Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    During its 31 year run, it was enormously popular with the public and with many writers, artists, and intellectuals of the time. An innovative cartoon masterpiece and the first major biographical work on the artist himself.

    Avenger. Terrible at relationships. Kate Bishop, Hawkeye: Adventurer. Young Avenger. Great at parties.Matt Fraction, David Aja and an incredible roster of artistic talent hit the bull's eye with your new favorite book, pitting Hawkguy and Katie-Kate - not to mention the crime-solving Pizza Dog - against all the mob bosses, superstorms and mystery redheads they can throw at them.Five Eisner Award nominations and two wins, bro!Collecting: Hawkeye 1-11 & Young Avengers Presents 6

    J-kun, a dog person, was coerced into adopting two cats by his fiancee A-ko: Muu, a Norwegian cat, and Yon who has an accursed face. Much to the chagrin of J, the cats do not immediately love him. The difference between fear and comedy is paper thin. Here's a cat comedy from a horror manga author.

    This moment and her relationship with the pug led her to begin chronicling her adventures with Mochi in a series of webcomics that have gained a social media following of half a million loyal readers. The comics chronicle Mochi’s life from puppyhood to adulthood, featuring Mochi's unrequited dog friendships, his jealousy of his two dog-brothers, and his love of food.

    It lampoons role playing games and the fantasy genre itself in hilarious fashion weekly on the internet, and now even the technophobic can enjoy their antics in convenient book format.Strips #1-120, plus 18 new comics and author commentaries.

    Raymond Briggs' now famous bestselling comic cartoon book depicts the effects of a nuclear attack on an elderly couple in his usual humorous yet macabre way.

    Learn the hairy one's brave struggles with eating disorders, casual cannibalism, pop culture, and philosophical quandaries. In this crazed mutant graphic novel, Graham Roumieu gives us a portrait of the artist as a young ape that will leave the reader howling with laughter.

    The comics in this book were made over a two-year period that seems to consist of constant winter. They were drawn to the tune of the radiator's hum.

    They fought for all that was good in the world. They were kind, generous and self-sacrificing. They were heroes. These are not those heroes. Meet Hawkeye: ladies man ("ladies man" because the ladies love to hate this man), mighty marksman and, most importantly, Avenger. He's the only guy on the team without any powers, though. Then there's Deadpool (Mr. Deadpool to you), the regeneratin' degenerate. You can shoot him, stab him, and punch him right in his face, but nothing can keep the Merc with a Mouth down. What do they have in common? Halloween in Brooklyn, and a S.H.I.E.L.D. espionage mystery that has both heroes racing the clock! But will Deadpool and Hawkeye kill each other before they figure it out?Collecting: Hawkeye vs. Deadpool 0-4

    . . welcome to another year in the life of the never-a-dull-moment McPherson family. While sister Zoe and brother Hammie's budding sibling rivalry reaches new heights (and volumes), baby Wren is making great strides of her own. With the advent of "the climbing phase" no coffee table, countertop, or bookshelf is too high.For years, the team of Rick Kirkman and Jerry Scott have given readers a too-funny-to-be-true, too-real-not-to-be insider's view of the American dream. They get the details and dilemmas so right, in fact, that it's a wonder they haven't been indicted for domestic surveillance.

    Smelling your cats. Figuring out how to spend your evening when the internet has suddenly stopped working. Relationships are full of sweet and quirky little moments! Sarah Graley’s first collection of the hit diary webcomic Our Super Adventure chronicles two years of these strange, relatable instances, as she navigates life with four cats and one cat-like boy. Whether it’s that feeling of getting the entire bed when your partner gets up before you, or the heartbreaking realisation that the love of your life has burned the microwave popcorn, Press Start To Begin documents all the weird little everyday flashes of shared absurdity that make up a relationship.