It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's young protagonist, Vincent de l'Etoile. In the summer of 1916, the emotionally precocious Vincent, who is the same age as the century, awakens to the possibilities of both erotic and platonic love. In the course of one week-at literary salons, at the Ritz, in cork-lined rooms-Vincent launches an intense friendship with the celebrated Proust, while at his parents' house in Paris he embarks on a sensual journey with Arthur Vales, the soldier son of a family servant, on leave from the front. Unknowingly, Vincent is also beginning a passage into a manhood that will be haunted by the secret he uncovers behind the love he bears for a doomed French infantryman and a famous middle-aged Jewish writer.

    His mother tells him he'll be a star one day. 'Twinkle, twinkle,' she says, giving his hair a ruffle.Not everyone shares Julian's dreams of stardom. Television is too much like hairdressing for his father's tastes. A Tasmanian man wants a son for sporting purposes. 'Boys don't like dolls,' he tells Julian, 'They like Dinky Toys.' Not this boy, thinks Julian, who knows better than to tell the truth.Besides, the family already has a sporting hero, Julian's sister Carmel aka 'The Locomotive'. Julian likes his sister, but knows better than to tangle with her bowling arm. It's the same one she uses for punching.Julian Corkle is a Filthy Liar is the ultimate feel-good novel, a book that will have the reader laughing out loud on the back of a bus as it follows Julian's bumpy journey through adolescence, fibbing his way through school and a series of dead-end jobs, to find his ultimate calling as creator of ‘The Hog.’ It's as if Crocodile Dundee has crashed Muriel's wedding and run off into the desert with Priscilla.

    His marriage is over and he is alone, teaching poetry as a visiting professor in Montana and continuing to avoid actually writing himself. He drinks to oblivion every night.At this freezing college, in the dead of winter, Winslow meets Erika, one of his poetry students. What begins with office hours and Jim Beam in paper cups becomes a road trip as they travel through Utah and Arizona. Long haunted by thoughts of death, both Erika and Winslow begin to glimpse the power life can hold if they will only open up to the shame, beauty, and heartbreak of it all.

    Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted.But Peter’s life post-transplant isn’t what either of them expected. Though he once had feelings for Sophie too, he’s now drawn to Chase, the guitarist in a band that happens to be looking for a keyboardist. And while neglected parts of Sophie’s world are calling to her—dance opportunities, new friends, a sister and niece she barely knows—she longs for a now-distant Peter more than ever, growing increasingly bitter he doesn’t seem to feel the same connection.Peter fears he’ll forever be indebted to her. Sophie isn’t sure who she is without him. Then one blurry, heartbreaking night twists their relationship into something neither of them recognizes, leading them to question their past, their future, and whether their friendship is even worth fighting for.

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    He has a crappy job at Food World, a "boyfriend" who won't publicly acknowledge his existence (maybe because Pablo also has a girlfriend), and parents on the verge of a divorce. College is Dade's shining beacon of possibility, a horizon to keep him from floating away. Then he meets the mysterious Alex Kincaid. Falling in real love finally lets Dade come out of the closet - and, ironically, ignites a ruthless passion in Pablo. But just when true happiness has set in, tragedy shatters the dreamy curtain of summer, and Dade will use every ounce of strength he's gained to break from his past and start fresh with the future.

    And he never will be. But if he isn’t a real Avery, then who is he?Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.At the mercy of fortune and coincidence, he will spend a lifetime coming to know himself and where he came from – and over his three score years and ten, will struggle to discover an identity, a home, a country and much more.In this, Boyne's most transcendent work to date, we are shown the story of Ireland from the 1940s to today through the eyes of one ordinary man. The Heart's Invisible Furies is a novel to make you laugh and cry while reminding us all of the redemptive power of the human spirit.

    Selected and introduced by Joseph Parisi, former longtime editor of Poetry magazine, this brilliant collection brings together the greatest poems by all the classic authors, along with the choicest works by today's most accomplished artists in America and abroad. From W. H. Auden and T. S. Eliot to John Ashbery and A. R. Ammons; Elizabeth Bishop and Marianne Moore to Sylvia Plath and Mary Oliver; Robert Frost and W. B. Yeats to Allen Ginsberg and Thom Gunn, this comprehensive anthology features the poems that have best expressed the spirit of our times and helped create modern culture. In addition to such ground-breaking works as "The Love Song of J. Alfred Prufrock" and "Howl," Mr. Parisi has included the incisive social satire and whimsical wordplay of such wits as Dorothy Parker, Ogden Nash, and Frank O'Hara. Among contemporary poets in the book are Seamus Heaney, Jane Kenyon, Rita Dove, Sharon Olds, Paul Muldoon, Adrienne Rich, and the redoubtable Billy Collins, all of whom have already achieved wide popular acclaim for poems that speak compellingly about modern life and the perennial concerns of the human heart. Mr. Parisi provides a general introduction to the book and introduces each poem with a brief biographical and critical note. For anyone who wishes to discover or to re-experience the most important and vital poems of our time, 100 Essential Modern Poems is, quite simply, indispensable.

    At least not until he was abandoned by his partner of fifteen years and suddenly thrust into a dating scene with men half his age and no discernible trace of love handles. But this unexpected hole in his life inspires Joel's search for a 1964 edition ofan Esquire-like magazine that contained a swimsuit ad that obsessed and haunted him throughout his youth. Determined to find out what happened to the model shown in the ad, Joel slowly begins to understand what has happened to his own life. Sexy, smart, and deftly observed, Man About Town is a new twist on the idea that the personal is political and a must read for anyone who's ever wondered what happened to that first crush.

