Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Susan Bordo probes the complexities of one of history's most infamous relationships.Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and reimagined Anne: whore, martyr, cautionary tale, proto-"mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

    But this was far from the only difference between him and his predecessors. Neither of the previous Georges was faithful to his wife, nor to his mistresses. Both hated their own sons. And, overall, their children were angry, jealous, and disaffected schemers, whose palace shenanigans kick off Hadlow's juicy narrative and also made their lives unhappy ones.Pained by his childhood amid this cruel and feuding family, George came to the throne aspiring to be a new kind of king—a force for moral good. And to be that new kind of king, he had to be a new kind of man. Against his irresistibly awful family background—of brutal royal intrigue, infidelity, and betrayal—George fervently pursued a radical domestic dream: he would have a faithful marriage and raise loving, educated, and resilient children.The struggle of King George—along with his wife, Queen Charlotte, and their 15 children—to pursue a passion for family will surprise history buffs and delight a broad swath of biography readers and royal watchers.

    Between the death of Queen Victoria and the end of the Second World War, the nation was shaken by war and peace. The two wars were the worst we had ever known and the episodes of peace among the most turbulent and surprising. As the political forum moved from Edwardian smoking rooms to an increasingly democratic Westminster, the people of Britain experimented with extreme ideas as they struggled to answer the question "How should we live?" Socialism? Fascism? Feminism? Meanwhile, fads such as eugenics, vegetarianism, and nudism were gripping the nation, while the popularity of the music hall soared. It was also a time that witnessed the birth of the media as we know it today and the beginnings of the welfare state. Beyond trenches, flappers, and Spitfires, this is a story of strange cults and economic madness, of revolutionaries and heroic inventors, sexual experiments and raucous stage heroines. From organic food to drugs, nightclubs and celebrities to package holidays, crooked bankers to sleazy politicians, the echoes of today's Britain ring from almost every page.

    His monumental decision to split from Rome and the Catholic Church was one that would forever shape the religious and political landscape of Britain.Combining magnificent storytelling with an extraordinary grasp of the pleasures and perils of power, Margaret George delivers a vivid portrait of Henry VIII and Tudor England and the powerhouse of players on its stage: Thomas Cromwell, Cardinal Wolsey, Thomas More and Anne Boleyn. It is also a narrative told from an original perspective: Margaret George writes from the King's point of view, injecting irreverent comments from Will Somers - Henry's jester and confidant.

    Dominated by war, conquest, and the struggle to balance the stability brought by royal power with the rights of the governed, it was a period that put into place the foundation of much of the world we know today.Taught by Professor Jennifer Paxton, an honored scholar and award-winning teacher at Georgetown University and The Catholic University of America, The Story of Medieval England's 36 lectures feature a level of detail and attention to key figures that set this course apart from those with a more narrow focus.

    Drawing on a variety of sixteenth-century sources such as manuscripts, household accounts, chronicles and personal letters, Victoria Sylvia Evans explores the role of ladies-in-waiting at the Tudor court.- What responsibilities did ladies-in-waiting and maids of honour have?- What was required to be selected as a lady-in-waiting?- What did an ordinary day at court look like?- What role did ladies-in-waiting play in the fall of Anne Boleyn and Katherine Howard?- Who are some of the most famous ladies to have served the Tudor queens?These and many other topics are covered in Ladies-in-Waiting: Women Who Served at the Tudor Court.

    W. Bernard offers a fresh portrait of one of England’s most captivating queens. Through a wide-ranging forensic examination of sixteenth-century sources, Bernard reconsiders Boleyn’s girlhood, her experience at the French court, the nature of her relationship with Henry, and the authenticity of her evangelical sympathies.He depicts Anne Boleyn as a captivating, intelligent, and highly sexual woman whose attractions Henry resisted for years until marriage could ensure legitimacy for their offspring. He shows that it was Henry, not Anne, who developed the ideas that led to the break with Rome. And, most radically, he argues that the allegations of adultery that led to Anne’s execution in the Tower could be close to the truth.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A Chingford housewife endures the tribulations of rationing; a retired schoolteacher observes during a royal visit how well-fed the Queen looks; a pernickety civil servant in Bristol is oblivious to anyone's troubles but his own. An array of working-class witnesses describe how life in post-war Britain is, with little regard for liberal niceties or the feelings of their 'betters'. Many of these voices will stay with the reader in future volumes, jostling alongside well-known figures like John Arlott (here making his first radio broadcast, still in police uniform), Glenda Jackson (taking the 11+) and Doris Lessing (newly arrived from Africa, struck by the levelling poverty of postwar Britain. David Kynaston weaves a sophisticated narrative of how the victorious 1945 Labour government shaped the political, economic and social landscape for the next three decades.Deeply researched, often amusing and always intensely entertaining and readable, the first volume of David Kynaston's ambitious history offers an entirely fresh perspective on Britain during those six momentous years.

