After the death of her parents, Angela moves to New York to escape the racism she believes is her only obstacle to opportunity. What she soon discovers is that being a woman has its own burdens that don't fade with the color of one's skin, and that love and marriage might not offer her salvation.

    

    From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its “scarlet glare fixed on the trembling crescent,” to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television.Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar:The cowboy grins through the terrible din,***And in the Ninth, a choking woman wailsLook like this country done left us for dead.An unforgettable reminder that poetry can still be “news that stays news,” Blood Dazzler is a necessary step toward national healing.Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation’s blog.

    A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's fourteen and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt, while brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that comprise the novel's framework yield to the final day and Hurricane Katrina, the unforgettable family at the novel's heart—motherless children sacrificing for each other as they can, protecting and nurturing where love is scarce—pulls itself up to struggle for another day. A wrenching look at the lonesome, brutal, and restrictive realities of rural poverty, "Salvage the Bones" is muscled with poetry, revelatory, and real.

    Hers is poetry of birth, death, children, community, history, sexuality and spirituality, and she addresses these themes with passion, humor, anger and spiritual awe.

    With its vivid array of dramatic monologues, allegories, and tall tales, this absurdist, unreal exploration of modern society brings us a chorus of unique and unforgettable voices. All are welcome at this twilit, visionary carnival: the man whose wife drapes a border-curtain across the middle of the marital home; the black bear with a dark secret; the woman who oversees giant snowballs in the freezer. "My girlfriend won me in a sealed auction but wouldn't / tell me how much she bid," begins one speaker; "I hadn't meant to go grave robbing with Richard Dawkins / but he can be very persuasive," another tells us. The storyteller behind this human tapestry has about him a sly undercover idealism: he shares with many of his characters a stargazing capacity for belief, or for being, at the very least, entirely "genuine in his disbelief." In these startling poems, with their unique cartoon-strip energy and air of misrule, Armitage creates world after world, peculiar and always particular, where the only certainty is the unexpected.

    . . [Seidel’s] poems are a triumph of cosmic awe in the face of earthly terror.” —Hillel Italie, USA TodayFrederick Seidel has been called many things. A “transgressive adventurer,” “a demonic gentleman,” a “triumphant outsider,” “a great poet of innocence,” and “an example of the dangerous Male of the Species,” just to name a few. Whatever you choose to call him, one thing is certain: “he radiates heat” (The New Yorker).Now add to that: the poet of aging and decrepitude.Widening Income Inequality, Seidel’s new poetry collection, is a rhymed magnificence of sexual, historical, and cultural exuberance, a sweet and bitter fever of Robespierre and Obamacare and Apollinaire, of John F. Kennedy and jihadi terror and New York City and Italian motorcycles. Rarely has poetry been this true, this dapper, or this dire. Seidel is “the most poetic of the poets and their leader into hell.”

    . . in Ireland. Elizabeth Lara built a perfect life as San Francisco’s top divorce attorney, but when she loses her great-aunt Mags, the woman who raised her, she boards a plane and leaves it all behind. The Irish shores welcome her as she learns a shocking truth, kept secret for thirty-five years. Devastated and now alone in the world, Beth tries to find peace in a beautiful cottage by Lough Rhiannon, but peace isn’t what fate had in mind. Almost as soon as she arrives, Beth’s solitary retreat into the magic wilds of Ireland is interrupted by Connor Bannon. A man with light brown hair, ice blue eyes and a secret of his own. He’s gorgeous, grieving, and completely unexpected. With the help of Mags’ letters, the colorful townspeople of Dingle, and Connor, Elizabeth might just find a way back to the girl she lost long ago and become the woman she always wanted to be. The complete collection takes you on a journey through: The Irish Cottage: Finding Elizabeth The London Flat: Second Chances The Paris Apartment: Fated Journey Released for the first time with bonus content, including the never before released opening chapters of the new book The Irish Castle, this Irish women’s fiction romance novel trilogy will take you on an adventure you’ll never forget and give you all the feels. Escape to Ireland now. A Note From Jules: Be forewarned you might not want to start this book late at night—several readers have reported “gobbling it up” and going on to the next book immediately. These books are romantic literary women’s fiction, they are not traditional romance, per se. “If you enjoy Nora Roberts, you’ll like Juliet Gauvin. The Irish Cottage is a fresh take on women’s literary fiction, sometimes light and scrumptious and other times quite profound in its observations on life, love and loss.” -Amazon Review “A book that conveys the true feelings of Ireland when you visit…it’s a bit of a romance, history, travel, and mystery neatly tied into a book well worth reading.” -Amazon Review “I started this book and couldn't put it down. It brought me to Ireland and I never wanted to leave.” -Amazon Review The Irish Heart Series Collection is an international women’s literary fiction Irish romance novel trilogy. Other themes include: romance literary fiction, women’s sagas, love stories, and second chances at life and love.

