For history and biography lovers, the 15th-century life and travels of the extraordinary Margery Kempe, who left her family to make a pilgrimage to the Holy Land.

    S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money.

    Elizabeth Romer chronicles each season's activities month by month: curing prosciutto and making salame in January, planting and cheesemaking in March, harvesting and threshing corn in July, hunting for wild muchrooms in September, and grape crushing in Ocober. Scattered throughout this lovely calendar are recipes—fresh bread and olive oil, grilled mushrooms, broad beans with ham, trout with fresh tomatoes and basil, chicken grilled with fresh sage and garlic, and apples baked with butter, sugar, and lemon peel, among many others. Alive with the rhythms of country tradition, The Tuscan Year is a treasure for the armchair traveler as well as the cook.

    Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelation.

    She writes about four such women in The Wilder Shores Of Love — Isabel Burton (who married the Arabist and explorer Richard), Jane Digby el-Mezrab (Lady Ellenborough, the society beauty who ended up living in the Syrian desert with a Bedouin chieftain), Aimée Dubucq de Rivery (a French convent girl captured by pirates and sent to the Sultan's harem in Istanbul), and Isabelle Eberhardt (a Swiss linguist who felt most comfortable in boy's clothes and lived among the Arabs in the Sahara).They all escaped from the constraints of nineteenth century Europe and fled to the Middle East, where they found love, fulfillment, and “glowing horizons of emotion and daring”. Blanch’s first, bestselling book, it pioneered a new kind of group biography focusing on women escaping the boredom of convention.

    Collects French recipes for everyday dishes and gourmet meals prepared by Clementine, a Burgundian cook for the Chamberlain family living first in post-World War II France, then in Massachusetts.

    As Salzman recalls coming of age with one foot in Connecticut and the other in China (he wanted to become a wandering Zen monk), he tells the story of a teenager trying to attain enlightenment before he's learned to drive.

    First published in 1912, The Sea and the Jungle remains one of the most popular accounts of a traveler's experience in Amazonia. As Peter Matthiessen observed fifty years later, " The Sea and the Jungle is one of the few level-headed works in the literature of this region. . . . accurate and difficult to improve upon."

    Jackson Bate delves deep into the character that formed Johnson's awesome intellect and fueled his prodigious output. The first great modern biography of Johnson, it confirms that his statements and judgments on literature, politics, religion, behavior - on all human experience - are as relevant in our age as when they were first uttered. This new edition brings a modern classic back into print and includes a new preface from the author.

    Voices of the Old Sea describes his three successive summers in that almost medieval community where life revolved around the seasonal sardine catches, Alcade's bar, and satisfying feuds with neighboring villages. It's lucky Lewis was there when he was. Soon after, Spain was discovered by its neighbors in a more prosperous northern Europe, and the tourist tide that ensued flowed inexorably over the old ways of the town and its inhabitants.

    Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.

    But he never forgot the magic of his Provencal childhood, and when he set his memories to paper late in life the result was a great new success. My Father's Glory and My Mother's Castle appeared on the scene like a fresh breeze, captivating readers with its sweet enchantments. Pagnol recalls his days hunting and fishing in the hill country, his jaunts about Marseilles, his schoolboy diversions, and above all his family: his anticlerical father and sanctimonious uncle, his mild and beautiful mother, and many others. This bright and lively book sparkles with the charm and magic that were Marcel Pagnol's own.

    Drawing on his father's recollections and on the memories of those who worked with him, John Lahr brilliantly examines the history of modern American show business through the long and glorious career of his father--the raucous low-comic star of burlesque, vaudeville, the Broadway revue and musical, Hollywood movies, and the legitimate stage. Here in rich detail is Lahr evolving from low--dialect comic to Ziegfeld Follies sophisticate, hamming it up with the Scarecrow and Tin Woodsman on the set of The Wizard of Oz, and debuting Samuel Beckett's Waiting for Godot in America, which Kenneth Tynan called "one of the most noble performances I have ever seen." In the examination of Bert Lahr's chronic insecurity and self-absorption, the breakdown of his first marriage, and the affectionate arm's length he kept between himself and his adoring second family, John Lahr's book also brings the reader closer than any other theater biography to the private torment of a great funny man. This edition of the book includes the award-winning essay "The Lion and Me," John Lahr's intimate reflections on family life with his distant, brooding, but lovable father. A first-class stylist, John Lahr takes the reader beyond the magic of show business to a dazzling examination of how a performing self is constructed and staged before the paying customers. Both as theater history and biography, Lahr's book is superb.

    If you are disturbed by the idea that to grow up is to learn to live with disillusionment, if you are fascinated by the perplexity of child-rearing, or if you fear you were more creative as a child, The Beast in the Nursery offers an illuminating and possibly life-changing experience.     In four interrelated essays, Adam Phillips arrives at startling new insights into issues that preoccupied Freud, showing in the process that far from having lost its relevance, psychoanalysis is still one of our most incisive tools for the exploration of the human psyche and its possibilities.  Phillips transforms the genre of the essay into an instrument for intellectual investigation of the most absorbing kind.

    Beckwith's narrative describing island life is filled with humor, surprise, affection, and keen observance. Originally published in 1959.