    And when he comes home from National Service to be a policeman, Marion, a newly qualified teacher, is determined to win him. Unable to acknowledge the signs that something is amiss, she plunges into marriage, sure that her love is enough for both of them...But Tom has another life, another equally overpowering claim on his affections. Patrick, a curator at the Brighton Museum, is also besotted with his policeman, and opens Tom's eyes to a world previously unknown to him. But in an age when those of 'minority status' were condemned by society and the law, it is safer for this policeman to marry his teacher. The two lovers must share him, until one of them breaks and three lives are destroyed.Unfolding through the dual narratives of Marion and Patrick, both writing about the man at the centre of their lives, this beautifully-told, painful, tragic story is revealed.It is a tale of wasted years, misguided love and thwarted hope, of how at a time when the country was on the verge of change so much was still impossible.Bethan Roberts has produced an intense and exquisitely raw yet tender novel, which proves her to be one of our most exciting young writers.

    Scott Faraday is 16, gregarious, talented, never been in a relationship, and is out to only a select few. Ryan St. Charles is 17, hot-tempered, has already has been in a long relationship, yet is barely out to himself. Behind Ryan's carefully fashioned façade is emotional scarring from a past he's never been able to reconcile. When he comes to live with his uncle in Yucca Valley, CA, he meets Scott. An unlikely pair, the boys form a tentative friendship. When Scott starts to suspect that Ryan might be gay, he plans his coming out to him. The result is that he transforms their friendship into his first real relationship. Then, Ryan's hidden past comes into view. Scott is not at all prepared for what he discovers: suicide attempts, past abuse, and loads of denial. Tightly focused on their new relationship, Desert Sons follows these two teenagers as they plunge headlong through a summer that will forever change them both.

    Reily, a gay man living contentedly in South Carolina, never expects to find himself raising a child. But when his sister and her husband die in an accident, their will makes him guardian of their infant son.

    Told entirely through interviews, e-mails, fan magazine puff pieces, film reviews, shooting scripts, greeting cards, extortion notes, and court depositions, this is a hilarious account of the on-again, off-again career of Viola Chute, the B-grade sex symbol who slept her way to the middle-and slid downward from there. After making a big comeback on a nighttime soap, Viola decides it's time to pen her memoirs. But when E. Manfred Harry, her ghostwriter, turns up some serious dirt, the bitch goddess fires him. The ever-resourceful Harry turns the book into an unauthorized tell-all biography, and Viola's star once again begins its descent... Will she be asked back for a second season? Will she make Celebrity Magazine's "Best-Dressed" list again this year? Will her agent ever return her calls? Praise for Robert Rodi: "Rodi whips action around faster than Julia Child working up a souffle." (The Fort Lauderdale Sun-Sentinel) "Irrestibly funny!" (Quentin Crisp)

    Called back to the family restaurant—Vanucci’s—sabotage and betrayal welcome the handsome and charming Alfonso home. Companionship wasn’t part of the plan, and love was an impossibility. But, Alfonso’s heart is smarter than his head when it comes to what he needs in life, and what he needs is Michael. Now, his greatest challenge is that of new love… one that demands he come out to his family. At only eighteen years old with a mom barely older than him, Michael Chellum knows a runner when he sees one. He’s lived with one all his life—and Alfonso Vanucci is a runner. Giving Alfonso his heart is a heartbreak waiting to happen. But, Michael’s mother is missing, and Michael’s on his own. He must learn to let others in and trust them with his vulnerabilities… or risk becoming an island of one, alone in the world without anyone to catch him if he falls. Alfonso never meant to fall in love with Michael, and Michael never meant to let himself rely on Alfonso. But, together, through reinvention, hard work, and love, Alfonso and Michael fight to save Vanucci’s and each other. To fail would mean losing everything…. This is a 67,000 word, M/M novel with a happily ever after. It includes genuine romance and explicit sex between two men.

    Well, I tell you this: 'Prickly race, who know nothing except how to eat out your hearts with envy, you don't eat cunt'... Edited by Sylvere Lotringer and published in 1991, this handy, pocket-sized collection of some early and not-so-early work by the mistress of gut-level fiction-making, Hannibal Lecter, My Father gathers together Acker's raw, brilliant, emotional and cerebral texts from 1970s, including the self-published 'zines written under the nom-de-plume, The Black Tarantula. This volume features, among others, the full text of Acker's opera, The Birth of the Poet, produced at Brooklyn Academy of Music in 1985, Algeria, 1979 and fragments of Politics, written at the age of 21. Also included is the longest and definitive interview Acker ever gave over two years: a chatty, intriguing and delightfully self-deprecating conversation with Semiotext(e) editor Sylvere Lotringer--which is trippy enough in itself as Lotringer, besides being a real person, has appeared as a character in Acker's fiction. And last, but not least, is the full transcript of the decision reached by West Germany's Federal Inspection Office for Publications Harmful to Minors in which Acker's work was judged to be not only youth-threatening but also dangerous to adults, and subsequently banned. Acker is the sort of the writer that should be read first at 16, so that you can spend the rest of your life trying to figure her out; she confuses, infuriates, perplexes and then all of a sudden the writing seems to be in your bloodstream, like some kind of benign virus. She's definitely not for the easily offended--but then, there are worse things in life than being offended. Such as the things that Acker writes about...