Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960's, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for something pure.

    A lonely child, he found solace in Old Joe's simple wisdom and folk charms. The magic was lost, however, when Joe disappeared without warning one fall. Years later, Jay's life is stalled with regret and ennui. His bestselling novel, Jackapple Joe, was published ten years earlier and he has written nothing since. Impulsively, he decides to leave his urban life in London and, sight unseen, purchases a farmhouse in the remote French village of Lansquenet. There, in that strange and yet strangely familiar place, Jay hopes to re-create the magic of those golden childhood summers. And while the spirit of Joe is calling to him, it is actually a similarly haunted, reclusive woman who will ultimately help Jay find himself again.

    His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.From the author of Lord of the Flies, The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.

    Jonathan Pine is ready to stand up and be counted in the fight against this ultimate heart of darkness. His mission takes him from the cliffs of west Cornwall, via northern Quebec and the Caribbean, to the jungles of post-Noriega Panama. His quarry is the worst man in the world.

    When the Queen in pursuit of her wandering corgis stumbles upon a mobile library she feels duty bound to borrow a book. Aided by Norman, a young man from the palace kitchen who frequents the library, the Queen is transformed as she discovers the liberating pleasures of the written word.The author of the Tony Award winner The History Boys, Alan Bennett is one of Britain’s best-loved literary voices. With The Uncommon Reader, he brings us a playful homage to the written word, imagining a world in which literature becomes a subversive bridge between powerbrokers and commoners. By turns cheeky and charming, the novella features the Queen herself as its protagonist. When her yapping corgis lead her to a mobile library, Her Majesty develops a new obsession with reading. She finds herself devouring works by a tantalizing range of authors, from the Brontë sisters to Jean Genet. With a young member of the palace kitchen staff guiding her choices, it’s not long before the Queen begins to develop a new perspective on the world - one that alarms her closest advisers and tempts her to make bold new decisions. Brimming with the mischievous wit that has garnered acclaim for Bennett on both sides of the Atlantic, The Uncommon Reader is a delightful celebration of books and writers, and the readers who sustain them.

    Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away.Borrowing from biography and history, Jane Gardam has written a literary masterpiece reminiscent of Rudyard Kipling's Baa Baa, Black Sheep that retraces much of the twentieth century's torrid and momentous history. Feathers' childhood in Malaya during the British Empire's heyday, his schooling in pre-war England, his professional success in Southeast Asia and his return to England toward the end of the millennium, are vantage points from which the reader can observe the march forward of an eventful era and the steady progress of that man, Sir Edward Feathers, Old Filth himself, who embodies the century's fate. Old Filth was nominated for the 2005 Orange Prize.

    It is goodbye to a Berlin wild, wicked, breathtaking, decadent beyond belief and already -- in the years between the wars -- welcoming death in through the door, though more with a wink than a whimper.~from the back cover

    They've loved, fought, betrayed, forgiven, consoled, gloried, and grown up together. Now on the eve of London 2012, their last Olympics, both women will be tested to their physical and emotional limits. They must confront each other and their own mortality to decide, when lives are at stake: What would you sacrifice for the people you love, if it meant giving up the thing that was most important to you in the world?

    From brutal brothel-keeper Mrs Castaway, she ascends in society. Affections of self-involved perfume magnate William Rackham soon smells like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.

    Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

    Lewycka tells the side-splittingly funny story of two feuding sisters, Vera and Nadezhda, who join forces against their father's new, gold-digging girlfriend.Two years after my mother died, my father fell in love with a glamorous blonde Ukrainian divorcée. He was eighty-four and she was thirty-six. She exploded into our lives like a fluffy pink grenade, churning up the murky water, bringing to the surface a sludge of sloughed-off memories, giving the family ghosts a kick up the backside.Sisters Vera and Nadezhda must aside a lifetime of feuding to save their émigré engineer father from voluptuous gold-digger Valentina. With her proclivity for green satin underwear and boil-in-the-bag cuisine, she will stop at nothing in her pursuit of Western wealth.But the sisters' campaign to oust Valentina unearths family secrets, uncovers fifty years of Europe's darkest history and sends them back to roots they'd much rather forget . . . .

    Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on narratives of Gaelic Ireland, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.

    Despite his obvious intelligence and compelling voice, it is clear that something about solitary, odd Mike is not quite right. When he becomes fixated on a classmate named Jennifer Arkland and she goes missing, we are left with the looming question: Is Mike Engleby involved? As he grows up, finding a job and even a girlfriend in London, Mike only becomes more and more detached from those around him in an almost anti-coming-of-age. His inability to relate to others and his undependable memory (able to recall countless lines of text yet sometimes incapable of summoning up his own experiences from mere days before) lead the reader down an unclear and often darkly humorous path where one is never completely comfortable or confident about what is true.Mike Engleby is a chilling and unforgettable character, and Engleby is a novel that will surprise and beguile Sebastian Faulks' readership.

    Here is their story as re-imagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. We follow the mismatch'd pair—one rollicking, the other depressive; one Gothic, the other pre-Romantic—from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back, through the strange yet redemptive turns of fortune in their later lives, on a grand tour of the Enlightenment's dark hemisphere, as they observe and participate in the many opportunities for insanity presented them by the Age of Reason.

    That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner-party tip from Mrs Algernon Smith, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. One of Evelyn Waugh's most exuberant comedies, "Scoop" is a brilliantly irreverent satire of "Fleet Street" and its hectic pursuit of hot news.