With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    A collection of stories by Sandra Cisneros, the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom.

    In this down and dirty debut she draws vivid portraits of bad people in worse places. A woman struggles to survive her boyfriend's terror preparations. A wife finds that the key to her sex life lies in her dog’s electric collar. Two teenagers violently tip the scales of their friendship. A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.

    For Hemingway fans The Complete Short Stories is an invaluable treasury.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    The stories in Thomas Pierce’s Hall of Small Mammals take place at the confluence of the commonplace and the cosmic, the intimate and the infinite. A fossil-hunter, a comedian, a hot- air balloon pilot, parents and children, believers and nonbelievers, the people in these stories are struggling to understand the absurdity and the magnitude of what it means to exist in a family, to exist in the world. In “Shirley Temple Three,” a mother must shoulder her son’s burden—a cloned and resurrected wooly mammoth who wreaks havoc on her house, sanity, and faith. In “The Real Alan Gass,” a physicist in search of a mysterious particle called the “daisy” spends her days with her boyfriend, Walker, and her nights with the husband who only exists in the world of her dreams, Alan Gass.  Like the daisy particle itself—“forever locked in a curious state of existence and nonexistence, sliding back and forth between the two”—the stories in Thomas Pierce’s Hall of Small Mammals are exquisite, mysterious, and inextricably connected. From this enchanting primordial soup, Pierce’s voice emerges—a distinct and charming testament of the New South, melding contemporary concerns with their prehistoric roots to create a hilarious, deeply moving symphony of stories.

    . . A woman in an arranged marriage struggles to connect with the son she hid from her husband for years . . . A well-meaning sister unwittingly reunites an abuser with his victims . . . Through the lives of an indelible array of individuals--musicians, housewives and pastors, children and grandparents, the men and women who own the dry cleaners and the mini-marts--Yoon Choi explores the Korean American experience at its interstices: where first and second generations either clash or find common ground; where meaning falls in the cracks between languages; where relationships bend under the weight of tenderness and disappointment; where displacement turns to heartbreak. Suffused with a profound understanding of humanity, Skinship is, ultimately, a searing look at the failure of intimacy to show us who the people we love truly are.

    His wide-ranging, acclaimed stories from the last two decades, from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner award-winning War Dances, have established him as a star in modern literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases all his talents in his newest collection, Blasphemy, where he unites fifteen beloved classics with fifteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including "What You Pawn I Will Redeem," "This is What it Means to Say Phoenix, Arizona,” "The Toughest Indian in the World,” and "War Dances.” Alexie’s new stories are fresh and quintessential—about donkey basketball leagues, lethal wind turbines, the reservation, marriage, and all species of contemporary American warriors.An indispensable collection of new and classic stories, Blasphemy reminds us, on every thrilling page, why Sherman Alexie is one of our greatest contemporary writers and a true master of the short story.

    An outsider builds a gingerbread house at the edge of an English village. A woman is seduced into buying special-offer babies at the supermarket. A father is reminded of his son as he watches the rescue of a group of Chilean miners. A little boy attempts to engineer a happily ever after following the death of his sister. With psychological insight and a lightness of touch frequently found in fairy tales, Bray delves under the surface of ordinary lives to explore loss, disappointment, frustrated expectations and regret. Described as ‘not just excellent, but significant,’ by poet and critic Robert Sheppard, these dark and lyrical stories illuminate extraordinary and everyday occurrences with humanity and humour.

    McBride explores the ways we learn from the world and the people around us. An antiques dealer discovers that a legendary toy commissioned by Civil War General Robert E. Lee now sits in the home of a black minister in Queens. Five strangers find themselves thrown together and face unexpected judgment. An American president draws inspiration from a conversation he overhears in a stable. And members of The Five-Carat Soul Bottom Bone Band recount stories from their own messy and hilarious lives.

    Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.The Collected Stories is a 1994 National Book Award Finalist for Fiction.

    Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past when a renowned Romanian violinist plays a concert in their home. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith. In an unnamed country, a composer records the folk songs of two women from a village on the brink of destruction. These transporting, deeply moving stories—some inspired by her own family history—amply demonstrate Makkai’s extraordinary range as a storyteller, and confirm her as a master of the short story form. “Richly imagined.” —Chicago Tribune   “Impressive.” —O, The Oprah Magazine   “Engrossing.” —Minneapolis Star-Tribune   “Inventive.” —W Magazine