for its vast palaces, safe harbors, and magnificent lighthouse. But it was most famous for the astonishing intellectual fluorescence it fostered and the library it produced. If the European Renaissance was the ?rebirth? of Western culture, then Alexandria, Egypt, was its birthplace. It was here mankind first discovered that the earth was not flat, originated atomic theory, invented geometry, systematized grammar, translated the Old Testament into Greek, built the steam engine, and passed their discoveries on to future generations via the written word. Julius Caesar, Anthony and Cleopatra, Jewish scholars, Greek philosophers, and devout early Christians all play a part in the rise and fall of the city that stood ?at the conjunction of the whole world.? Compulsively readable and sparkling with fresh insights into science, philosophy, culture, and invention, this is an irresistible, eye-opening delight.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    Edgar Allan Poe—his name conjures up thoughts of hearts beating long after their owners are dead, of disease and plague amid wealth, of love that extends beyond the grave, and of black ravens who utter only one word. The richness of Poe’s writing, however, includes much more than horror, loss, and death. Alive with hypnotic sounds and mesmerizing rhythms, his poetry captures both the splendor and devastation of love, life, and death. His stories teem with irony and black humor, in addition to plot twists and surprise endings. Living by their own rules and charged with passion, Poe’s characters are instantly recognizable—even though we may be appalled by their actions, we understand their motivations. The thirty-three selections in The Best of Poe highlight his unique qualities. Discover for yourself the mysterious allure and genius of Edgar Allan Poe, who remains one of America’s most popular and important authors, even more than 150 years after his death.This Prestwick House edition is an unabridged republication, with some emendations, of thirty-three of Edgar Allan Poe’s short stories and poems, taken from various nineteenth century sources.

    She rose above shattering personal defeats to write with honesty, clarity of vision and nobility of utterance. Her poetry reflects - with naked candour - the harsh realities of her tragic inner struggle, which was eventually to lead to her suicide in 1941.

    Coles. Two orphaned sisters, facing a future of want and loneliness, quarrel when the older sister, responsible for her dependent teenage sibling, repudiates her sister's affair with a political activist--older and unacceptable--she bonds with on the internet. Can adolescent love ever transcend innocently ignored incompatibility to evolve into a valued family relationship in rural southern America? Can a sister forced into a role of a surrogate parent convince her sister to denounce her attraction for a rouge male religiously, socially, and historically unsuited for marriage without a destructive severance of duty and caring?

    She does not try to fool herself that the boys will be anything, but hustlers. Hustling is in their blood from both ends hers and her father s, Rapheal s, who was Black Girl s pimp before drugs knocked them both on their asses and destroyed Rapheal s stable of top-notch hos. In Khalil, Black Girl sees the making of a boss mack, much like his pops. In B-Man, her middle son, she sees a fierce jack boy and a heartless killa. In her baby boy, Q, Black Girl prophesizes a major drug king pin. Together, she knows her sons can rape the game from all angles and put ATL in a chokehold. But to do so, they must never let money, hos, jealousy or envy come between them. They must remain bonded by blood, which she makes them promise at her deathbed. Black Girl also makes them promise to forgive Rapheal, and not hold her demise against him. But some promises are hard to keep, especially when hate, jealousy, and envy run deep. When fast money, dimed up chicks, unspoken grudges and unforgivable violations are tossed into the mix, will a deathbed promise to their mother be enough to stop the bloodshed once it begins? Which brother will remain standing in the end?