Heralded as "The best new musical of the season," by the Wall Street Journal, and "Sumptuous. Gorgeous. As good as it gets," by The New York Times, this show is the breakout hit of 2019, and is positioned to be a longtime Broadway favorite with its poignant social commentary, to the tune of spellbinding music and lyrics.   In this book, Anais Mitchell takes readers inside her more than decade's-long process of building the musical from the ground up--detailing her inspiration, breaking down the lyrics, and offering thoughtful annotations of Hadestown. Fans of the musical will love this deeply thoughtful, revealing, and open look at how the songs from “the underground” evolved and became what they are today.

    Unexpected news to him – but not to the mysterious Mr Campion, who reveals that the ancient Chalice entrusted to Val’s family is being targeted by a ruthless ring of thieves. Fleeing London for the supposed safety of Suffolk, Val and Campion come face to face with events of a perilous and puzzling nature – Campion might be accustomed to outwitting criminal minds, but can he foil supernatural forces? Police at the Funeral The tranquility of Cambridge is punctured when Cousin Andrew of the illustrious Faraday family disappears without a trace. No time is wasted in summoning Albert Campion and his sleuthing skills away from the bustle of Piccadilly to investigate – but little does he expect to be greeted by a band of eccentric relatives all at daggers with each other. Soon there are as many dead bodies as there are red herrings, and Campion must uncover the secrets of the Faraday dynasty before another victim falls… Sweet Danger Nestled along the Adriatic coastline, the kingdom of Averna has suddenly – and suspiciously – become the hottest property in Europe, and Albert Campion is given the task of recovering the long-missing proofs of ownership. His mission takes him from the French Riviera to the sleepy village of Pontisbright, where he meets the flame-haired Amanda Fitton. Her family claim to be the rightful heirs to the principality, and insist on joining Campion’s quest. Unfortunately for them, a criminal financier and his heavies are also on the trail – the clock is ticking for Campion and his cohorts to outwit the thugs and solve the mystery of Averna. “Don’t start reading these books unless you are confident that you can handle addiction.” The Independent

    When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse.Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades.With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself.'A drama-filled page turner' - Ita Buttrose AO OBE'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter

    Meeting with cruelty wherever he goes, and increasingly desperate and vengeful, he determines to track down his creator and strike a terrifying deal.I followed nature into her lair, and stripped her of her secrets! I brought torrents of light to a darkening world! Is that wrong?Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.Mary Shelley's Frankenstein, adapted for the stage by Nick Dear, premiered at the National Theatre, London, in February 2011.