    For six years it was in the front line of the free world's battle. It endured the horrors of the blitz of 1940 and 1941, and the terrifying new bombs - the V2s, the V2s. Other cities suffered more intensely; no other city was so consistently under attack for so long a time.This is the story of Londoners at war - for Philip Ziegler, best known as a biographer, is above all fascinated by the people who found their lives so suddenly and violently transformed: the querulous yet strangely gallant housewife from West Hampstead; the turbulent, left-wing, retired schoolmaster from Walthamstow, always standing up to the authorities; the odiously snobbish woman from Kensington, sneering at the 'scum' who took shelter in the Underground; the typist from Fulham; the plumber from Woolwich. It was their war every bit as much as it was Churchill's or the King's, and this is their story.Through a wealth of interviews and unpublished letters and diaries, as well as books and newspapers, the author has built up a dazzling portrait of an entire population under siege. There were cowards, there were criminals, there were incompetents, but what emerges from these pages is above all a record - in story after story - of astonishing patience, dignity, courage and humour. "I hope," Ziegler writes, "we will never have to endure again what they went through between 1939 and 1945. I hope, if we did, that we would conduct ourselves as well."

    Although his scandalous liaisons with prostitutes and duchesses, a "secret" marriage to his true love - the Catholic Mrs. Fitzherbert - and a publicly ridiculed (bigamous) marriage to Caroline of Brunswick threatened to eclipse his contributions to British history, Saul David's engrossing biography Prince of Pleasure shows a man of high intelligence and political ambition. His actions reflected the ambivalent relationship of the monarchy to Parliament at a time when the nation was infected by revolution fervor in America and France. The participation of George IV in public affairs had enduring positive influences. His support for overseas campaigns against Napoleon, culminating in such historic victories as Trafalgar and Waterloo, consolidated Britain's status as the preeminent world power amid the great social and economic upheavals of the industrial revolution. His passion for the arts left England with cultural legacies such as the Royal Pavilion in Brighton, Regent's Park and the National Portrait Gallery in London, and the defining architectural image of Regency style. At once farce, tragedy, and melodrama, the story of George IV is depicted with artistry and great force, introducing a cast of contemporary figures such as Beau Brummell, Lord Byron, and Jane Austen.

    For all of the duke's boasts that Eleanor has the brains of a man and the soul of a warrior, everyone knows that a girl of fifteen cannot possibly hold the richest dukedom in France. Everyone, that is, except her dying father, who insists on leaving Eleanor his most valuable provinces---and making her prey to the first baron who rides in to kidnap her. Eleanor, though, is not content to sit idly by and let herself become a victim, and devises a plan to marry the heir to the throne of France. While her alliance to Louis VII may be a dazzling one, her husband is a cautious man whose wit and courage do not always match Eleanor's own, and she ultimately finds herself seeking an even greater match with Henry II of England. Sweeping from the courts of Paris to the perils of the Crusades, Duchess of Aquitaine gloriously illuminates the life of one of the most powerful, resourceful, and fascinating women in all of history.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    When Alais arrives in the land of her father’s enemies, she is welcomed by the beautiful and powerful queen, Eleanor of Aquitaine. Eleanor, the richest and most influential woman in Europe, sees a kindred soul in the young French princess. Intrigued by the girl’s strength and fire, Eleanor adopts Alais as her protégée, teaching the girl what it takes to be a woman of power in a world of men. But Eleanor and Alais’ love for each other is threatened when the capricious and imperious King Henry meets the lovely young princess. Fascination with the king draws Alais deep into political intrigue, and she soon discovers what Eleanor is prepared to do to retain her position as queen. Alais, the one-time pawn, takes ruthless action of her own, as the two women become rivals both for the king’s love and the throne of England itself.

    In The Sisters of Henry VIII, Maria Perry brings history alive by examining the lives of these extraordinary women and their influence on Europe in the Tudor Age. Margaret became queen of Scotland at age thirteen; family members arranged beautiful Mary's betrothal to the aging king of France when she was twelve. But both women chose their second husbands for love: Margaret married and divorced twice after Henry's advancing armies slaughtered her first husband and kidnapped her children; Mary risked execution by proposing to the handsome duke of Suffolk. Groundbreaking in both depth and scope, Perry's work rescues two remarkable princesses from the shadows of history and offers a fresh interpretation of a royal family and an era sure to fascinate readers of Alison Weir and Antonia Fraser.