Tessa left when she was nine and has been trying ever since not to think about it after what happened there that last summer. Memories of things so dark will burn themselves into your mind if you let them.Callie never left. She moved to another house, so she doesn’t have to walk those same halls, but then Callie always was the stronger one. She can handle staring into the faces of her demons—and if she parties hard enough, maybe one day they’ll disappear for good.Tessa and Callie have never talked about what they saw that night. After the trial, Callie drifted and Tessa moved, and childhood friends just have a way of losing touch.But ever since she left, Tessa has had questions. Things have never quite added up. And now she has to go back to Fayette—to Wyatt Stokes, sitting on death row; to Lori Cawley, Callie’s dead cousin; and to the one other person who may be hiding the truth.Only the closer Tessa gets to the truth, the closer she gets to a killer—and this time, it won’t be so easy to run away.

    In every world.Young real estate agent Madison May is shocked when a client at an open house says these words to her. The man, a stranger, seems to know far too much about her, and professes his love--shortly before he murders her.Felicity Staples hates reporting on murders. As a journalist for a midsize New York City paper, she knows she must take on the assignment to research Madison May's shocking murder, but the crime seems random and the suspect is in the wind. That is, until Felicity spots the killer on the subway, right before he vanishes.Soon, Felicity senses her entire universe has shifted. No one remembers Madison May, or Felicity's encounter with the mysterious man. And her cat is missing. Felicity realizes that in her pursuit of Madison's killer, she followed him into a different dimension--one where everything about her existence is slightly altered. At first, she is determined to return to the reality she knows, but when Madison May--in this world, a struggling actress--is murdered again, Felicity decides she must find the killer--and learns that she is not the only one hunting him.Traveling through different realities, Felicity uncovers the opportunity--and danger--of living more than one life.

    Although she is reluctant to track down a woman who may not want to be found, Gray's search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman's secrets and the truth she's hidden from her friends and family.Featuring two complicated women in a dangerous cat and mouse game, And Now She's Gone explores the nature of secrets -- and how violence and fear can lead you to abandon everything in order to survive.

    Meanwhile, she’s struggling to start a family, but her husband is distracted by the disappearance of his best friend, Nick. As stresses weigh her down in her professional and personal lives, Liza escapes into writing the chilling exploits of her latest heroine, Beth.Beth, a new mother, suspects her husband is cheating on her while she’s home caring for their newborn. Angry and betrayed, she aims to catch him in the act and make him pay for shattering the illusion of their perfect life. But before she realizes what she’s doing, she’s tossing the body of her husband’s mistress into the East River.Then, the lines between Liza’s fiction and her reality eerily blur. Nick’s body is dragged from the East River, and Liza’s husband is arrested for his murder. Before her deadline is up, Liza will have to face up to the truths about the people around her, including her own. If she doesn’t, the end of her heroine’s story could be the end of her own.

    And when she finds a tiny part of a doll house outside her flat, it feels as if it’s a sign.But as more pieces begin to turn up, Corinne realises that they are far too familiar. Someone knows about the miniature rocking horse and the little doll with its red velvet dress. Someone has been inside her house…How does the stranger know so much about her life? How long have they been watching? And what are they waiting for…?

    A boy. His mother. And the lie she'll wish she'd never told.The Girlfriend by Michelle Frances is a gripping and chilling debut psychological thriller, based on the fall-out following an unforgiveable lie. It looks at the potentially charged relationship between girlfriend, boyfriend and his mother, which most women can identify with, and locates it in an extreme but believable setting.Laura has it all. A successful career, a long marriage to a rich husband, and a twenty-three year-old son, Daniel, who is kind, handsome, and talented. Then Daniel meets Cherry. Cherry is young, beautiful and smart but she hasn't had the same opportunities as Daniel. And she wants Laura's life.Cherry comes to the family wide-eyed and wants to be welcomed with open arms, but Laura suspects she's not all that she seems. When tragedy strikes, an unforgiveable lie is told. It is an act of desperation, but the fall-out will change their lives forever.

    April Coutts-Cliveden was the first person Hannah Jones met at Oxford. Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the second, April was dead. Now, a decade later, Hannah and Will are expecting their first child, and the man convicted of killing April, former Oxford porter John Neville, has died in prison. Relieved to have finally put the past behind her, Hannah’s world is rocked when a young journalist comes knocking and presents new evidence that Neville may have been innocent. As Hannah reconnects with old friends and delves deeper into the mystery of April’s death, she realizes that the friends she thought she knew all have something to hide…including a murder.

    Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. As they struggle to make sense of their new life without Mark, they find joy in brief moments of normalcy like walking to school and watching television together. Life is hard without Mark, but Tess has Jamie, and that's what matters.But there in the hospital, confused and surrounded by people who won't listen, Tess’s world falls apart. To save her son, she must piece together what happened between Mark's death and Jamie's birthday, but the truth might just be too much for her to bear.

    Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    But Kennedy's teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can't remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea.In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy's innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins' father, Gerry, is eager to protect the family's secrets and fragile bonds. But Kennedy's return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn't wasn't as simple as it seemed, murky memories of Haley's death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.

    That's what his mother always told him.Now, he is a true crime writer, with one grisly success--and movie adaptation--to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. But now he is being offered the chance for the big break: To move into the house--what the locals call "The Devil House"--in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.