22 color photos.

    But on the way, he meets a hungry wolf. And now his grandfather bears a striking resemblance to el lobo. Fortunately, Federico is quick and clever—and just happens to be carrying a spicy surprise! Federico drives the wolf away, and he and Abuelo celebrate with a special salsa. Recipe included.

    Acclaimed writer, editor, and publisher Armand Eisen brings together timeless childhood favorites in this one-of-a-kind anthology, a perfect bedside companion ready to be picked up again and again.

    Seuss stories were published in magazines in the early 1950s and are finally available in book form. They include “The Bippolo Seed” (in which a scheming feline leads a duck toward a bad decision), “The Rabbit, the Bear, and the Zinniga-Zanniga” (about a rabbit who is saved from a bear by a single eyelash), “Gustav, the Goldfish” (an early rhymed version of the Beginner Book A Fish Out of Water), “Tadd and Todd” (about a twin who is striving to be an individual), “Steak for Supper” (in which fantastic creatures follow a boy home in anticipation of a steak dinner), “The Strange Shirt Spot” (the inspiration for the bathtub-ring scene in The Cat in the Hat Comes Back), and “The Great Henry McBride” (about a boy whose far-flung career fantasies are bested only by those of Dr. Seuss himself). An introduction by Seuss scholar Charles D. Cohen traces the history of the stories, which demonstrate an intentional move toward the writing style we now associate with Dr. Seuss. Cohen also explores the themes that recur in well-known Seuss stories (like the importance of the imagination or the perils of greed). With a color palette enhanced beyond the limitations of the original magazines, this is a collection that no Seuss fan (whether scholar or second grader) will want to miss.From the Hardcover edition.

    But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

    "Exceptional." - School Library Journal, starred review

    From Maroon Crayon, who was lost beneath the sofa cushions and then broken in two after Dad sat on him; to poor Turquoise, whose head is now stuck to one of Duncan's stinky socks after they both ended up in the dryer together; to Pea Green, who knows darn well that no kid likes peas and who ran away—each and every crayon has a woeful tale to tell and a plea to be brought home to the crayon box. Drew Daywalt and Oliver Jeffers have combined to create a companion book every bit as funny and kid-friendly as the #1 bestselling The Day the Crayons Quit.Praise for The Day the Crayons Quit The #1 New York Times bestselling phenomenon — over 80 weeks on the bestseller list!Winner of the E.B. White Read-Aloud Award Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year  * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review  “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review  * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review  “Utterly original.” –San Francisco Chronicle

    But she wants to be a knight. At night, she practises at becoming the best knight in the land. When her father, the king, stages a tournament for Violetta's hand in marriage, she knows she must win the greatest battle yet, for the most important prize of all - herself.

    But the little wolves' increasingly sturdy dwellings are no match for the persistent porker, who has more up his sleeve than huffing and puffing. It takes a chance encounter with a flamingo pushing a wheelbarrow full of flowers to provide a surprising and satisfying solution to the little wolves' housing crisis. Eugene Trivizas's hilarious text and Helen Oxenbury's enchanting watercolors have made this delightfully skewed version of the traditional tale a contemporary classic.

    She has been a girl who lived under the sea and a boy raised by wolves. She has had adventures in wonderland and visited the world of fairytales. She whispers to the dresses in her closet and talks to birds in the treetops. She has wings that take her anywhere she wants to go, but that always bring her home again. She likes to make things -- boats out of boxes and castles out of cushions. But more than anything Sadie likes stories, because you can make them from nothing at all. For Sadie, the world is so full of wonderful possibilities ... This is Sadie, and this is her story.

    It goes forth at nightto prowl around the fires.It even likes to minglewith the dancers...Shadow...It waves with the grasses,curls up at the foot of trees...But in the African experience Shadow is much more. The village storytellers and shamans of an Africa that is passing into memory called forth for the poet Blaise Cendrars an eerie image, shifting between the beliefs of the present and the spirits of the past.Shadow...It does not cry out,it has no voice...It can cast a spell over you...It follows man everywhere,even to war...Marcia Brown's stunning illustrations in collage, inspired by her travels in Africa, evoke the atmosphere and drama of a life now haunted, now enchanted by Shadow.

    The golem's task was to vanquish those who persecuted the Jews of Prague, and he performed it almost too well. Retold from traditional sources and accompanied by masterly cutpaper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It offers a thought-provoking look at the consequences of unleashing power beyond human control.Winner of the 1997 Caldecott Medal.

    In this Native American variant of a familiar story, some turkeys make a gown of feathers for the poor girl who tends them so that she can participate in a sacred dance, but they desert her when she fails to return as promised.

    . . Once upon a time my brother and I were normal kids. The next minute? The mirror in our basement slurped us up and magically transported us inside Snow White's fairy tale. I know it sounds crazy, but it's true.But hey -- we're heroes! We stopped Snow White from eating the poisoned apple. Hooray! Or not. If Snow White doesn't die, she won't get to meet her prince. And then she won't get her happy ending. Oops. Now it's up to us to:- Avoid getting poisoned- Sneak into a castle- Fix Snow White's storyBut Snow White's REAL happy ending might not be quite what we expected . . .

    She single-handedly defeats the fearsome bear known as Thundering Tarnation, wrestling him from the top of the Great Smoky Mountains to the bottom of a deep lake. Caldecott Medal-winning artist Paul O. Zelinsky's stunning folk-art paintings are the perfect match for the irony, exaggeration, and sheer good humor of this original tall tale set on the American frontier.A Caldecott Honor BookAn ALA Notable BookA Time magazine Best Book of the YearA New York Times Best Illustrated Children's Book of the YearWinner of the Boston Globe/Horn Book AwardA Publishers Weekly Best Book of the Year