    Her father, Trevor, adores her but she is neglected by her feckless mother, Grace. When war comes Trevor Molloy is called up. He fears for Winnie and persuades Sandy Coulson to wheel her to school each day in a converted pram. Two years older than her, Sandy sticks up for Winnie and promises to be her lifelong friend. But Grace is drinking very heavily and loses one job after another. To pay the rent on the one squalid room they are now living in she takes Winnie in the pram out begging until she is given a warning by the police. When Trevor is reported 'Missing Presumed Dead' Grace goes on a drinking spree, meets with an accident and dies. And Winnie is left loveless and alone...

    each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

    This tale of vengeance is nothing short of exciting." Reedsy ReviewUlf is like a storm, slowly building up its power, he grows more dangerous with each passing moment. And like all storms, he will eventually break. When he does, he will destroy everything in his path.Ulf is one of a long line of famous Norse warriors. His ancestor Tyr was no ordinary man, but the Norse God of War. Ulf, however, knows nothing about being a warrior.Everything changes when a stranger arrives on Ulf’s small farm in Vikenfjord. The only family he’s ever known are slaughtered and the one reminder of his father is stolen -- Ulf’s father’s sword, Ormstunga. Ulf’s destiny is decided.Are the gods punishing him? All Ulf knows is that he has to avenge his family. He sets off on an adventure that will take him across oceans, into the eye of danger, on a quest to reclaim his family’s honour.The gods are roused. One warrior can answer to them. The Son of Anger.

    This is a short collection of poetry from the pen and mind of Nyles Adams, most of which originally appeared in other Alexandria House works.Read, absorb and snap your fingers if you are so inclined.

     It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, strayfrom home.So better by far for me if you were stone.—from "Medusa"Stunningly original and haunting, the voices of Mrs. Midas, Queen Kong, and Frau Freud, to say nothing of the Devil's Wife herself, startle us with their wit, imagination, and incisiveness in this collection of poems written from the perspectives of the wives, sisters, or girlfriends of famous—and infamous—male personages. Carol Ann Duffy is a master at drawing on myth and history, then subverting them in a vivid and surprising way to create poems that have the pull of the past and the crack of the contemporary.

    She was a poor Southern tobacco farmer who worked the same land as her enslaved ancestors, yet her cells—taken without her knowledge—became one of the most important tools in medicine. The first “immortal” human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. If you could pile all HeLa cells ever grown onto a scale, they’d weigh more than 50 million metric tons—as much as a hundred Empire State Buildings. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions.Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.Now Rebecca Skloot takes us on an extraordinary journey, from the “colored” ward of Johns Hopkins Hospital in the 1950s to stark white laboratories with freezers full of HeLa cells; from Henrietta’s small, dying hometown of Clover, Virginia — a land of wooden quarters for enslaved people, faith healings, and voodoo — to East Baltimore today, where her children and grandchildren live and struggle with the legacy of her cells.Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family — past and present — is inextricably connected to the history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family—especially Henrietta’s daughter Deborah, who was devastated to learn about her mother’s cells. She was consumed with questions: Had scientists cloned her mother? Did it hurt her when researchers infected her cells with viruses and shot them into space? What happened to her sister, Elsie, who died in a mental institution at the age of fifteen? And if her mother was so important to medicine, why couldn’t her children afford health insurance?Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.

    The walks meet a need for Julius: they are a release from the tightly regulated mental environment of work, and they give him the opportunity to process his relationships, his recent breakup with his girlfriend, his present, his past.But it is not only a physical landscape he covers; Julius crisscrosses social territory as well, encountering people from different cultures and classes who will provide insight on his journey—which takes him to Brussels, to the Nigeria of his youth, and into the most unrecognizable facets of his own soul.