Hoffmann published his first book of photographs in 1919, following his work as an official photographer for the German army. In 1920 he joined the Nazi Party, and his association with Hitler began.He became Hitler's official photographer and traveled with him extensively. He took over two million photographs of Hitler, and they were distributed widely, including on postage stamps, an enterprise that proved very profitable for both men. Hoffmann published several books on Hitler in the 1930s, including The Hitler Nobody Knows (1933). Hoffmann and Hitler were very close, and he acted not only as a personal confidante - his memoirs include rare details of the F�hrer - but also as a matchmaker - it is Hoffmann who introduced Eva Braun, his studio assistant, to Hitler.At the end of the war, Hoffmann was arrested by the US military, who also seized his photographic archive, and was sentenced to imprisonment for Nazi profiteering.This edition of a classic book includes photographs by Hoffmann and a new introduction by Roger Moorhouse.

    Until his death in 2005, he taught languages to ghetto kids, heads of industry and movie stars in a matter of days, succeeding even with people who considered themselves hopeless linguists. To those who have been taught by him, he seemed to be a miracle worker with a magical gift for unlocking the secret powers of the mind.This unique understanding was gained under extreme circumstances. Stateless in Vichy France at the beginning of the Second World War, he was incarcerated and starved in a concentration camp at the foot of the Pyrenees. Forced into slave labour in a coal mine in Provence, he avoided being sent to Auschwitz by hiding within the confines of a deportation camp for six weeks.He escaped death to join the Secret Army of the Resistance. He was arrested and interrogated by Klaus Barbie, Butcher of Lyon, whom he deceived into releasing him, and was later re-arrested by the French Gestapo and tortured. He held out by entering a psychological state in which he no longer registered pain and after six hours of torture, his tormentors threw him into a cell and he survived to re-join the Resistance. After the Allies invaded France he joined the American forces, fought his way into Germany and was with the troops who liberated Dachau. He personally interrogated the camp’s hangman and oversaw his handwritten confession.At the end of the war he became a Nazi-hunter. Working for American Counter Intelligence he posed as a Nazi himself to infiltrate and expose underground networks of SS men dedicated to the return of a Fourth Reich.In spite of the fact that his entire family had been murdered in Auschwitz, and many close friends killed in combat, at the very end of the war he staged an elaborate gala evening in Munich which he called a Reconciliation Concert. Using German musicians, and in defiance of strict Allied non-fraternisation laws, he brought friend and foe together in the belief that there had to be a different and better future.Author Christopher Robbins has dug deep to explore and substantiate the details of the Michel Thomas story. He has authenticated every episode through camp records, Vichy documents, Resistance papers, US Army reports and hundreds of hours of interviews with this extraordinary man. The result is one of the most inspirational stories of the 20th century.

    In this remarkable narrative, the life of Auschwitz's Angel of Death is told in counterpoint to the lives of the survivors, who until now have kept silent about their heinous death-camp ordeals.

    In the space of a few nightmarish weeks that all changed as the French and their British allies were crushed and eight million people fled their homes. Richard Vinen's new book describes the consequences of that defeat. It does so not by looking at political leaders in Vichy or Paris or London but rather at those who were caught up in daily horrors of war. It describes the fate of a French prisoner of war who was punished because he wrote a love letter to a German woman, and the fate of a French woman who gave birth to a German-fathered child as the Americans landed in Normandy. It describes the 'false policemen' who proliferated in occupied Paris as desperate men on the run seeking to feed themselves by blackmailing those who were even more vulnerable than themselves. It asks why some gentile French people chose to risk imprisonment by wearing yellow stars. It recounts the fate of a couple of estranged middle-aged Jews, separated by the mobilisation of 1939, who found themselves (in July 1942) on the same train to Auschwitz. Extremely moving and brilliantly readable, The Unfree French is a remarkable addition to the literature of the Second World War.

     The true account of a teenage soldier in World War 2 Germany. Germany, 1945. Ever since Anton Kohler first heard the vibrant sound of the violin, he’s dreamed of mastering the instrument. But when his father dies, the fifteen-year-old must give up his passion to support his seven younger siblings. As the Russian army marches closer to his hometown, Anton and his best friend Gerhard are pulled from their families and forced to help defend their home in a last desperate stand. When Anton witnesses the slaughter of concentration camp prisoners, he vows to escape the war and find a way home to his family and his girl, Luise. In the chaos of impending defeat, Anton is torn between his promise to protect the life of his best friend and his desire to survive the war with his conscience intact. Based on a true account, this coming-of-age story set in the last turbulent months of World War 2, Germany, is a tale of love and friendship, of hope and loss. Read When the War is Over now to experience the poignant journey of a teenage soldier.

    I cut off her hair, thick and beautiful, and she grasps my hand and begs me to remember that I too am a Jew. She knows that she is lost. ‘But remember,‘ she says, ‘you see what is being done to us. That‘s why my wish for you is that you will survive and take revenge for our innocent blood, which will never rest.‘ She has not had time to get up when a murderer who is walking between the benches lashes her on the head with his whip. Blood shows on her now shorn head. That evening, the blood of tens of thousands of victims, unable to rest, thrust itself upwards to the surface.—from The Last Jew of TreblinkaWhy do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution. There was no pretense of work here like in Auschwitz or Birkenau. Only a train platform and a road covered with sand. A road that led only to death. But not for Chil Rajchman, a young man who survived working as a “barber” and “dentist,” heartsick with witnessing atrocity after atrocity. Yet he managed to survive so that somehow he could tell the world what he had seen. How he found the dress of his little sister abandoned in the woods. How he was forced to extract gold teeth from the corpses. How every night he had to cover the body-pits with sand. How ever morning the blood of thousands still rose to the surface.Many have courageously told their stories, and in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945 without hope or agenda other than to bear witness, Rajchman’s tale shows that sometimes the bravest and most painful act of all is to remember.

    

    It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion—including the readiness to risk one’s life—to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author’s interviews with several of the story’s participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, “The Jerusalem of Lithuania.” The rescuers were pitted against Johannes Pohl, a Nazi “expert” on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city’s great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. This group, nicknamed “the Paper Brigade,” and informally led by poet Shmerke Kaczerginski, a garrulous, street-smart adventurer and master of deception, smuggled thousands of books and manuscripts past German guards. If caught, the men would have faced death by firing squad at Ponar, the mass-murder site outside of Vilna. To store the rescued manuscripts, poet Abraham Sutzkever helped build an underground book-bunker sixty feet beneath the Vilna ghetto. Kaczerginski smuggled weapons as well, using the group’s worksite, the former building of the Yiddish Scientific Institute, to purchase arms for the ghetto’s secret partisan organization. All the while, both men wrote poetry that was recited and sung by the fast-dwindling population of ghetto inhabitants. With the Soviet “liberation” of Vilna (now known as Vilnius), the Paper Brigade thought themselves and their precious cultural treasures saved—only to learn that their new masters were no more welcoming toward Jewish culture than the old, and the books must now be smuggled out of the USSR. Thoroughly researched by the foremost scholar of the Vilna Ghetto—a writer of exceptional daring, style, and reach—The Book Smugglers is an epic story of human heroism, a little-known tale from the blackest days of the war.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    In the following twenty-three years she experienced many of the terrors of her fellowEuropean Jews: early Nazi oppression in Berlin; post-"Anschluss" Vienna; Nazi occupied Prague; and deportation to Theresienstadt in 1942. But the truehorrors of the Nazi "Final Solution" awaited her in Birkenau, the woman's concentration camp where she survived her internment, beginning in January, 1943, for two years. These months of hell were followed by a "Death March" and incarceration in Ravensbrück from which she and a group of fellow inmates walked away to freedom.As Professor Emerita in German literature at UNC-Charlotte, Dr. Cernyak-Spatz continues to teach and to lecture about the Holocaust. This book is a rare firsthand testament of a Holocaust survivor. The audiobook version, narrated by the author, is now available on her website.

    On that train were carriage after carriage of loot – gold, diamonds, furs, wedding rings – plundered in one of the most shameful crimes of the century. Commanded by Árpád Toldi, a key organizer of the Hungarian Holocaust, and harbouring a desperate group of fascist ideologues, soldiers and thieves, the gold train was destined for a Nazi stronghold in the Alps. It would never arrive. Along its crazed journey the train’s contents were pilfered, fought over, hidden and scattered, until they became the stuff of legend, with legal claims unresolved even today. What is the truth of this mythical cargo? In ‘The Gold Train’ Ronald Zweig reveals the full story of one of the most terrible mysteries of the Second World War.

    Here he tells of the scorn and ridicule he endured for sounding the alarm when many still viewed Hitler as a positive and inevitable force. He recounts the sorrow of having to leave his home, friends, and family in Germany to conduct his fight against the Nazis from Austria. He tells how he defiantly challenged Nazism in the public square, prompting the German ambassador in Vienna to describe him to Hitler as “the architect of the intellectual resistance." And throughout it all, he conveys his unwavering trust in God, even during his harrowing escape from Vienna and his desperate flight across Europe, with the Nazis always just one step behind.

    In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant.  A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life.   The trial atmosphere extends to the small group in the villa.  Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in.  The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

    His extraordinary wartime career was one of the high risk adventure. Among the exploits that earned him the reputation as "the most dangerous man in Europe" were the rescue of Mussolini in 1943 and the capture of the Hungarian regent Admiral Horthy just before he could sign a peace treaty with Stalin. In this book Skorzeny tells the full story.

    The story centres on three men – on British, one French and one German – and the duels they fought out in an atmosphere of collaboration, betrayal and assassination, in which comrades sold fellow comrades, Allied agents and downed pilots to the Germans, as casually as they would a bottle of wine.In this thrilling history of how ordinary, untrained people in occupied Europe faced the great questions of life, death and survival, Paddy Ashdown tells a fast-paced tale of SOE, betrayal and bloodshed in the city labelled ‘la plus belle collaboratrice’ in the whole of France.